1
20
7
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Multimédia
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Crévilles
Sound
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Seno Gumira Ajidarma and the writing of urban space in Indonesia
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Jakarta, Indonesia, Indonésie, Ajidarma Seno Gumira, espace urbain, littérature, flâneur, flânerie, société urbaine, twentieth century, twenty-first century, vingtième siècle, vingt-et-unième siècle, Fuller Andy
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7 March 2011
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Andy Fuller
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http://www.ari.nus.edu.sg/publication_details.asp?pubtypeid=AU&pubid=1962
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<div><b>Abstract from the distributor:</b></div>
</div>
This paper considers the work of one of Indonesia’s most prominent contemporary writers, Seno Gumira Ajidarma. In this paper, I look at how Seno’s writing over the last 30 years traces and documents changes in contemporary Indonesian urban societies – and particularly that of Jakarta. This paper considers the importance and relevance of the notion of the urban based flâneur and whether or not the flâneur and the practice of flânerie is part of literary imaginings in contemporary Indonesia. I ask whether or not to be a flâneur and to practice flânerie is a critical social act which questions formal constructions and usages of urban space. This paper looks at the ways in which the practices of listening, hearing, looking and writing are invoked in selected novels, short stories and essays of Seno Gumira Ajidarma.<br />
<br />
<b>Andy Fuller</b> completed his PhD at the University of Tasmania in 2010. He is currently based at Freedom Institute in Jakarta and is also working as a researcher at The University of Melbourne.</div>
</div>
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Ajidarma Seno Gumira
espace urbain
flânerie
flâneur
Fuller Andy
Indonesia
Indonésie
Jakarta
littérature
société urbaine
twentieth century
twenty-first century
vingt-et-unième siècle
vingtième siècle
-
Dublin Core
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Multimédia
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Crévilles
Sound
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Two Parisian re-writings of the flâneur: The failure and the planner
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Benjamin Walter, Baudelaire Charles, flâneur, histoire urbaine, littérature, rue, Thompson Hannah, Paris
Date
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18 January 2012
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Hannah Thompson
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http://backdoorbroadcasting.net/2012/01/hannah-thompson-two-parisian-re-writings-of-the-flaneur-the-failure-and-the-planner/
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An account of the resource
<div><b>Abstract from the organisers (<a target="_blank" href="http://www.rhul.ac.uk/aboutus/newsandevents/news/newsarticles/parissdirtysecretstheflan%C3%AAurandhaussmannization.aspx">source</a>):</b></div>
</div>
A series of research seminars exploring the flâneur – meaning anidler or loafer – will be launched this week by the School of Modern Languages,Literatures and Cultures at Royal Holloway, University of London.<br />
<br />
The flâneur has its origins inthe nineteenth century, when the leisurely ‘gentleman stroller’ emerged as a recognizable urban type in cities such as London and, especially, Paris, andconsequently became the subject of comment, satire and analysis.<br />
<br />
The early twentieth century saw the figure impact on the work of journalists and critics writing in German, notably the work of Walter Benjamin. At the same time, city streets, the anonymity of crowds, and a fascination for ‘observation’ were characteristic preoccupations of many photographers, artists and filmmakers. More recently, the narrative position of the flâneur – a combination of critical distance andtotal immersion – has become a feature of travel writing in an increasingly mobile, globalized world.<br />
<br />
The seminar series will explore aspects of this fascinating theme from the nineteenth century to the present day, with a lecture on Wednesday, January 18, by Dr Hannah Thompson exploring the figure of the flâneur through the work of French poet Charles Baudelaire and German theorist Walter Benjamin.<br />
<br />
Dr Thompson’s lecture, ‘Two Parisian re-writings of the flâneur: the failure and the planner’, will identify two other figures who must negotiate the muddy streets of the capital in order to achieve financial and sexual success.</div>
</div>
<b>Hannah Thompson </b>is Senior Lecturer in the School of Modern Languages, Literatures and Cultures at Royal Holloway, University of London.</div>
</div>
Format
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Baudelaire Charles
