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Kevin Rozario is Assistant Professor in the American Studies program at Smith College. He holds a Ph.D. in history from Yale University, and has previously taught at Oberlin and Wellesley colleges.</text>
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                <text>&lt;div&gt;L'histoire du quartier de Mission Bay &amp;agrave; San Francisco est r&amp;eacute;v&amp;eacute;latrice des enjeux politiques &amp;eacute;conomiques et sociaux du d&amp;eacute;veloppement urbain aux Etats-Unis. &lt;br /&gt;
&lt;br /&gt;
Au-del&amp;agrave; des int&amp;eacute;r&amp;ecirc;ts des diff&amp;eacute;rents lobbys engag&amp;eacute;s dans le r&amp;eacute;am&amp;eacute;nagement d'un secteur urbain en friche, se dessinent des politiques fonci&amp;egrave;res et des plans d'am&amp;eacute;nagements successifs o&amp;ugrave; les petites histoires ont rejoint la grande.&lt;br /&gt;
&lt;br /&gt;
Comment expliquer qu'au coeur de San Francisco un tel tr&amp;eacute;sor foncier soit rest&amp;eacute; en friche pendant plus de 20 ans ?&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Fr&amp;eacute;d&amp;eacute;ric Leriche&lt;/strong&gt; est g&amp;eacute;ographe, maitre de conf&amp;eacute;rence au Centre Interdisciplinaire d'Etudes Urbaines (&lt;a href="index.php?option=com_content&amp;amp;task=view&amp;amp;id=919&amp;amp;Itemid=106"&gt;Lisst&lt;/a&gt;  -Cieu) de Toulouse.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Franck Vidal&lt;/strong&gt; est charg&amp;eacute; de recherche au CNRS, membre du laboratoire &lt;a href="http://w3.geode.univ-tlse2.fr/" target="_blank"&gt;GEODE&lt;/a&gt; .&lt;/div&gt;
&lt;/div&gt;
&lt;!--FIN DU COMMENTAIRE--&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Les m&amp;eacute;tropoles des Am&amp;eacute;riques du Nord et du Sud sont-elles en train de suivre, de plus en plus, les unes et les autres, leurs propres voies ou, tout au contraire, sont-elles en train de converger&amp;thinsp;? Elles sont, du moins, en pleine mutation et les &amp;eacute;tudier en regard de leurs similitudes et de leurs diff&amp;eacute;rences contribue sans aucun doute &amp;agrave; &amp;eacute;branler les id&amp;eacute;es re&amp;ccedil;ues &amp;agrave; leur sujet.&lt;br /&gt; &lt;br /&gt; Ce livre aborde l&amp;rsquo;&amp;eacute;volution des syst&amp;egrave;mes urbains et des agglom&amp;eacute;rations m&amp;eacute;tropolitaines des Am&amp;eacute;riques, les in&amp;eacute;galit&amp;eacute;s sociales qui se manifestent entre les habitants, l&amp;rsquo;engagement dans le d&amp;eacute;veloppement durable en lien avec les transports et l&amp;rsquo;acc&amp;egrave;s &amp;agrave; l&amp;rsquo;eau ainsi que des r&amp;eacute;flexions sur la ville et ses mod&amp;egrave;les. Regroupant des contributions de chercheurs internationaux, il traite de ces questions &amp;agrave; partir de l&amp;rsquo;exemple de douze m&amp;eacute;tropoles d&amp;rsquo;Am&amp;eacute;rique, soit cinq m&amp;eacute;tropoles br&amp;eacute;siliennes, Belo Horizonte, Curitiba, Rio de Janeiro, S&amp;atilde;o Paulo et Santos, la m&amp;eacute;tropole argentine de Buenos Aires (&amp;agrave; travers les zones de Z&amp;aacute;rate, Campana et Tigre), trois m&amp;eacute;tropoles &amp;eacute;tasuniennes, La Nouvelle-Orl&amp;eacute;ans, San Francisco (par le biais d&amp;rsquo;Oakland) et Seattle, la m&amp;eacute;tropole mexicaine de Mexico, la m&amp;eacute;tropole colombienne de Bogot&amp;aacute; et, enfin, la m&amp;eacute;tropole canado-qu&amp;eacute;b&amp;eacute;coise de Montr&amp;eacute;al.&lt;br /&gt; &lt;br /&gt; Peu &amp;agrave; peu, le lecteur sera amen&amp;eacute; &amp;agrave; r&amp;eacute;&amp;eacute;valuer les clivages radicaux qu&amp;rsquo;il pensait trouver entre le Nord et le Sud, notamment en regard des effets de la mondialisation ou par rapport &amp;agrave; la composition sociale des banlieues.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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H&amp;eacute;l&amp;egrave;ne Christol, Sophie Vallas, Richard Phelan et Sylvie Math&amp;eacute; (dir.)</text>
