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                <text>Paris</text>
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                <text>Dussy, Dorothée</text>
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                <text>A Nouméa cohabitent deux villes entremêlées et antagonistes. La ville blanche, telle que l'a produite la colonisation du pays, et celle des « squats » océaniens, comme on appelle localement les quartiers d'habitat spontané. Dans la mouvance des Accords de rééquilibrage politiques de Matignon-Oudinot signés en 1988, des familles Kanak habitant à Nouméa, rapidement suivies par des familles océaniennes pauvres, se sont progressivement installées sur les vastes terrains en friche de la ville et du bord de mer. Elles y ont aménagé des cabanes en tôle et des jardins vivriers, puis se sont organisées politiquement sur une base commune : sur le territoire des squat prévaut l'autorité foncière et politique kanak. La tentative de conquête d'un droit de cité et d'un nouveau mode de vie, perçu par ses acteurs, longtemps exclus de la ville, comme une promotion sociale, a été unanimement réprouvée et combattue par le pouvoir local européen.&lt;br /&gt;Les mécanismes de production de l'espace urbain sont décrits et analysés à partir d'une méthode originale qui combine trois lectures successives de Nouméa : une lecture sociologique et géographique de la ville, confrontant la ville informelle des squats à la ville institutionnelle ; une lecture historique des projets et réalisations urbanistiques, de la fondation de la ville jusqu'à aujourd'hui ; et enfin une lecture anthropologique, montrant les enjeux politiques et symboliques dont la ville est investie par chacune des communautés ethniques en présence et les stratégies mises en œuvre dans leur confrontation. Dans cette approche complexe, l'espace urbain, les habitants et leur projet sont perçus comme un ensemble aux interactions multiples, fonctionnant dans la durée.</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/03/41/43/PDF/dussySapproprierlaville.pdf</text>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:ENVIR] Humanities and Social Sciences/Environmental studies</text>
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                <text>[SHS:GEO] Humanities and Social Sciences/Geography</text>
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                <text>Nouméa</text>
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                <text>habitat spontané</text>
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                <text>S'approprier la ville</text>
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                <text>Varsovie</text>
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                <text>Poland</text>
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                <text>Gaboriau, Patrick</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2003-12-06</text>
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            <description>An account of the resource</description>
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                <text>Dans cet article l'auteur montre que l'inégalité se présente en terme de rapports de force où les vues sur le monde social jouent un rôle essentiel. Pour le chercheur en sciences sociales, il s'agirait, à divers niveaux, d'étudier ces rapports ce force.&lt;br /&gt;La question qu'il se pose est la suivante : comment peut-on étudier les inégalités sociales ? Il en parle en ethnologue, à partir d'expériences de terrain en France et en Russie. L'auteur mène une enquête de terrain sur la longue durée à Moscou, depuis son intégration comme chercheur au CNRS en 1995, sur frais de missions du LAU UPR34 CNRS.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00006656</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/05/05/21/PDF/gaboriau_2003_varsovie.pdf</text>
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                <text>Egalitarisme et inégalités dans les pays de l'EST - Héritage, recomposition et critiques, Atelier franco-polonais de sciences sociales, Université de Varsovie/EHESS, Institut français, Varsovie</text>
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                <text>Egalitarisme et inégalités dans les pays de l'EST - Héritage, recomposition et critiques, Atelier franco-polonais de sciences sociales, Université de Varsovie/EHESS, Institut français, Varsovie</text>
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                <text>Egalitarisme et inégalités dans les pays de l'EST - Héritage, recomposition et critiques, Atelier franco-polonais de sciences sociales, Université de Varsovie/EHESS, Institut français, Varsovie</text>
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            <description>The topic of the resource</description>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>anthropologie urbaine</text>
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                <text>inégalités sociales</text>
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                <text>Moscou</text>
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                <text>enquête de longue durée</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="504250">
                <text>Comment étudier les inégalités sociales? L'exemple de Paris et Moscou</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>conference proceeding</text>
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              <description>An account of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Treps, Marie</text>
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                <text>L'auteur, linguiste, sémiologue, ethnologue, chargée de recherche CNRS (section 38, en détachement) et écrivain, livre sous la forme d'un texte de fiction ses impressions subjectives à propos de ses premières expériences d'ethnologue en mission sur le terrain, pratiquant la méthode de l'observation participante. Elle est fortement handicapée dans ses relations avec ses interlocuteurs par le fait qu'elle a toujours détesté le café.</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00006773</text>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>[SHS:LANGUE] Humanities and Social Sciences/Linguistics</text>
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                <text>café</text>