Benjamin Walter
flâneur
histoire urbaine
littérature
Paris
rue
Thompson Hannah
-
Dublin Core
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Title
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Multimédia
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Crévilles
Sound
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The psychogeographic mapping of a city: City-dwellers and lived spaces in Walker Evans' Havana
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psychogeography, psychogéographie, flâneur, flânerie, Havana, La Havane, photographie, Evans Walter, histoire urbaine, Kent James Clifford
Date
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22 February 2012
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James Clifford Kent
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http://backdoorbroadcasting.net/2012/02/james-clifford-kent-the-psychogeographic-mapping-of-a-city-city-dwellers-and-lived-spaces-in-walker-evans-havana-portfolio-1933/
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<div>Full title: The psychogeographic mapping of a city: City-dwellers and lived spaces in Walker Evans' Havana portfolio (1933)</div>
</div>
In this research seminar, James Clifford Kent starts by introducing 'the origins of fascinations with Walker Evans and his Havana portfolio, before considering how it fits into the broader discussion of the flâneur'. He also attempts to 'define psychogeography's place in the study of the flâneur and street photography, before exploring the historical context, within which Evans's images of Havana from 1933 were produced'.</div>
</div>
<b>James Clifford Kent </b>is a British documentary-filmmaker and photography who teachers in the School of Modern Languages, Literature and Cultures at Royal Holloway, University of London, and in the Spanish Department at Coventry University.</div>
</div>
Format
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Evans Walter
flânerie
flâneur
Havana
histoire urbaine
Kent James Clifford
La Havane
photographie
psychogéographie
psychogeography
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Dublin Core
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Multimédia
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Crévilles
Sound
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The flâneur on the bus: Franz Hessel and Joseph Roth in Weimar Berlin
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Berlin, Hessel Franz, Roth Joseph, flâneur, flânerie, littérature, histoire urbaine, Hughes Jon
Date
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7 December 2011
Creator
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Jon Hughes
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http://backdoorbroadcasting.net/2012/02/jon-hughes-the-flaneur-on-the-bus-franz-hessel-and-joseph-roth-in-weimar-berlin/
Description
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<div><b>Organisers' description of the seminar series (<a target="_blank" href="http://backdoorbroadcasting.net/2012/01/the-flaneur-research-seminars-in-comparative-literature-and-culture-2011-12/">source</a>):</b></div>
</div>
The School of Modern Languages, Literatures and Cultures at Royal Holloway is pleased to announce a series of lunchtime Research Seminars in Comparative Literature and Culture. The School’s popular degree programme in Comparative Literature and Culture (CLC) gives students the opportunity to study fiction, film, visual art, and intellectual history across different periods, cultures and contexts. The Research Seminars will showcase the complementary, comparative, and interdisciplinary research interests of researchers in the SMLLC by exploring a single theme: ‘The Flâneur’.<br />
<br />
The ‘Flâneur’, both as a figure and as an approach to art, has its origins in the nineteenth century, when the leisurely ‘gentleman stroller’ emerged as a recognizable urban type in cities such as London and, especially, Paris, and consequently became the subject of comment, satire and analysis. For the poet Charles Baudelaire, the flâneur became of a figure of aesthetic and existential significance: the pedestrian observer able to ‘bathe’ in crowds, to feel at home anywhere, to derive intoxication from random encounters. As the world’s cities have continued to expand, the flâneur has continued to exercise influence on and appeal to artists and writers, and architects and urban planners. The early twentieth century saw the figure impact on the work of journalists and critics writing in German, notably the work of Walter Benjamin. At the same time, city streets, the anonymity of crowds, and a fascination for ‘observation’ were characteristic preoccupations of many photographers, artists and filmmakers. More recently, the narrative position of the flâneur – a combination of critical distance and total immersion – has become a feature of travel writing in an increasingly mobile, globalized world.</div>
</div>
available to download</a>.</div>
</div>