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24 f&amp;eacute;vrier 2012

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Presses universitaire de Provence

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&amp;nbsp;&lt;/div&gt;
San Francisco sous toutes ses coutures &amp;thinsp;: art, architecture, photographie, film, roman, &amp;eacute;dition, &amp;eacute;conomie, g&amp;eacute;ographie, histoire, depuis la fondation de Yerba Buena, au XVIIIe &amp;#8239;si&amp;egrave;cle jusqu&amp;rsquo;&amp;agrave; nos jours, en passant par la ru&amp;eacute;e vers l&amp;rsquo;or au milieu du XIXe, le tremblement de terre de 1906, la beat generation, le mouvement contestataire des ann&amp;eacute;es 1960, le mouvement gay, les r&amp;eacute;volutions num&amp;eacute;riques, nutritive et &amp;eacute;cologiste, le Golden Gate Bridge, Haight-Ashbury, Mission, Chinatown, Telegraph Hill... autant de lieux, de dates, de moments, qui sont &amp;eacute;voqu&amp;eacute;s et &amp;eacute;tudi&amp;eacute;s dans ce volume qui &amp;eacute;claire aussi les repr&amp;eacute;sentations et inventions fictives de la ville de San Francisco au cin&amp;eacute;ma et dans le roman&amp;thinsp; ; la place du livre, des &amp;eacute;crivains, de l&amp;rsquo;&amp;eacute;dition dans la ville&amp;thinsp; ; les histoires urbaines sp&amp;eacute;cifiques que racontent l&amp;rsquo;architecture, les lieux m&amp;eacute;moriels, la sculpture, l&amp;rsquo;image photographique&amp;thinsp; ; les points de rencontre entre g&amp;eacute;ographie et histoire...&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sommaire :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Cartes et territoires&lt;/b&gt;&lt;br /&gt;
Cynthia Ghorra-Gobin - Interpr&amp;eacute;ter San Francisco : la permanence d&amp;rsquo;une centralit&amp;eacute; dans un cadre m&amp;eacute;tropolitain&lt;br /&gt;
Pascale Smorag - Et si San Francisco nous &amp;eacute;tait cont&amp;eacute;e : l&amp;rsquo;histoire de la ville racont&amp;eacute;e par sa toponymie &lt;br /&gt;
Fr&amp;eacute;d&amp;eacute;ric Leriche et Jasper Rubin - Economie culturelle et urbanisation : San Francisco, produit culturel &lt;br /&gt;
Marie Bolton et Nancy C. Unger - Hope and Disappointment : San Francisco Housing Reconstruction after the 1906 Earthquake and Fire&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Culture et soci&amp;eacute;t&amp;eacute;&lt;/b&gt;&lt;br /&gt;
Yuko Matsumoto - Orientalism in the Cosmopolitan City: Constructing Sanitary Exoticism in San Francisco before World War II&lt;br /&gt;
Matthew Graves - Linked by the Sea: The Twinning of San Francisco and Sydney in Vernacular Tradition and&lt;br /&gt;
Public Commemoration&lt;br /&gt;
Amy Lippert - &amp;quot;Seeing Just About Everything&amp;quot;: Visual Desire and Virtual Reality in Antebellum San Francisco&lt;br /&gt;
Meredith Tromble - Growing Public Art from Urban History: Amy Franceschini&amp;rsquo;s Victory Gardens Project&lt;br /&gt;
