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                <text>, aménagement, aménagement de l'espace, aménagement urbain, développement urbain, politique publique, Palermo Pier Carlo, Ponzini Davide</text>
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Pier Carlo Palermo
Davide Ponzini

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Springer 

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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Urban planning is a complex field of knowledge and practice. Through the decades, theoretical debate has formed an eclectic set of possible perspectives, without finding, in our opinion, a coherent paradigmatic framework which can adequately guide the interpretation and action in urban planning. The hypothesis of this book is that the attempts of founding an autonomous planning theory are inadequate if they do not explore two interconnected fields: architecture and public policies.The book critically reviews a selected set of current practices and theoretical founding works of modern and contemporary urban planning by highlighting the continuous search for the epistemic legitimization of a large variety of experiences. The distinctive contribution of this book is a documented critique to the eclecticism and abstraction of the main international trends in current planning theory. The dialogic relationship with the traditions of architecture and public policy is proposed here in order to critically review planning theory and practice. The outcome is the proposal of a paradigmatic framework that, in the authors&amp;rsquo; opinion, can adequately guide reflections and actions. A pragmatic and interpretative heritage and the project-orientated approach are the basis of this new spatial planning paradigm.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pier Carlo Palermo &lt;/b&gt;is Dean of the School of Architecture and Society at the Politecnico di Milano, where he founded and directed the Department of Architecture and Planning. His main research interests concern the theory and history of urbanism, urban studies, spatial planning and policy design. He has worked as planning consultant on programmes of national and international interest (EU Programmes, Italian Ministries of Economics, Environment, and Infrastructure and other territorial institutions). He has published numerous books on these topics.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Davide Ponzini &lt;/b&gt;received his PhD in Urban Planning from the Politecnico di Milano where he is currently Assistant Professor in Urban Planning. His research activity focuses on the role of cultural policies and contemporary architecture in urban transformation and local development, and more recently on issues of urban planning and policy tools. He was visiting scholar at Yale University, Johns Hopkins University and Columbia University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>architecture, city branding, city marketing, tourisme, renouvellement urbain, politique urbaine, projet urbain, paysage urbain, Ponzini Davide, Nastasi Michele</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Internationally renowned architects are at centre stage in public debates, not only with reference to designing aesthetically striking artefacts, but also to urban regeneration programmes and urban branding. The narrative of the &amp;lsquo;Bilbao effect&amp;rsquo; has been spreading worldwide, apparently leading cities to compete in collecting spectacular projects and buildings, sometimes with little regard for their urban context, size and functions in the global market. Despite the fact that these forms of urban development have been changing the landscape in several cities, attention and explanations regarding the rationalities implied in such decision making and localization processes are today limited and sometimes misleading. The authors offer a critical reappraisal of oversimplified interpretations of star architecture and its many urban implications. Drawing on the study of relevant architectural decision-making processes in Bilbao, Abu Dhabi, Paris, New York City and the Vitra Campus and on an original photographic corpus, the book argues that these phenomena have high territorial variety, depending on local as well as more contingent factors. It explains that architectural and urban spectacles are often used by urban policymakers in order to drive political consensus, maximize media exposure and eventually cover economic and real-estate interests, potentially inducing perverse or even paradoxical effects. The role and autonomy of architects and planners are evidently weaker in these postmodern urban conditions; nonetheless this book pragmatically outlines critical perspectives for interpreting architectural and urban projects as meaningful elements of contemporary urban landscapes.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Davide Ponzini &lt;/b&gt;is Assistant Professor in the Department of Architecture and Planning, Politecnico di Milano.&lt;/div&gt; &lt;b&gt;Michele Nastasi &lt;/b&gt;is a photographer, Managing Editor of &lt;i&gt;Lotus International, &lt;/i&gt;and teaches Architectural Photography at the Politecnico di Milano.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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