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2010

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The New York skyline is arguably one of the most distinctive on Earth. At night, however, the city&amp;rsquo;s numerous landmarks are transformed from the familiar into the new. Following the success of Merrell&amp;rsquo;s London at Night, award-winning aerial photographer Jason Hawkes offers a dramatic, night-time perspective on one of the world&amp;rsquo;s most iconic locations. From the vantage point of a helicopter, Hawkes captures the magical, almost abstract quality of such familiar sights as the Statue of Liberty, Times Square and the Empire State Building as seen after dark, as well as revealing some of New York&amp;rsquo;s less well-known vistas. Featuring an informative introduction and extended captions by the New York Times journalist Christopher Gray, New York at Night is a unique and often breathtaking record of the city that truly never sleeps.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Jason Hawkes &lt;/b&gt;has produced over 35 aerial photographic books since 1991.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Christopher Gray &lt;/b&gt;is a journalist for the New York Times who writes about the architectural history of New York.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;Cette collection mise en ligne par la biblioth&amp;egrave;que du congr&amp;egrave;s am&amp;eacute;ricain (&lt;a target="_blank" href="http://www.loc.gov/index.html"&gt;Library of Congress&lt;/a&gt;) propose 45 films de New York entre 1898 et 1906.&lt;br /&gt;
&lt;br /&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Many of the key debates in urban research over the last thirty years have occurred in and through New York City. A range of key figures in the analysis of capitalist urbanization have published their research on New York City in the pages of this journal including Robert Beauregard, Susan Fainstein, John Friedmann, Loretta Lees, Ann Markusen, Margit Mayer, Peter Marcuse, Harvey Molotch, Neil Smith, Sharon Zukin and many others.&lt;br /&gt;
&lt;br /&gt;
We can differentiate between two main bodies of work in relation to New York City: firstly, the role of the city as an intellectual arena through which key theoretical ideas have been explored and elaborated; and secondly, those works that focus on the city itself for the analysis of specific manifestations of urban transformation. If we consider the &amp;lsquo;thinking space&amp;rsquo; of the city it is clear that the role of New York as an inspiration for thought and also a focus for analysis are often interrelated so we cannot easily disentangle the theoretical and empirical dimensions to urban scholarship. Although, we cannot refer to a &amp;lsquo;New York School&amp;rsquo; in quite the same way as the LA School of the 1990s &amp;mdash; exemplified by the work of Ed Soja, Allen J. Scott and others &amp;mdash; or even the Venice School of the 1970s &amp;mdash; with the distinctive neo-Marxian architectonic discourse of Massimo Cacciari and Manfredo Tafuri &amp;mdash; there is nonetheless a powerful skein of individual and institutional connections that places the city at the centre of a series of critical debates. There has been, through the work of Peter Marcuse, Neil Smith and others, a deep dedication to exploring aspects of social injustice in New York City as a means to build a powerful body of empirically grounded theoretical work. A set of conceptual tools and vantage points have emerged from the city which remain pivotal to socially engaged urban research.&lt;br /&gt;
&lt;br /&gt;
Critical areas of scholarship on New York City addressed in IJURR include migration, labour markets and the incidence of urban poverty; the effects of fiscal crisis on patterns of urban government and public service provision; housing and ghetto formation; gentrification and class displacement; the garment industry and processes of industrial change; the rise of art districts and the power of cultural capital; and more recently, the city as a focal point for critical security discourses and geopolitical agendas.&lt;br /&gt;
&lt;br /&gt;
