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Title
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Textes
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Crévilles
Livre
Type de contenu : livres
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Red city, blue period: Social movements in Picasso's Barcelona
Subject
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culture urbaine, Barcelona, Barcelone, histoire urbaine, politique de la ville, participation, mouvement social, femmes, women, gender, genre, conflit urbain, Kaplan Temma
Creator
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Temma Kaplan
Date
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1992
Publisher
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University of California Press
Identifier
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http://ark.cdlib.org/ark:/13030/ft9q2nb672/
Format
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266
Description
An account of the resource
<div><b>Extract from the introduction:</b></div>
</div>
The task I have undertaken in this book is to account for the peculiar sense of solidarity that the citizens of Barcelona developed between 1888 and 1939, and to explain why shared experiences of civic culture and pageantry were sometimes sufficient to galvanize resistance to national authoritarian governments but not always enough to overcome internecine struggles based on class and gender in the city itself. Most of all, I am concerned here with the process by which principles of regional freedom and economic equity developed and changed in a city long known for its commitment to human dignity and artistic achievement.</div>
</div>
Women occupy a central place in this study of the creation and transformation of civic culture as a forum for political struggle. The grassroots politics in which activist women overwhelmingly participated has often been overlooked in studies of political life in Barcelona at this time. Yet because this study regards streets and cafés as political arenas, women's activities in them and in the movements that emanated from them assume a pivotal position in the arguments that follow.</div>
</div>
From 1888 to 1939 the politics of region, class, and gender expressed themselves in terms of assorted communal manifestations of Barcelona's civic culture. Festivals and other street gatherings were prominent, providing a means to vent officially repressed aspirations as well as officially sanctioned sentiments. The same festivals or public events could serve divergent purposes at different times. They could express or encourage either local solidarity or internal struggle, celebration or opposition. Thus, civic forms could and did evolve over time, providing a rich and flexible political language that, in turn, gave rise to new strains of thought and new political options. This process both influenced and was reflected in the words of artists like Pablo Picasso, who came of age in Barcelona during this period.</div>
</div>
<b>Contents:</b></div>
</div>
Introduction - The symbolic landscape</div>
1. Resistance and ritual, 1888-1896</div>
2. Popular art and rituals</div>
3. Community celebrations and communal strikes, 1902</div>
4. Women out of control</div>
5. Female consciousness and community struggle, 1910-1918</div>
6. Democratic promises in 1917</div>
7. Urban disorder and cultural resistance, 1919-1930</div>
8. Cultural reactions to the Spanish Republic and the Civil War in Barcelona</div>
Epilogue - Cultural resistance in the aftermath</div>
</div>
<b>Temma Kaplan </b>is Professor of History at Rutgers School of Arts and Sciences.</div>
</div>
Type
The nature or genre of the resource
Ouvrage
Barcelona
Barcelone
conflit urbain
culture urbaine
femmes
gender
genre
histoire urbaine
Kaplan Temma
mouvement social
participation
politique de la ville
women