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                <text>Extérieur nuit. Pour une anthropologie biophysique et culturelle du paysage nocturne des parcs urbains</text>
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                <text>The body experiences the city through an interactive process and its synthesis can be called an urban bodygraphy: a kind of body mapping, where the mapped object cannot be distinguished from its representation, given the continuous and reciprocal dynamics that creates both. An idea based on the hipothesis that the urban experience is inscribed with different levels of stability in the body of one who experiences it, even unintentionally. The city lived spaces resist in the body designed by such experience: they resist in the bodygraphies resulted from their experimentation. Such affect relationships with the city - a process of subjectification that arise from sensory-motor experiences of lived spaces and which the result are ambiences - constitutes, in their different temporalities, a counterpoint to the flat viewing of the city-logo image, the city-outdoor and the scenaries of the ambiences spetacularised and disembodied.</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>The São Paulo State Department of Social Housing (SEHAB) decided to develop a new experience: to search in the residents' speech a precondition to think the urban projects for the area of Cabuçu de Cima (Jaçanã/Tremembé, North Zone) of São Paulo City. This proposal was also based on the demand of 5th International Biennale of Architecture in Rotterdam / 2012 - Making City for São Paulo Municipality where the guidelines was to think the city with the voice of the residents. Because of that we conceived eight workshops which the main theme was "lived and desired urban ambiance". We used dynamics groups to reveal the skills and "savoir faire" of the participants as also to strengthen the communicative expression and fluency of them. We faced a high challenge in this proposal: to recover and build up an exchange space between popular and the technical/scientific knowledge regarding the city. The idea was to reveal not only the Cabuaçu de Cima residents complaints but also their propositions for their enviroment.</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>The paper discusses the place-bound construction of individual and collective memories. The question is to what extent atmospheres assist in processes of remembering and/or are remembered themselves. The paper discusses the advantages and challenges of using video analysis techniques. It suggests a framework for empirical research encompassing the analysis of immediate and reflected memory construction, and the role of urban ambiances in memory construction.</text>
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                <text>This study focuses on understanding the emergence of a new kind of urban highly saturated polychromy. We expose an exploratory work at the scale of the French city of Nantes. Our purpose is the constitution of a visual tool able to generate discourses from urban project's actors on their use of color.</text>
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                <text>Nouveaux usages de la couleur dans les espaces urbains ouverts - Relevés chromatiques urbains au croquis et constitution d'un outil générateur de discours</text>
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                <text>Virtual reality has been proved to be a good tool to communicate visual urban ambiances thanks to immersion and interaction. Our work consists in extending this use for a multisensory delineation and assessment of cities. We focus on the microclimatic ambiances and we discuss two approaches for their representation: the physical stimuli simulation and an evocative audio-visual world relied on perception knowledge and artistic practices.</text>
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                <text>This paper seeks to recover the foundations in order to reflect the ties (today somehow distended) between sensations / perceptions and politics. It will be tried by renewing the long debate about common sense, as a principle of intersubjective constitution of sensory experience. In this framework, urban ambiances provide a particularly relevant field of experimentation: 1/ in order to certify ties between politics and sensations; 2/ for the sort of politics they indirectly occasion, namely a kind of conservatism; 3/ and finally in order to test some potential interventions on urban ambiances and their consequences.</text>
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                <text>Politiques des ambiances - Que faire du fond inextricablement politique des ambiances ?</text>
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                <text>" حي شعبي " Hay chäby means, in the colloquial Egyptian, a popular district! In terms of ambience, popularity embodies certain ambient characteristics as it reflects the image of a poor district, densely populated, abundant with touches of misery and vulgarity. Yet, the sensory experience in Choubrah contains pale vestiges of a glorious past. During the commented-walks, names of palaces, intensive green shadows, or dilapidated luxurious façades pop up and change our perception. These sensory traces unfold another face of Choubrah's atmosphere. They allow us to enter into its temporal depth by reactivating moments of the past. In other terms, navigate its palimpsest. This article is a trial to reveal the history of Choubrah from a sensory point of view by letting these traces speak for themselves.</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>L'ambiance défie le sens commun en unissant le tout en une idée peu saisissable. Si l'on ne peut en donner une définition arrêtée, il serait possible d'en dégager un rôle, une attitude, une posture, une problématique, une manière de saisir et de transformer le monde. Mais qu'apporte l'ambiance à l'architecture ? L'espace, notion centrale de l'architecture et plus particulièrement de l'architecture moderne, est déstabilisé par l'ambiance. En intégrant les sensibilités non uniquement optiques et en interrogeant les interactions et les dynamiques entre milieu sensible et usages, les critères de conception évoluent. L'émergence de cette problématique a des effets à plusieurs niveaux. C'est ce qu'on souhaite tracer ici en décrivant certaines évolutions et pistes de développement qu'on a explorées depuis l'avènement de cette notion dans la recherche architecturale et urbaine.</text>
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                <text>Sound as a mediator of different qualities is not sufficiently taken into account in creative design processes of architectural and urban planning projects today. The currently weak interest among professionals in the architectural and urban planning sector for sound as a bearer of information and meaning, point at an existing challenge of finding new ways of communicating this invisible and transient information to others outside the research sphere. One way of approaching this problem is through the transmittance of qualities of urban space in terms of sound. In my ongoing PhD-work Urban Sound Design - Methods for Qualitative Sound Analysis, I have recently focused on the creation of a digital and interactive model, which enables the cross-reading of visual and sonic material. The intention is to put the finger on some of the acoustic qualities that we can find in everyday urban spaces.</text>
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                <text>Ever since the early dada experimentations of the 1920's, art has participated in the emergence of a sense of "public space" in public places. By transferring works of art in actual public places, artists in general, and sound artists in particular, have undermined and reshaped our understanding of what an aesthetic experience is and have redefined it's relation to different ethical and political forms of being together. From Max Neuhaus to Atau Tanaka, soundwalks have made it possible for those who walk and listen to infiltrate the complexity of our urban environments. This research is an investigation into how these singular aesthetic events affect our experience of public spaces in such a way as to generate a shift from objective public space to a space that becomes public through interaction.</text>