In selecting ten articles for this IJURR virtual issue (from more than 40 possibilities) I have sought a balance between past and present, placing some &amp;lsquo;classic&amp;rsquo; articles alongside a few less known contributions. There comes a certain point where the journal itself becomes part of the discourse in question: essays may link in unexpected ways or novel insights may subsequently become central elements in urban debate. I hope that this initial selection will provoke further reading and reflection and perhaps even the writing of new articles that carry these debates forward.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Neil Smith and James Defillippis - The reassertion of economics: 1990s gentrification in the Lower East Side&lt;/div&gt;
Hans Prujit - Is the institutionalization of urban movements inevitable? A comparison of the opportunities for sustained squatting in New York City and Amsterdam&lt;/div&gt;
Harvey Molotch and Noah Mcclain - Dealing with urban terror: Heritages of control, varieties of intervention, strategies of research&lt;/div&gt;
Norma M.  Rantisi - The ascendance of New York fashion&lt;/div&gt;
Sharon Zukin - Loft living as 'historic compromise' in the urban core: The New York experience&lt;/div&gt;
Steven Katz and Margit Mayer - Gimme shelter: Self-help housing struggles within and against the state in New York City and West Berlin&lt;/div&gt;
Peter Marcuse - 'Dual city': A muddy metaphor for a quartered city&lt;/div&gt;
Susan S. Fainstein - Economics, politics and development policy: The convergence of New York and London&lt;/div&gt;
Patricia R. Pessar - Sweatshop workers and domestic ideologies: Dominican women in New York's apparel industry&lt;/div&gt;
Harvey Molotch and Mark Treskon - Changing art: SoHo, Chelsea and the dynamic geography of galleries in New York City&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Veronika Hofer et, 
Betsy Pinover Schiff</text>
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1er septembre 2010

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Citadelles et Mazenod

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235</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Dans la m&amp;eacute;gapole sillonn&amp;eacute;e de rues o&amp;ugrave; les biens immobiliers atteignent des prix extravagants, les jardins occupent de longue date une place toute particuli&amp;egrave;re.&lt;br /&gt;
&lt;br /&gt;
Si la ville disposait &amp;agrave; l'origine, et lors du d&amp;eacute;veloppement urbain qui marqua le XIXe si&amp;egrave;cle, de grands espaces publics, les jardins d'aujourd'hui doivent leur extraordinaire originalit&amp;eacute; au conflit qui, depuis lors, oppose la logique du profit et l'amour de la nature. Le manque de ressources naturelles au sol a d&amp;eacute;plac&amp;eacute; les jardins vers le haut et jusque dans la lumi&amp;egrave;re. Une g&amp;eacute;n&amp;eacute;ration florissante de sp&amp;eacute;cialistes pleins d'imagination veille au style et au prestige des projets : le luxe d'un jardin de ville requiert une id&amp;eacute;e &amp;agrave; la fois unique et applicable, esth&amp;eacute;tique et sobre, tirant le meilleur parti des possibilit&amp;eacute;s existantes.&lt;br /&gt;
&lt;br /&gt;
Qui aspire &amp;agrave; admirer, depuis son jardin, la baie, l'horizon ou l'environnement urbain ; qui d&amp;eacute;sire y trouver un refuge coup&amp;eacute; du monde ext&amp;eacute;rieur - ces attentes jouent un r&amp;ocirc;le d&amp;eacute;terminant dans la conception du projet. Gr&amp;acirc;ce aux photos exceptionnelles qu'il comporte, ce livre embrasse la formidable diversit&amp;eacute; des jardins new-yorkais ; jusque-l&amp;agrave;, seuls les propri&amp;eacute;taires de ces derniers avaient acc&amp;egrave;s aux informations et aux images que l'auteur et la photographe livrent ici au lecteur.&lt;br /&gt;
&lt;br /&gt;
Trente lieux - allant des jardins botaniques mondialement c&amp;eacute;l&amp;egrave;bres, des jardins r&amp;eacute;cup&amp;eacute;r&amp;eacute;s sur la ville elle-m&amp;ecirc;me aux tr&amp;egrave;s s&amp;eacute;lects jardins sur toit beaux &amp;agrave; couper le souffle, en passant par les terrasses sans plantes des &amp;quot;jardins pour la vue&amp;quot; - illustrent les diff&amp;eacute;rentes facettes d'un univers fascinant, tout &amp;agrave; la fois pragmatique et spirituel, riche en id&amp;eacute;es et en passions, en couleurs et en formes.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Veronika Hofer&lt;/b&gt; a &amp;eacute;tudi&amp;eacute; l&amp;rsquo;histoire de l&amp;rsquo;art et a travaill&amp;eacute; en qualit&amp;eacute; de r&amp;eacute;dactrice pour la Bayerischer Rundfunk (t&amp;eacute;l&amp;eacute;vision et radio bavaroises). Elle a tourn&amp;eacute; de nombreux films sur les jardins du monde.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Betsy Pinover Schiff&lt;/b&gt; est photographe de jardins et d&amp;rsquo;architecture et vit &amp;agrave; New York, Montauk et Mexico. Apr&amp;egrave;s avoir re&amp;ccedil;u une formation de l&amp;rsquo;International Center of Photography, elle a publi&amp;eacute; de nombreux ouvrages qui l&amp;rsquo;ont rendue c&amp;eacute;l&amp;egrave;bre.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>New York Writing: Urban Art in Don DeLillo's Underworld</text>