<b>Jon Hughes </b>is Senior Lecturer at the School of Modern Languages, Literatures and Cultures at Royal Holloway, University of London, Research Officer at the Centre for German-Jewish Studies in Sussex, and Lecturer in German at King's College London.</div>
</div>
Format
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Berlin
flânerie
flâneur
Hessel Franz
histoire urbaine
Hughes Jon
littérature
Roth Joseph
-
Dublin Core
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Title
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Multimédia
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Crévilles
Sound
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The reporter, the flâneur, and the critic: The urbanist as outsider in the South Asian mega-city
Subject
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New Delhi, Mumbai, Bombay, urbanism, urbanisme, urbanist, urbaniste, mégapole, sociologie urbaine, Asie, Asia, Inde, India, culture urbaine, flâneur, Hogan Trevor
Date
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8 March 2011
Creator
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Trevor Hogan
Identifier
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http://www.ari.nus.edu.sg/publication_details.asp?pubtypeid=AU&pubid=1963
Description
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<div><b>Abstract from the distributor:</b></div>
</div>
‘No urbanism without urbanists’ might be a slogan that captures the European and North American urban experience over the past two centuries. Indeed, it is arguable that urbanism is not only an empirical description of material cultures of cities but is also a creative act of the inscriptions on the cities by writers themselves – from Ruskin, Baudelaire, and Geddes to Benjamin, Mumford and Hall, and from the Chicago School to Jacobs, Sennett and Davis. But where, when and who are the Asian urbanists? And is this question too late in an era of globalised megacities? Can we still write the city? Are they not too big, fast, splintered and complex to be encapsulated textually in their totality? Are we witnessing instead in the Asian-Pacific Century, urbanisms without urbanists?<br />
<br />
This paper looks at four contemporary urbanists and their writings on two key megacities of India – New Delhi and Mumbai, two megacities whose forms and lives are crucial to the next phase of India’s emergence as a global power. They are difficult cities in every sense – complex, explosive, dangerous, fluid and creative - and therefore ideal sites for understanding 21st century forms of urbanisms. Here I choose writers who are outsiders to the cities they write about: they are migrants and expatriates, but who also work from the margins of the social sciences of the academy. I attend to their authorship and their social and institutional settings; this in turn invites reflection on readerships, but more importantly about the types of authorship available to, and developed by, urbanists over the past two hundred years. The paper shifts to the texts themselves and reflects about forms of writing (genre, style, and rhetoric) as much as to what they have come to say about their cities. The paper concludes with some reflections on their arguments for a critical understanding of the contemporary South Asia mega-city by suggesting that indeed there is no urbanism without urbanists and this is so in Asian cities of the 21st century no less.</div>
</div>
<b>Trevor Hogan</b> commenced a 3-month appointment as a Visiting Senior Research Fellow in the Asian Urbanisms Cluster with effect from 27 December 2010. He teaches in Social Sciences, La Trobe University. He is the Director, Philippines-Australia Studies Centre, and Deputy-Director, Thesis Eleven Centre for Cultural Sociology.</div>
</div>
Format
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Asia
Asie
Bombay
culture urbaine
flâneur
Hogan Trevor
Inde
India
mégapole
Mumbai
New Delhi
sociologie urbaine
urbanism
urbanisme
urbanist
urbaniste
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Textes
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Crévilles
Livre
Type de contenu : livres
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Le flâneur postmoderne. Entre solitude et être-ensemble
Subject
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flâneur, voyageur, marche à pied, démarche vagabonde, ambiances, solitude
Description
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Voyageur, voyeur, voyant, le flâneur privilégie le songe, les jeux de masques. Il transforme la ville, faite de matériaux solides et gris, en un espace fluide, mouvant, coloré. Adepte du rythme lent, il voue un culte à l’inutile et gaspille le temps avec art. Il recherche la solitude dans la foule, proclame l’absolue nécessité de l’oisiveté et, par sa démarche vagabonde, réinvente sans cesse les formes du quotidien.
Imprévisible caméléon, ce résistant silencieux lance un défi permanent à la norme et à la médiocrité. Splendide élitisme que celui d’être anonyme… et donc libre.
