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                <text>Quotidiennement nous sommes confrontés à des oukases de la raison fréquemment en conflit avec l'ensemble des phénomènes perceptifs de l'existant et de notre pratique. Nous évoquerons ce que nous appelons "le Paysage chromatique urbain - les ambiances chromatiques urbaines" et l'ensemble des composants des espaces, tels que le ciel, l'eau, les minéraux naturels ou construits, les végétaux, les saisons, les éléments pérennes et éphémères, les apports culturels, sociaux, économiques... La "couleur" (les apparences colorées), les matières, dans le long terme, ont des fonctions d'information (mémoire, gestion) d'aménagement des espaces, d'identification de l'habitant ou du groupe et des activités dans différents contextes. Pour les habitants et les "décideurs", la sensibilisation, l'acquisition d'un regard, d'un esprit critique demeurent essentiels.</text>
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                <text>Segmentation, canalisation de la ville, simulacres et prothèses pour les ambiances désertées</text>
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                <text>Dans le but d'assister la conception des ambiances lumineuses par des procédures référentielles, nous proposons dans cet article une analyse des modalités de l'activité de référenciation dans le processus de conception architecturale et des ambiances lumineuses en particulier. Nous avons déterminé que le rapport à la référence peut être établi à partir de quatre opérations distinctes : la sélection de références, la projection des références dans le projet, la formulation des intentionset l'intégration des références dans le projet. Le déroulement decette dernière opération est simultané aux précédentes. Cette identification d'opérations distinctes liées à l'utilisation de références nouspermettra dans une étape ultérieure de proposer des modes de navigationdans un espace référentiel adaptés à chacune des opérations identifiées.</text>
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                <text>Conception des ambiances lumineuses: Navigation et raisonnement par l'image pour la formulation des intentions</text>
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                <text>Borelli, Caterina</text>
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                <text>Through the analysis of the regeneration process carried out in the centre of Barcelona, this paper aims to explore the social production of an urban atmosphere. From an anthropological point of view, what we call an atmosphere is to be understood in the sense of the experienced dimension of the urban space. That means not something just "given" but, on the contrary, "made" through the people's practices and uses, which, in turn, are not necessarily always spontaneous, but also induced, domesticated, forbidden, etc ; in sum, they are a cultural construction that must be analysed sectioning all the social forces that compose it. The Raval's case in Barcelona, a slum reconverted in a symbol of the ethnic mix and the cultural fizz, is emblematic of how an atmosphere can be planned and constructed.</text>
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                <text>Création d'une ambiance - Le cas du Raval de Barcelone</text>
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                <text>Lucas, Raymond</text>
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                <text>Le biais visuel caractéristique de l'approche traditionnelle des disciplines de la conception architecturale et urbaine est bien connu et compris. Etant admise l'inscription de la conception dans le royaume du visuel, que signifie l'alternative de l'approche multi-sensorielle pour le processus de conception lui-même ? Je décrirai deux projets avec des approches différentes de ce problème. Le premier projet est intitulé Ikebana vocal. Le projet consistait en une simple installation sonore : trois haut-parleurs mobiles diffusent des enregistrements sélectionnés d'environnements sonores. Le second projet s'intitule Notation sensible. Ce travail vise à établir un système de notation pour l'ensemble des expériences sensibles des environnements urbains. Les notateurs doivent donner une lecture des lieux reposant sur la hiérarchie entre les systèmes perceptuels. Ces deux projets explorent quelques unes des voies possibles pour les concepteurs souhaitant couper avec la visée tyrannique privilégiant la vision.</text>
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                <text>Concevoir les ambiances - Ikebana vocal et notation sensible</text>
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                <text>Notre intervention portera sur le double problème que pose la relation entre conception architecturale et maîtrise des ambiances en tant que domaine de savoir. D'une part, quelles sont les connaissances de ce champ disciplinaire nécessaires au concepteur ? D'autre part, quelle est la demande spécifique de développement du champ disciplinaire nécessaire à la conception? Cette difficile relation entre la conception d'ambiance en architecture et les connaissances disponibles ou qu'il serait nécessaire de développer sera évoquée aux travers de quelques projets d'architecture exemplaires dont seront extraits les parties les plus démonstratives.</text>
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                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Des relations duales entre processus de conception architecturale et connaissances nécessaires en maîtrise des ambiances</text>