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  On oublie souvent que New York a été brièvement la capitale des É tats-Unis entre 
1785 et 1790. Lorsque les Américains ont dû se doter d'une capitale permanente, à 
la fin de laguerre d'Indépendance, c'est New York qui a été tout d'abord choisie. La 
ville abrite le Congrès continental de 1785 à 1789 puis demeure la capitale temporaire du pays lorsque la Constitution entre en vigueur en 1789. Cette année-là, 
George Washington prête le serment présidentiel à New York tandis que la ville 
abrite le premier congrès fédéral. Le Residence Act du 9 juillet 1790 met cependant 
un terme aux rêves de ceux qui voyaient New York demeurer éternellement la 
capitale du pays. Cette loi décide que celle-ci sera située sur les rives du Potomac 
plus ausud. Pour apaiser la déception des Philadelphiens, qui étaient eux aussi sûrs 
de devenir la première ville du pays, Philadelphie fait office de capitale pendant dix 
ans en attendant que la ville de Washington sorte de terre. Entre 1785 et 1790, New 
York connaît une croissance importante, à tel point qu'elle dépasse Philadelphie et 
devient la première ville américaine lors du recensement de 1790. Sa population 
passe en 5 ans de 24 000 à 33 131 habitants. La présence des autorités fédérales 
accélère la croissance de la ville mais ne la provoque. Celle-ci commence en fait 
dans les années 1730. Ceci explique pourquoi New York demeure par la suite la 
première ville du pays bien qu'elle ne soit plus sa capitale politique.
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                <text>Histoire urbaine, n 12, 1, 2005-03-01, pp.23-38</text>
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                <text>New York, une capitale éphémère pour la jeune nation américaine (1785-1790)</text>
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                <text>Ghorra-Gobin, Cynthia</text>
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                <text>A partir de l'expérience de l'ouragan Sandy, la réflexion s'interroge sur la difficulté à concilier simultanément l'objectif de ville durable et celui de ville résiliente</text>
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&amp;nbsp;&lt;/div&gt;
Grandeur, gr&amp;acirc;ce et gratte-ciel. Tellement impressionnante qu&amp;rsquo;on l&amp;rsquo;a baptis&amp;eacute;e deux fois!&lt;br /&gt;
&lt;br /&gt;
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&amp;nbsp;&lt;/div&gt;
Vous y d&amp;eacute;couvrirez des centaines d&amp;rsquo;images embl&amp;eacute;matiques, tir&amp;eacute;es de douzaines d&amp;rsquo;archives et de collections priv&amp;eacute;es, dont beaucoup sont in&amp;eacute;dites, ainsi que les oeuvres de 150 photographes c&amp;eacute;l&amp;egrave;bres.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ouvrage trilingue (anglais, allemand, fran&amp;ccedil;ais).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Reuel Golden&lt;/b&gt;, dipl&amp;ocirc;m&amp;eacute; de sciences politiques de l&amp;rsquo;Universit&amp;eacute; du Sussex, en Angleterre, ancien r&amp;eacute;dacteur au British Journal of Photography, est r&amp;eacute;dacteur ex&amp;eacute;cutif de Photo District News.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Ce livre explore l’inventivité à l’œuvre dans la légendaire ville de New York sous la mandature de Michael Bloomberg, maire de la ville de 2002 à 2013. Poursuivant la dynamique impulsée par ses prédécesseurs, Bloomberg a donné un nouvel élan à l’évolution du Grand New York par une réinvention de la planification – PlaNYC – et par le renouveau des règles, incitant tous les investisseurs à réaliser les enjeux de qualité urbaine souhaitée par la Ville.&#13;
&#13;
