1 20 1 https://crevilles.org/files/original/9667156a265ba5fa1a73724dd6c02c28.jpg c7bc4afab728c38a5b6e17a3e1a5c477 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 240 Width 160 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textes Contributor An entity responsible for making contributions to the resource Crévilles Livre Type de contenu : livres Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Berlin : Divided city, 1945 - 1989 Subject The topic of the resource Berlin, vintième siècle, twentieth century, histoire urbaine, identité, art, architecture, musique, culture urbaine, ségrégation urbaine, film, littérature, literature, music, Broadbent Philip, Hake Sabine Creator An entity primarily responsible for making the resource NC Date A point or period of time associated with an event in the lifecycle of the resource September 2010 Publisher An entity responsible for making the resource available Berghahn Books Format The file format, physical medium, or dimensions of the resource 204 Description An account of the resource <div><b>Abstract from the publisher : </b></div>  </div> A great deal of attention continues to focus on Berlin’s cultural and political landscape after the fall of the Berlin Wall, but as yet, no single volume looks at the divided city through an interdisciplinary analysis. This volume examines how the city was conceived, perceived, and represented during the four decades preceding reunification and thereby offers a unique perspective on divided Berlin’s identities. German historians, art historians, architectural historians, and literary and cultural studies scholars explore the divisions and antagonisms that defined East and West Berlin; and by tracing the little studied similarities and extensive exchanges that occurred despite the presence of the Berlin Wall, they present an indispensible study on the politics and culture of the Cold War.</div>  </div> <b>Contents : </b></div>  </div> Introduction - Philip Broadbent and Sabine Hake<br /> PART I: COLD WAR BEGINNINGS<br /> Life Among the Ruins: Sex, Space, and Subculture in Zero Hour Berlin - Jennifer Evans<br /> The Propagandistic Role of Modern Art in Postwar Berlin - Maike Steinkamp<br /> Back to the Future: New Music’s Revival and Redefinition in Occupied Berlin - Elizabeth Janik<br /> The Nylon Curtain: Architectural Unification in Divided Berlin - Greg Castillo<br /> Mediascape and Soundscape: Two Landscapes of Modernity in Cold War Berlin - Heiner Stahl<br /> PART II: EAST BERLIN, THE SOCIALIST CAPITAL<br /> Painting the Berlin Wall in Leipzig: The Politics of Art in 1960s East Germany<br /> April Eisman<br /> “You Have to Draw a Line Somewhere”: Tropes of Division in DEFA Films from the early 1960s - Mariana Ivanova<br /> Building the East German Television Tower - Heather Gumbert<br /> Deborah Asher Barnstone: Transparency in Divided Berlin: The Palace of the Republic - Heather Gumbert<br /> PART III: WEST BERLIN, SHOWCASE OF THE WEST<br /> “I Still Have a Suitcase in Berlin”: Hildegard Knef’s Cold War Movies - Ulrich Bach<br /> Benno Ohnesorg, Rudi Dutschke, and the Student Movement in West Berlin: Critical Reflections after Forty Years - David Barclay<br /> Berlin and Post-Meinhof Feminism: Yvonne Rainer’s Journeys from Berlin/1971 - Claudia Mesch<br /> Daniel Libeskind’s Jewish Museum in Berlin as a Cold War Project - Paul Jaskot<br /> Beyond the Berlin Myth: the Local, the Global and IBA 87 - Emily Pugh<br /> PART IV: BERLIN AFTER UNIFICATION: LOOKING BACK AND BEYOND<br /> Stereographic City: Berlin Photography in the Wende Era - Miriam Paeslack<br /> Divided City, Divided Heaven? Berlin Border Crossings in Post-Wende Fiction - Lyn Marven<br /> Interview with Barbara Hoidn</div>  </div> <b>Philip Broadbent</b> is Assistant Professor in the Department of Germanic Studies at the University of Texas at Austin.<br /> <br /> <b>Sabine Hake</b> is the Texas Chair of German Literature and Culture in the Department of Germanic Studies at the University of Texas at Austin.</div>  </div> Type The nature or genre of the resource Ouvrage architecture art Berlin Broadbent Philip culture urbaine film Hake Sabine histoire urbaine identité litérature littérature music musique ségrégation urbaine twentieth century vintième siècle