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                  <text>HAL</text>
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            <name>Creator</name>
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                <text>Lin, Chuan Hua</text>
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                <text>Pour le processus de transformation du rapport ville/fleuve, trois moments variants sont définis par les chercheurs français : celui de la ville commerciale, celui de la ville industrielle et celui de la ville en mutation vers le postindustriel (ou la ville tertiaire). Cependant, les villes fluviales chinoise ont les particularités dans la trace de l'évolution : il n'existait pas au début d'orientation vers le commerce à l'époque dite "du commerce", ni de révolution industrielle à l'époque de l'industrie ; il ne s'agit que d'un emprunt formel au modèle occidental de développement des fonctions tertiaires à l'époque dite "de la tertiarisation".Notre recherche est élaborée autour deux hypothèses principales : premièrement, le rapport ville/fleuve chinois sont passées par les trois états qui caractérisent l'évolution historique des villes occidentales, mais la dynamique de leur urbanisation est née et s'est adaptée au cadre particulier chinois ; deuxièmement, avec l'introduction des modèles étrangers, les villes fluviales chinoises opèrent une interprétation originale pour l'adapter à leurs propres contextes économiques et sociaux. L'emprunt des méthodes externes est mis au service des logiques internes. Nous voulons analyser en plus les enjeux des acteurs dans ces trois moments en Chine. Il existe deux caractéristiques communes dites le pragmatisme et le dirigisme : d'une part la dictature du pragmatisme, (le fleuve est toujours considéré comme un " outil pratique ") ; d'autre part l'effet déterminant des acteurs, dont les plus importants sont l'Etat et la direction des communes, qui ont déterminé en très grande partie le sillon de l'évolution des fonctions et des formes du fleuve. Notre thèse a trois parties principales en répondant aux trois phases de l'évolution du rapport ville/fleuve : l'époque de concession, entre 1840 et 1949, l'époque de reconstruction de la Chine, entre 1949 et 1978, et l'époque de l'"Ouverture", de 1978 à aujourd'hui. Quatre villes sont choisies comme terrain de recherche après une étude initiale: Shanghaï, Canton, Wuhan et Tianjin. A la lumière de ces études, la diversité des enjeux liés à la thématique de l'usage du fleuve au cours de l'urbanisation est mise en évidence. La compréhension du mécanisme d'interaction entre les modèles étrangers et les logiques internes nous permettent d'établir une théorisation de la relation entre les grandes villes et leur fleuve, et plus particulièrement sur le rôle du fleuve dans le processus de l'urbanisation en Chine</text>
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              <elementText elementTextId="476230">
                <text>Université Paris-Est</text>
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            <description>The topic of the resource</description>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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              <elementText elementTextId="476232">
                <text>Rapport ville/fleuve</text>
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                <text>Urbanisation</text>
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                <text>Ville chinoise</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Le rôle du fleuve dans le processus de l'urbanisation : étude des villes fluviales en Chine</text>
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            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>PhD thesis</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="476207">
                <text>Stamm, Caroline</text>
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                <text>2011-12-15</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="476209">
                <text>L'action publique locale dans les métropoles. Le cas de la gestion du commerce de rue à Mexico et Lima. Alors que la gouvernance métropolitaine fait l'objet de nombreux travaux en sciences sociales, les gouvernements locaux infra-métropolitains sont moins étudiés. Or, ils continuent d'être les acteurs principaux de la régulation des espaces urbains. Ils agissent de manière autonome sur leur territoire tout en étant dans une situation d'inter-territorialité spécifique au milieu urbain. L'analyse comparative de la gestion du commerce de rue à Mexico et Lima montre la mise en œuvre de l'action publique dans les territoires administratifs des métropoles. Elle distingue les centres historiques - vitrines et laboratoires des autorités régionales - des territoires municipaux où les politiques oscillent entre imitation, innovation et inertie. De plus, elle révèle une palette de processus et interactions horizontales et verticales entre les actions publiques des différentes autorités, alimentant le débat sur la fragmentation urbaine</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://tel.archives-ouvertes.fr/tel-00836505</text>
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                <text>2011PEST1171</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Université Paris-Est</text>
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            <description>The topic of the resource</description>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
              </elementText>
              <elementText elementTextId="476216">
                <text>Commerce de rue</text>