Des espaces publics qui privilégient le piéton (walkable city), créant des « salons » urbains, la transformation du viaduc de la High Line — devenu haut lieu de fréquentation new-yorkaise et internationale —, la régénération architecturale avec des signatures de renom, la reconquête des rez-de-chaussée pour en faire des lieux vivants, la création de parcs le long des rives… autant d’actions qui s’accompagnent d’incitations à la construction de logements sociaux, du renouveau partiel des transports urbains, etc.&#13;
&#13;
Le risque d’accentuation des différences sociales n’est pas écarté et la question des transports métropolitains reste problématique. Et si, comme partout ailleurs, la critique est de mise, les méthodes n’en restent pas moins innovantes et fécondes. Elles peuvent inspirer d’autres métropoles, dont la métropole parisienne, mais aussi des agglomérations de taille plus modeste, car l’invention des outils et les modalités du partenariat public-privé, ainsi que la gestion conjointe des temps longs et courts, ne manqueront pas de surprendre et d’intéresser les acteurs de l’urbanisme.&#13;
&#13;
Jean-Louis Cohen est architecte et historien. Titulaire de la chaire Sheldon H. Solow à l’Institute of Fine Arts de New York University, il a conçu de nombreuses expositions au Centre Pompidou, au Pavillon de l’Arsenal, au Centre canadien d’architecture, à l’Institut français d’architecture et au Museum of Modern Art et publié une trentaine d’ouvrages sur l’histoire de l’architecture et de l’urbanisme en Europe et aux États-Unis.&#13;
&#13;
Ariella Masboungi est inspectrice générale de l’administration du Développement durable, en charge de la mission « Projet urbain » auprès du directeur général de l’Aménagement, des Transports et du Logement ; elle conçoit et dirige les ateliers « Projet urbain », ainsi que le Grand Prix de l’urbanisme tous deux donnant lieu à des collections de livres du même nom.</text>
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&amp;nbsp;&lt;/div&gt;
Urban environments worldwide are in the midst of multiple shifts, driven by interconnected flows in capital, people, and resources at local, regional and global scales. It impacts not only cities but also the network of social and ecological systems well beyond their borders. In contrast to the complexity of today&amp;rsquo;s urbanization, the concept of the &amp;ldquo;Eco-City&amp;rdquo;, arguably dating back to the ideal of the 19th Century Garden City, seems like an overly simplistic and utopian vision. Yet, the imagery and language of an idealized &amp;ldquo;Eco-City&amp;rdquo; continue to shape the planning and design of contemporary cities while disregarding the vital complexity of contemporary urban conditions and issues.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Kongjian Yu &lt;/b&gt;is Professor of Urban and Regional Planning and Landscape Architecture, and founder and Dean of the College of Architecture and Landscape Architecture at Peking University.&lt;/div&gt;
&lt;b&gt;Karen S&lt;/b&gt;&lt;b&gt;eto &lt;/b&gt;is an Associate Professor at the School of Forestry and Environmental Studies at Yale University.&lt;/div&gt;
&lt;b&gt;Pierre B&amp;eacute;langer &lt;/b&gt;is Associate Professor at the Harvard University Graduate School of Design.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Urban environments worldwide are in the midst of multiple shifts, driven by interconnected flows in capital, people, and resources at local, regional and global scales. It impacts not only cities but also the network of social and ecological systems well beyond their borders. In contrast to the complexity of today's urbanization, the concept of the &amp;quot;Eco-City&amp;quot;, arguably dating back to the ideal of the 19th Century Garden City, seems like an overly simplistic and utopian vision. Yet, the imagery and language of an idealized &amp;quot;Eco-City&amp;quot; continue to shape the planning and design of contemporary cities while disregarding the vital complexity of contemporary urban conditions and issues. This symposium will examine today's multifaceted urban environment in order to explore emerging theories and practices that will enable us to address these critical issues. Specifically, it investigates three areas of knowledge and practices: emergent ecologies, emergent cities, and emergent tactics.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Keynote address - Kongjian Yu&lt;br /&gt;
&lt;br /&gt;
Emerging Ecologies&lt;/div&gt;