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                <text>subjectivité</text>
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                <text>mauvais souvenir</text>
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                <text>J'ai toujours détesté le café</text>
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            <description>The nature or genre of the resource</description>
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                <text>other publication</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="504200">
                <text>Jouenne, Noël</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2003-12</text>
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                <text>L'étude proposée ici est le résultat d'une enquête ethnologique auprès des habitants et ex-habitants de l'unité d'habitation Le Corbusier de Firminy (42). La dernière unité d'habitation de grandeur conforme fut construite en 1965-1967. A travers l'étude historique et l'observation quotidienne des habitants, il est montré les différentes facettes d'un attachement à un bâtiment exceptionnel au point que vivre dedans confère à certains locataires une forme de compétence.&lt;br /&gt;Ce rapport a donné lieu à une publication intitulée La vie collective des habitants du Corbusier.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00194241</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/19/42/41/PDF/jouenne_corbusier.pdf</text>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>unité d'habitation</text>
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                <text>Le Corbusier</text>
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                <text>Firminy</text>
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                <text>J'ai entrepris, depuis peu, une étude anthropologique du nom manouche. Pour pénétrer les subtilités de cette tradition, il me fallait nouer avec les manouches des liens étroits. Ainsi, je me suis mise à arpenter les berges du canal, les terrains vagues, les parkings de supermarché : là sont les Manouches. Et jamais je n'ai vu plus grands buveurs de café.&lt;br /&gt;Le café que je partage avec les Manouches, je ne le partage pas avec d'autres. Jamais, en dehors des moments passés en leur compagnie, je ne bois de café. Avec les autres, je ne peux décidément pas. D'ailleurs, cela n'aurait aucun sens.&lt;br /&gt;&lt;br /&gt;Ce numéro d'Etudes tsiganes présente les contributions du colloque "Les institutions comme espace de rencontre", responsabilité Marc Bordigoni, organisé par l'Institut d'ethnologie méditerranéenne et comparative (UMR CNRS 6591), avec le soutien de l'Université de Provence et la Région Provence-Alpes-Côte-d'Azur, Aix-en-Provence, mai 2002</text>
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                <text>Etudes tsiganes, n°23 (Les institutions, un espace de rencontre, Marc Bordigoni dir.)</text>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>café (consommation)</text>
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                <text>subjectivité du chercheur</text>
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                <text>J'ai toujours détesté le café...</text>
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                <text>Présentation d'un parcours dans le centre de Paris, destiné à évoquer la langue française sous ses multiples aspects (origine, histoire, évolution, niveaux de langue, vocabulaire technique...).</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00007031</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/05/15/14/PDF/Treps_1998_UnparcoursImag.pdf</text>
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                <text>Le français comme on l'aime. Un parcours de la langue française dans le centre de Paris</text>
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                <text>Cet article est une contribution à l'étude des personnes sans logis, considérées comme exemple extrême de la domination sociale. Il sera abordé ici la question du routard, figure moderne du vagabond en milieu rural, à travers une ethnographie d'un centre d'hébergement de Haute-Loire.</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/03/42/25/PDF/logiques.pdf</text>
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                <text>Ethnologie des sans-logis. Etude d'une forme de domination sociale</text>
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                <text>Ethnologie des sans-logis. Etude d'une forme de domination sociale</text>
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                <text>Ethnologie des sans-logis. Etude d'une forme de domination sociale</text>
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                <text>Les logiques de l'éviction du routard</text>
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                <text>L'histoire de la dentelle mécanique à Calais prend racine au milieu du xixe siècle. Avec la naissance d'une technique, nous assistons à l'évolution d'une industrie où se cotoient des patrons et des ouvriers, pour former cette culture dentellière.&lt;br /&gt;Ce texte accompagne une série de photographie de Michael Kenna.</text>
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                <text>[SHS:MUSEO] Humanities and Social Sciences/Cultural heritage and museology</text>
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                <text>dentelle mécanique</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Et la dentelle ! Histoire d'une ville: Calais</text>
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                <text>St Julien en Genevois</text>
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                <text>En 1992, l'agence locale de l'ANPE décide d'utiliser le patrimoine bâti comme vecteur de développement et dans le cadre d'une action-formation-insertion, proposée la construction d'un village de cases en gaulettes (cases faites de poteau reliés par des branches entrelacées et recouvertes de torchis) pour permettre à de jeunes marie-galantais de se réapproprier les techniques traditionnelles de construction. L'idée séduisit monsieur le maire de Capesterre qui offrit un terrain chargé d'histoire puisqu'en ce lieu se dressait la tour vestige d'un moulin du xixe siècle.</text>