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                <text>Action publique locale</text>
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                <text>Métropole</text>
              </elementText>
              <elementText elementTextId="476219">
                <text>Mexico</text>
              </elementText>
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                <text>Lima</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>L'action publique locale dans les métropoles : le cas de la gestion du commerce de rue à Mexico et Lima</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="476222">
                <text>PhD thesis</text>
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            </elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Grenoble</text>
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              <elementText elementTextId="476190">
                <text>France</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="476191">
                <text>Berthoz, Alain</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>2011</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="476193">
                <text>Cet article traite de la façon dont le cerveau de l'homme traite l'espace. L'espace, ce n'est pas seulement une affaire de géomètres et d'architectes. Il est utilisé depuis longtemps pour la mémoire. Depuis toujours des moines utilisent des espaces mentaux pour stocker des concepts, des données, des idées, et les curées dans les paroisses utilisaient ces espaces mentaux pour faire des cheminements et même trouver des sermons différents tous les dimanches. L'espace n'est pas simplementun lieu de mémoire, c'est aussi une technique utilisée depuis toujours pour trouver des solutions nouvelles dans les fonctions cognitives. Le cerveau ne se contente pas non plus de recevoir des informations.Il projette sur le monde ses interprétations et ses hypothèses. Le cerveau invente des formes qui n'existent pas. Le cerveau modifie les relations spatiales.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="476194">
                <text>http://halshs.archives-ouvertes.fr/halshs-00836199</text>
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                <text>Fondements cognitifs de la perception de l'espace</text>
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                <text>Cette communication concerne la première exploration proposée, intéressant les approches historiques et les acquis patrimoniaux susceptibles d'être mis au jour en matière d'ambiance. Elle traduit une phase d'un projet plus large sur la caractérisation ambiantale de réalisations architecturales de référence et, à ce titre, d'une investigation sur le second monastère de Clairvaux construit au début du XII ème siècle. Parmi ses espaces, la salle du chapitre - lieu de proclamation et d'écoute quotidien - soulève en regard de ses dimensions importantes, de son usage et de sa reconstitution même, la question d'une possible restitution d'une ambiance sonore. Différents résultats obtenus sont présentés, tant au niveau des indices d'intelligibilité informant sur la dégradation des messages, qu'à celui des sorties audio résultant de la simulation des effets de la disposition des lieux sur les enregistrements effectués. Les informations recueillies seront interprétées et discutées. D'un point de vue plus général on s'attachera à bien mettre en relief les difficultés que ce type d'investigation rencontre pour atteindre le niveau de maîtrise unitaire de l'ambiance. Il se situe à la rencontre d'une restitution, relativement maîtrisable, des phénomènes physiques et de la construction, beaucoup plus problématique, de fictions, s'efforçant du mieux possible de rendre compte de l'expérience sensible d'acteurs disparus.</text>
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                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>Une rétrospective de la fabrique de l'ambiance : reconstitution sonore pour la salle du chapitre de l'abbaye de Clairvaux</text>
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                <text>Schürger, Sonja</text>
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                <text>Visiting a landscape for the first time often creates a strong impression of wholeness, even uniqueness. You feel yourself drawn into a certain atmosphere or mood, to which every detail is contributing in a particular way. In this first moment one can't decide exactly if the mood is inside or outside. But paying attention to how the mood is changing while walking from one place to another, we suddenly realize: it is both at the same time. This experience can be enhanced by attending to contrasts and the transformation of atmospheres, sensing the border leading form one site to the next. It is possible to draw a mood map out of memory expressing in colour and structure inner images coming up through sensorial perception .</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00833978</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/83/39/78/PDF/Ambiance2008_Schurger.pdf</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>[SHS:PHIL] Humanities and Social Sciences/Philosophy</text>
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                <text>architecture</text>
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                <text>sensible</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>L'esthétique du paysage - Observer et créer des ambiances</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Coverage</name>
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                <text>Grenoble</text>