Jane Wolff, Kristina Hill and Ken Yocom (moderator)&lt;br /&gt;
While early attempts to conceptualize urban ecological conditions primarily focused on traditional ecological methods and subjects, a new paradigm is emerging that embraces the complexity and uncertainty associated with coupled human/natural systems. This session explores the relationships between environment, equity, economy, and design in our rapidly urbanizing world.&lt;br /&gt;
&lt;br /&gt;
Emerging Cities&lt;/div&gt;
Chelina Odbert and Jennifer Toy, Viren Brahmbahatt, Alfredo Brillembourg and Ben Spencer (moderator)&lt;br /&gt;
This session examines the dynamics and implications of rapid urban growth in the emerging mega-cities of the global south. Critically engaging issues of environmental resilience and social equity as they relate to urban form at multiples scales, it explores the present and potential evolution of design, technology, policy and practice in these contexts.&lt;br /&gt;
&lt;br /&gt;
Emerging Tactics&lt;/div&gt;
John Bela, Nicholas de Monchaux, Denise Hoffman Brandt and Jeff Hou (moderator)&lt;br /&gt;
This session focuses on new approaches to remaking the urban environment that are distinct from the paradigm of master planning and conventional practice of design. It examines how seeing the urban landscape as a set of systemic and interactive matrices with interconnected and spontaneous possibilities can inspire new approaches and methods in design and implementation.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Yvan Gastaut, 
St&amp;eacute;phane Mourlane, 
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Mai 2010

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Autrement

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Nice, sa plage, ses h&amp;ocirc;tels, sa jet-set. Elle est, depuis le XIXe si&amp;egrave;cle, une des villes les plus connues au monde. Capitale du tourisme de luxe, le rendez-vous international de toutes les c&amp;eacute;l&amp;eacute;brit&amp;eacute;s de la politique, des affaires, des arts, c&amp;rsquo;est aussi une ville cosmopolite, riche de la diversit&amp;eacute; de sa population.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;Agrave; la Belle Epoque, Nice perd son statut de modeste capitale r&amp;eacute;gionale pour devenir une des villes les plus connues du monde, une des capitales du tourisme de luxe. Cette mutation s&amp;rsquo;accompagne d&amp;rsquo;une spectaculaire cosmopolitisation de la ville, ph&amp;eacute;nom&amp;egrave;ne observable dans la composition vari&amp;eacute;e de la population, les formes de l&amp;rsquo;urbanisation, les comportements sociaux et culturels. Nice attire d&amp;rsquo;abord la main d&amp;rsquo;&amp;oelig;uvre italienne mais accueille aussi les exil&amp;eacute;s politiques des empires russes et ottomans : Russes blancs et Arm&amp;eacute;niens ; Juifs allemands fuyant l&amp;rsquo;Europe centrale et orientale&amp;hellip; Une &amp;eacute;conomie locale fond&amp;eacute;e sur le tourisme se met en place notamment gr&amp;acirc;ce &amp;agrave; cette main d&amp;rsquo;&amp;oelig;uvre italienne pr&amp;eacute;caire, essentielle au fonctionnement et au d&amp;eacute;veloppement &amp;eacute;conomique de la ville.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Comme ailleurs dans l&amp;rsquo;Hexagone, la guerre de 1914-1918 affecte les comportements d&amp;eacute;mographiques : le nombre de mariages et de naissances chute. Pourtant, le recensement de 1921 r&amp;eacute;v&amp;egrave;le une augmentation de la population tandis que l&amp;rsquo;on observe une reprise rapide de l&amp;rsquo;activit&amp;eacute; touristique, en d&amp;eacute;pit de la crise &amp;eacute;conomique internationale. Nice retrouve les voies d&amp;rsquo;une prosp&amp;eacute;rit&amp;eacute; &amp;agrave; laquelle contribue grandement une immigration &amp;eacute;trang&amp;egrave;re massive. La p&amp;eacute;riode n&amp;rsquo;en est pas moins marqu&amp;eacute;e par des crises, &amp;eacute;conomiques ou politiques, dont les &amp;eacute;chos produisent des tensions au sein d&amp;rsquo;une population ni&amp;ccedil;oise toujours plus cosmopolite. Mais le cosmopolitisme ni&amp;ccedil;ois est un &amp;eacute;difice fragile, pr&amp;ecirc;t &amp;agrave; se l&amp;eacute;zarder sous l&amp;rsquo;effet de nouvelles crises et de nouvelles arriv&amp;eacute;es.