Dans le sillage de Walter Benjamin, Georg Simmel, Jean Baudrillard, Guy Debord, Michel Maffesoli, Jieun Shin signe un essai sociologique de haute facture sur cette figure postmoderne par excellence qu’est le flâneur contemporain. Elle montre que, dans le labyrinthe urbain, ériger l’art de la dérive en mode d’être au monde permet de dépasser le narcissisme et le simple souci de soi.
Quand marcher sans intention véritable est une forme de bonheur…
Docteur en sociologie (université Paris-Descartes), Jieun Shin est chargée de recherche au Korean Studies Institute à l’Université nationale de Pusan (Corée du Sud).
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Jieun Shin
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http://www.cnrseditions.fr/Sociologie--Ethnologie--Anthropologie/6833-le-flaneur-postmoderne-jieun-shin.html
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CNRS Editions
Date
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2014-01-09
Format
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380
Language
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FR
Type
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Ouvrage
ambiances
démarche vagabonde
flâneur
marche à pied
solitude
voyageur
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original_transmission_reference:Joyce
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160
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Title
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Textes
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Crévilles
Livre
Type de contenu : livres
Dublin Core
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Joyce, Benjamin and magical urbanism. European Joyce Studies 21
Subject
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Joyce James, Benjamin Walter, magical urbanism, urbanism, culture urbaine, littérature, flâneur, Boscagli Maurizia, Duffy Enda
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NC
Date
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2011
Publisher
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Rodopi
Format
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249
Description
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<div><b>Abstract from the publisher:</b></div> </div> Joyce, Benjamin and Magical Urbanism offers for the first time a sustained exploration of parallels between the fiction of James Joyce and the cultural criticism of Walter Benjamin. Benjamin is perhaps modernism’s most eloquent theorist, Joyce its finest writer of fiction; both haunted the same Paris streets at the height of the modernist moment, and both developed accounts of the flaneur’s encounter with the city, with commodity culture and with others, that were revolutionary in their day and continue to set the agendas for culture and cultural critique. To place some of the work of each side by side is to make evident their affinities: the skills of each as new cartographers of the urban, the interest of each in ethnicity, nationalism, and exile, the way in which the ‘Profane illumination’ celebrated by Benjamin meets the ‘Epiphany’ of Joyce’s A Portrait, as each rethought the epistemology of insight in the modernist moment. This collection explores these parallels between two of the greatest modernists, casting the aesthetic strategies of Joyce in the light of the aesthetic critique of Benjamin, opening up the politics of the one in the light of those of the other, and discerning the parallels between Joyce’s version of a modern urban world in which self and society effect an uneasy rapprochement and Benjamin’s modernist scenarios in which the aura might still linger. This collection discovers extraordinary parallels between the two writers who, writing in Paris, offered new accounts of urban selfhood and survival to the world.<br /> <br /> <b>Contents</b>:<br /> <br /> Bibliographical Note<br /> Enda Duffy and Maurizia Boscagli - Introduction: Joyce, Benjamin and magical urbanism<br /> Douglas Mao - Arcadian Ithaca<br /> Ellen Carol Jones - Memorial Dublin<br /> Patrick McGee - The Communist flâneur, or, Joyce’s boredom<br /> Maurizia Boscagli - Spectacle reconsidered: Joycean synaesthetics and the dialectic of the mutoscope<br /> Graham MacPhee - Benjamin, Joyce and the disappearance of the dead<br /> Enda Duffy - The Happy Ring House<br /> Heyward Ehrlich - Joyce, Benjamin and the futurity of fiction<br /> Scott Kaufman - “That Bantry jobber:” William Martin Murphy and the critique of progress and productivity in Ulysses<br /> Paul K. Saint-Amour - The vertical flâneur: Narratorial tradecraft in the colonial metropolis</div> </div> <b>Maurizia Boscagli </b>is Associate Professor in the English Department at the University of California, Santa Barbara.</div> <b>Enda Duffy </b>is Professor in the English Department at the University of California, Santa Barbara.</div> </div>
Type
The nature or genre of the resource
Ouvrage
Benjamin Walter
Boscagli Maurizia
culture urbaine
Duffy Enda
flâneur
Joyce James
littérature
magical urbanism
urbanism