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                <text>Corps critiques : parcours sonores urbains artistiques et espace public</text>
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                <text>Harispuru, William</text>
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                <text>The contemporary city is experienced through a framework of multiple spaces that individuals interact with on a daily and routine basis. These are not merely encounters with the built form, but are environments that are metabolized and personalized by the individual into an "ethos" or "ambiance" of perception: a colourful composition of time, space and the character of place. In many instances these ambiances of perception are not altogether pleasant, leading to negative or unhealthy experiences. This paper aims to explore the modern ambiances that we interact with on a daily basis to promote the cultivation of healthier experiential cities. Particular attention will be given to how we personalize our harsh and unhealthy environments and by what methods we use to cope with them.</text>
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                <text>ENG</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>human perception</text>
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                <text>healthy modern experience</text>
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                <text>positive distractions</text>
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            <description>A name given to the resource</description>
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                <text>Positive distractions in urban ambiance - Exploring the elements that help synthesize our healthy modern experiences</text>
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                <text>Montreal</text>
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                <text>Canada</text>
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                <text>Hoemke, Maik</text>
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            <name>Date</name>
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                <text>2012</text>
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            <description>An account of the resource</description>
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                <text>The aim of the present study is to demonstrate that research focusing merely on economic and physical effects in a given area, and ignoring the social aspects and ambiance of new transport infrastructure, inevitably suffers a loss of quality. The special characteristic of the present study lies in the way in which it assesses infrastructure developments, in regions that were previously peripheral, on the basis of urban development phenomena, social phenomena and ambiances.</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/74/58/57/PDF/ambiances2012_hoemke.pdf</text>
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              <elementText elementTextId="484649">
                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
              </elementText>
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                <text>Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012</text>
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            <description>The topic of the resource</description>
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              <elementText elementTextId="484651">
                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
              </elementText>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>ambiance</text>
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                <text>social spatial transformation</text>
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                <text>moving methods</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Creating ambiance - Urban design and it's social spatial impacts</text>
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                <text>Montreal</text>
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                <text>Monshizade, Arezou</text>
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            <name>Date</name>
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                <text>Résumé. Cet article traite du rôle sensible de l'eau comme élément d'ambiance dans les jardins et les parcs publics. La mise en scène de l'eau a été transformée depuis le changement des jardins historiques par leur ouverture au public. La mise en accès de dispositifs urbains en envisageant certains comportements sociaux nécessite de concevoir l'eau non seulement comme un composant spatial, mais aussi comme un " formant " d'une ambiance qui tendrait à lier les usages et les sens. De plus, vu l'importance de l'eau dans tous les enjeux actuels, la maîtriser dans les jardins implique de relever les défis environnementaux qui s'imposent à l'échelle planétaire. On fait l'hypothèse qu'au fil du temps, la configuration de l'eau et le style de l'art du jardin, selon les enjeux des époques, ont un rapport réciproque. Étudier plusieurs types de jardins et de parcs nous permet de porter un regard sur les différents paysages et de traiter du rôle qu'ils donnent à l'eau, en révélant les dispositifs et les façons variées de l'animer dans les différentes conditions historiques, géographiques et culturelles, en mettant l'accent sur la question de la rareté et de l'abondance. Cet article est basé sur la synthèse de la recherche documentaire et bibliographique à propos de la forme matérielle, des effets produits et de l'usage de l'eau à travers les dispositifs repérés. L'objectif est de montrer la dimension qualitative - visuelle, sonore, thermique et intersensorielle - de l'eau dans certains exemples étudiés, depuis les jardins historiques jusqu'aux parcs contemporains.</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00745876</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/74/58/76/PDF/ambiances2012_monshizade.pdf</text>
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                <text>FRE</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>jardin</text>
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                <text>Approche sensible des différents dispositifs de l'eau dans les jardins</text>
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                <text>Montreal</text>
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                <text>Canada</text>
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                <text>Hussein, Faten</text>
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                <text>Hegron, Gérard</text>
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                <text>Peneau, Jean-Pierre</text>
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                <text>Joanne, Pascal</text>
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                <text>Fraj, Olfa</text>
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                <text>Ghozi, Raja</text>
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                <text>Jaidane, Meriem</text>
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                <text>In a context of an international interest for the question of urban spaces accessibility for elderly, we tend to construct an experimental protocol correlating data issues of commented walks, psychophysiologic measures of stress level engendered by the crossing of some dangerous urban configurations and signal processing. This treatment is declined under multiple graphic representations allowing detecting in two dimensions those situations of danger. Through this protocol, we intend to characterize the informational content of urban sonic ambiances. The emergence of sound events that may announce a dangerous situation can be represented and we can guarantee to seniors with hearing loss a serene using of the city.</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00745866</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>sonic ambiances</text>
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