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;Agrave; partir de 1945, et surtout, apr&amp;egrave;s l&amp;rsquo;ind&amp;eacute;pendance de l&amp;rsquo;Alg&amp;eacute;rie, le visage de l&amp;rsquo;immigration ni&amp;ccedil;oise change et les Italiens c&amp;egrave;dent peu &amp;agrave; peu la place aux Maghr&amp;eacute;bins. Les tenants de l&amp;rsquo;identit&amp;eacute; ni&amp;ccedil;oise s&amp;rsquo;alarment alors et on assiste &amp;agrave; la mont&amp;eacute;e du racisme anti-arabe.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Yvan Gastaut&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en histoire contemporaine &amp;agrave; l'universit&amp;eacute; de Nice-Sophia Antipolis et membre du Centre de la M&amp;eacute;diterran&amp;eacute;e Moderne et Contemporaine (CMMC). &lt;br /&gt;
Agr&amp;eacute;g&amp;eacute; d&amp;rsquo;histoire, &lt;b&gt;St&amp;eacute;phane Mourlane&lt;/b&gt; est docteur en histoire contemporaine et enseignant &amp;agrave; l&amp;rsquo;universit&amp;eacute; de Nice-Sophia Antipolis. &lt;br /&gt;
&lt;b&gt;Ralph Schor&lt;/b&gt; est professeur d&amp;rsquo;histoire &amp;agrave; l&amp;rsquo;universit&amp;eacute; de Nice.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Philippe Chartron, 
Raymond Valente</text>
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22 d&amp;eacute;cembre 2009

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L'Amourier

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56</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ce livre s&amp;rsquo;offre comme un retour sur images, sur l&amp;rsquo;architecture des quartiers populaires. Il est travers&amp;eacute; par les silhouettes du petit peuple : celui qui, dans les ann&amp;eacute;es soixante-dix, hantait encore les espaces color&amp;eacute;s autour du Vieux-Nice.&lt;br /&gt;
&lt;br /&gt;
Les photographies de &lt;b&gt;Raymond Valente&lt;/b&gt; se livrent ici non comme ornements, mais comme d&amp;eacute;clencheurs. Son regard aime &amp;agrave; fouiller. Son objectif d&amp;eacute;chire l&amp;rsquo;apparence et fait &amp;eacute;merger un &amp;eacute;clat qu&amp;rsquo;on ne percevait plus. &lt;b&gt;Philippe Chartron&lt;/b&gt; &amp;eacute;voque avec le photographe une communaut&amp;eacute; de vision qui fa&amp;ccedil;onne le regard.&lt;/div&gt;
&lt;br /&gt;
Trois autres textes font &amp;eacute;cho &amp;agrave; cette rencontre initiale et fondatrice, sign&amp;eacute;s de &lt;b&gt;Daniel Biga&lt;/b&gt;, &lt;b&gt;Claire Legendre&lt;/b&gt; et &lt;b&gt;Michel S&amp;eacute;onnet&lt;/b&gt;, &amp;eacute;crivains ni&amp;ccedil;ois d&amp;rsquo;origine.  Entre exil et retour, ils l&amp;rsquo;amplifient et la portent &amp;agrave; ce niveau de passion o&amp;ugrave; seuls la retenue et le travail accompli sur les mots autorisent la parole.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>This study explores and reiterates the significance carried by the notions of place, multiplicity and experience in the approaches to the study of architecture, in the shaping of cultures, and in the construction of urban (hi)stories and topographies. The research aims to reveal the existence of a transcultural space constituting the cosmos of Nicosia, capital city of the late medieval and renaissance Kingdom of Cyprus. It is argued that the natural and built environment of the city simultaneously witnessed as well as constructed this highly obscure space, whose elusive nature has not been sufficiently or comprehensively researched thus far. The purpose of this study is to unearth numerous attempts at reconciliation by medieval civilizations, and to comprehend their repeated efforts at bringing in parallel existence and understanding adjacent, but seemingly oppositional or even confrontational, cultures and spaces.

The method used engages a re-interpretation of Nicosia's urban space by means of a scholarly narrative, defined as a comprehensively annotated telling of citizens' experiences through the city. While maintaining that it is this telling which better exposes the city's character, past findings on the architecture, topography, and urban experience of Nicosia are concurrently examined, some of them accepted and others re-proposed. Different architectural and ethical realities for the city, as well as varied urban and social identities, emerge as possibilities for pondering only after the superimposition of scientific findings on an interweaving web of experiences, on the remarkably phenomenal world of medieval urban space. </text>
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