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                <text>Moulins de France. Revue de la Fédération française des amis des moulins</text>
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                <text>Moulins de France. Revue de la Fédération française des amis des moulins</text>
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                <text>Moulins de France. Revue de la Fédération française des amis des moulins</text>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>Ethnologie</text>
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                <text>Marie-Galante Guadeloupe</text>
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                <text>moulin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La restauration du moulin Bézard à Marie-Galante</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Engagé dans une exploration de l'« espace de la mémoire de la "Lorraine sidérurgique"», je m'intéresse ici aux formes « sensibles » de l'activité patrimoniale en situation de perte consistant en particulier dans une pratique photographique « amateur » remarquablement constante tout au long du processus de d'effacement de la sidérurgie. À partir de l'examen du parcours de ces amateurs attachés à fixer la perte, ainsi que d'un corpus d'ouvrages de témoignage photographique, soulignant la particularité de cette pratique au regard de la situation, je propose une réflexion sur l'acte photographique comme geste patrimonial élémentaire. « Image-acte », la photographie apparaît au croisement de la perte et de la dette et se déploie sous les signes conjoints de la trace et de la reconnaissance. Dans le cadre limité de cet article, il m'importe plus précisément de saisir sa signification politique dans l'espace de la mémoire de la « Lorraine sidérurgique », de manière à éprouver l'hypothèse que je formule de sa présence massive : celle d'un travail par défaut sur la trace de ce qui a été, sur l'empreinte de ce qui a marqué et qui « tient lieu d'absence ». La photographie vient suppléer, ou plutôt résister à l'inéluctable de la perte en produisant des traces sensibles du monde perdu : ainsi un geste esthétique lui redonne une visibilité, autrement dit vient lui restituer une « évidence », de sorte qu'il « (re)tombe sous le sens ».</text>
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                <text>Sensibiliser. La sociologie dans le vif du monde</text>
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            <description>The topic of the resource</description>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>mémoire</text>
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                <text>Impressions patrimoniales. Topologie de la perte et photographie</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Hottin, Christian</text>
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            <name>Date</name>
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              <elementText elementTextId="504051">
                <text>1998</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="504052">
                <text>Etude générale sur les décors peints des établissements d'enseignement supérieur : &lt;br /&gt;&lt;br /&gt;La localisation des décors&lt;br /&gt;&lt;br /&gt;Le rôle des différents acteurs dans la commande (partie développée dans Le décor peint des établissements d'enseignement supérieur, texte également déposé sur HAL-SHS)&lt;br /&gt;&lt;br /&gt;Les thèmes traités</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00088671</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/08/86/71/PDF/christianhottin_1998_peinturesetablissementenseignementsuperieur.pdf</text>
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            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="504055">
                <text>FRE</text>
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                <text>Histoire de l'art, numéro “ Architecture et décor ”.</text>
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                <text>Histoire de l'art, numéro “ Architecture et décor ”.</text>
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                <text>Histoire de l'art, numéro “ Architecture et décor ”.</text>
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                <text>[SHS:ART] Humanities and Social Sciences/Art and art history</text>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:EDU] Humanities and Social Sciences/Education</text>
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              <elementText elementTextId="504063">
                <text>[SHS:HISPHILSO] Humanities and Social Sciences/History, Philosophy and Sociology of Sciences</text>
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              <elementText elementTextId="504064">
                <text>[SHS:MUSEO] Humanities and Social Sciences/Cultural heritage and museology</text>
              </elementText>
              <elementText elementTextId="504065">
                <text>[SHS:HIST] Humanities and Social Sciences/History</text>
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              <elementText elementTextId="504066">
                <text>art pictural</text>
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                <text>peinture</text>
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                <text>Le décor peint des établissements d'enseignement supérieur</text>
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            <name>Type</name>
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                <text>scientific book chapter</text>
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                  <text>Archives ouvertes des études urbaines</text>
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            <name>Creator</name>
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                <text>Hottin, Christian</text>
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                <text>Nénot</text>
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                <text>La nouvelle Sorbonne ou l'impossible défi de M. Nénot</text>
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                <text>preprint</text>
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