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              <elementText elementTextId="476136">
                <text>France</text>
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                <text>Semidor, Catherine</text>
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            <name>Date</name>
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                <text>2011</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Pour le commun des mortels, l'échelle désigne un objet très utile pour atteindre, au sens propre comme au sens figuré, des situations élevées. De soie pour le poète amoureux de sa muse ou de meunier pour monter au grenier, c'est un dispositif qui appartient au vocabulaire de l'espace. Pour l'architecte, le géomètre ou le cartographe, rapport proportionnel entre une distance sur un plan et une distance dans la réalité, elle est alors utilisée pour le calcul de dimensions ou distances.</text>
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            <name>Identifier</name>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00833980</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/83/39/80/PDF/Ambiance2008_Semidor.pdf</text>
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                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>[SHS:PHIL] Humanities and Social Sciences/Philosophy</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Échelles</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>conference proceeding</text>
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                <text>Grenoble</text>
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                <text>France</text>
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            <name>Creator</name>
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                <text>Teal, Randall</text>
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            <name>Date</name>
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                <text>2011</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Trop souvent l'organisation constructive des bâtiments est négociée à partir de matériaux aléatoires bricolés ensemble, qui assurent l'apparence d'un ensemble complexe ; au lieu de devenir de vrais bâtiments, le résultat est simplement l'agrégation simpliste de parties atomisées. Comme une conséquence de cette sorte d'activité nos villes sont pleines de structures médiocres et sur-accentuées qui ne sont pas tant des bâtiments que des "dessins construits" (built drawings). A travers la notion germanique de stimmung ( signifiant à la fois humeur diffuse ou atmosphère et dont une acception particulière correspond à ambiance (mood ?)) cette communication explorera les limitations et les possibilités de la représentation et la manière dont la notion de stimmung se perd quand la représentation devient le bâtiment.</text>
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                <text>Il s'agit pour nous d'introduire la double problématique de la séparation et de l'intégration des compétences et référents professionnels dans la fabrication des ambiances, en nous centrant sur deux types d'acteurs émergents dans le champ architectural et urbain : les concepteurs sonores et les concepteurs lumière. En quoi ces " faiseurs d'ambiances " témoignent-ils d'un double processus, à la fois d'une spécialisation accrue et en même temps d'une hybridation professionnelle ? Comment, à travers ces deux processus, contribuent-ils à une meilleure prise en compte des ambiances, en particulier dans la production contemporaine de l'espace public ? Notre entrée sur les ambiances est donc plutôt sociologique ; elle s'appuie en particulier sur les résultats d'une enquête sociographique que nous avons menée auprès de professionnels issus de ces deux groupes.</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>The transition from the classical sciences to the sciences of complexity, challenged the boundary between hard and soft sciences, between the measurable and non measurable, the quantitative and qualitative architectural dimensions. The possibility to translate perceptive input in symbolic codes, change the approach to the design of sensible environments. The paper illustrate three case studies of research on Applied Responsive Devices developed within the context of the NSU at Columbia University. By taking into account the experimentations developed in the field of cognitive sciences, the methods contained in this proposal investigate the existing relationships between the perception of a specific reality and its translation into a set of elements that can be numerically manipulated.</text>
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                <text>Quels sont les facteurs qui rendent une ambiance plus significative que d'autres ? Quelles sont les spécificités qui permettent un plus grand engagement, une adhésion mémorielle et une sensation de Lieu ressentis par les usagers d'une ambiance ? Outre les aspects physiques, les sensations et les perceptions qui se dégagent de l'environnement, comment certaines ambiances soulèvent de l'affection et encouragent des modalités d'usage et d'expériences uniques ? Ces questions sont à la base de nos recherches et exigent le développement de parcours méthodologiques en cours d'expérimentation dans le sein de notre groupe de recherche. D'autre part, cette communication a pour but de contribuer au débat sur l'importance de l'interdisciplinarité dans la recherche en architecture et projet urbain.</text>
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                <text>This paper presents a method to quantify the perceived atmosphere of an environment. Atmosphere is defined as the affective evaluation of the environment. An atmosphere can change people's affective state. However, since a person's affective state is also influenced by many non-environmental factors, methods to measure mood and emotions are less useful to determine the effect of the environment on people's experience. A questionnaire was developed consisting of 38 atmosphere terms that have to be rated on a 7-point scale. Experiments demonstrate that atmosphere can be described by four underlying dimensions, called Coziness, Liveliness, Tenseness and Detachment. The method is shown to be robust, sensitive and sensible.</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>Mesurer l'ambiance : un outil pour quantifier l'ambiance perçue</text>
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                <text>La recherche présentée ci-après traite de l'impact de la présence de personnes autres que l'individu percevant dans la formation d'une ambiance. A partir d'une enquête qualitative réalisée dans quatre sites franciliens, il montre que la façon dont un voyageur perçoit l'espace au sein duquel il s'engage détermine sa perception de l'altérité : l'autre est soit occulté, soit perçu comme une charge de l'espace source d'oppression, soit enfin comme un compatriote au sein d'un groupe commun. Des aménagements spatiaux peuvent donc être imaginés pour favoriser l'aisance du voyageur au sein de la collectivité des personnes en déplacement et donc au sein des espaces de mobilité dans lesquels il s'engage.</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>Entre l'individu percevant et la forme perçue, quel est le statut de l'Autre ? L'ambiance du réseau de transports collectifs</text>
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                <text>L'approche historique proposée ici permet de mettre en évidence la place que les architectes ont donné aux ambiances dans les représentations architecturales qu'ils produisent au fil du temps. Notre objectif est d'identifier les leviers (évènements, écrits, outils...) qui ont fait évoluer la représentation des ambiances dans les différentes représentations architecturales.</text>
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                <text>Les ambiances dans la conception architecturale - Une" histoire" de représentation</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="475962">
                <text>Grenoble</text>
              </elementText>
              <elementText elementTextId="475963">
                <text>France</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="475964">
                <text>Wolberg, Nathalie</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475965">
                <text>2011</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475966">
                <text>La démarche de projet a pour ambition la débanalisation de l'individu dans sa relation aux environnements quotidiens. Il s'agit d'élaborer des dispositifs conçus à partir des caractéristiques personnelles d'individus pour créer des univers cohérents avec ceux qui les habitent. La prise en compte des postures à la fois physique et psychique et de leur relation aux actions quotidiennes permet de re-questionner la topologie de l'environnement. Le corps définit ainsi les formes de l'espace et mène à la création de nouvelles spatialités. L'environnement est appréhendé par le biais du sensible. Il génère une architecture "sans mur" où la lumière, le son, la matière, ..., donnent à lire les limites de l'espace. Développée à travers une recherche sur la dimension érotique de l'architecture, cette sensibilité entretenue avec l'espace permet d'explorer les notions de plaisir et de désir. L'architecture comme objet intime.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="475967">
                <text>http://halshs.archives-ouvertes.fr/halshs-00833985</text>
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              <elementText elementTextId="475968">
                <text>http://halshs.archives-ouvertes.fr/docs/00/83/39/85/PDF/Ambiance2008_Wolberg.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>FRE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="475970">
                <text>Creating an atmosphere|Faire une ambiance</text>
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              <elementText elementTextId="475971">
                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="475972">
                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
              </elementText>
              <elementText elementTextId="475973">
                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
              </elementText>
              <elementText elementTextId="475974">
                <text>[SHS:PHIL] Humanities and Social Sciences/Philosophy</text>
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                <text>architecture</text>
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              <elementText elementTextId="475976">
                <text>sensible</text>
              </elementText>
              <elementText elementTextId="475977">
                <text>perception</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475978">
                <text>Texture d'espaces - Territoires d'emotion : L'architecture comme objet intime</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475979">
                <text>conference proceeding</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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