Claude Massu - San Francisco et l&amp;rsquo;architecture contemporaine : le de Young Museum (Herzog &amp;amp; de Meuron, 2005)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Ecrire la ville : &amp;eacute;diteurs et &amp;eacute;crivains&lt;/b&gt;&lt;br /&gt;
Maia Ipp - A History of City Lights: 56 Years in the Life of a Literary Meeting Place&lt;br /&gt;
C&amp;eacute;cile Cottenet - San Francisco sous la plume de Bret Harte : The Overland Monthly, 1868-1871&lt;br /&gt;
Anne Reynes - &amp;quot;Seeing the Sights in San Francisco&amp;quot; avec Kay Boyle : lieux ou non-lieux de la contestation, Bay Area, 1967-70&lt;br /&gt;
Peggy Pacini - &amp;quot;This is the end&amp;quot; : Big Sur de Jack Kerouac, ou la fronti&amp;egrave;re de l&amp;rsquo;errance&lt;br /&gt;
Sylvie Math&amp;eacute; - Francisco vs Narciso : San Francisco comme coeur compassionnel dans The Crying of Lot 49 de Thomas Pynchon&lt;br /&gt;
Emmanuelle Denano&amp;euml;-Brun - Bienvenue &amp;agrave; Cauchemar ville ? La San Francisco fantasm&amp;eacute;e de Dashiell Hammett&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Filmer la ville&lt;/b&gt;&lt;br /&gt;
Serge Chauvin - Sir&amp;egrave;nes portuaires et pentes fatales : quelques remarques sur San Francisco, ville sans loi du film noir&lt;br /&gt;
Pierre-Fran&amp;ccedil;ois Peirano - La repr&amp;eacute;sentation de San Francisco dans Dark Passage de Delmer Daves (1947)&lt;br /&gt;
Anne-Marie Paquet-Deyris - Topographie r&amp;eacute;elle et fictionnelle/fantasm&amp;eacute;e : redessiner la ville dans San Francisco de W.S. Van Dyke (1936)&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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A la Crois&amp;eacute;e

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&amp;nbsp;&lt;/div&gt;
La complexit&amp;eacute; culturelle constitue une tentative de parvenir &amp;agrave; la compr&amp;eacute;hension de la culture par une voie consistant &amp;agrave; ouvrir le concept, &amp;agrave; le rendre processuel et flexible en terme d&amp;rsquo;&amp;eacute;chelle plut&amp;ocirc;t que statique ; et &amp;agrave; tenir les barri&amp;egrave;res culturelles pour relatives, probl&amp;eacute;matiques et, par cons&amp;eacute;quent, objets d&amp;rsquo;investigation plut&amp;ocirc;t qu&amp;rsquo;absolues et simplement d&amp;eacute;j&amp;agrave; donn&amp;eacute;es. Ulf Hannerz propose ici des outils conceptuels et m&amp;eacute;thodologiques pour une approche anthropologique de la complexit&amp;eacute; culturelle contemporaine, plus pr&amp;eacute;cis&amp;eacute;ment pour une macro-anthropologie d&amp;rsquo;inspiration interactionniste attentive autant au flux culturel mondial et &amp;agrave; ses implications sur les processus de significations qu&amp;rsquo;&amp;agrave; la culturalit&amp;eacute; d&amp;rsquo;interactions socialement situ&amp;eacute;es.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Loin de s&amp;rsquo;en tenir &amp;agrave; l&amp;rsquo;image r&amp;eacute;currente de l&amp;rsquo;individu seul face &amp;agrave; la mondialisation de la culture, &lt;i&gt;La complexit&amp;eacute; culturelle&lt;/i&gt; accorde une large place aux approches des cadres de distribution culturelle (formes de vie, Etats, march&amp;eacute;s, mouvements), &amp;agrave; des aper&amp;ccedil;us d&amp;rsquo;&amp;eacute;conomie politique de la culture qui soulignent les contraintes canalisant un flux loin d&amp;rsquo;&amp;ecirc;tre libre, &amp;agrave; l&amp;rsquo;exploration des lignes de tension entre sens commun, connaissances sp&amp;eacute;cialis&amp;eacute;es et discours critique. Des analyses de dynamiques micro-culturelles &amp;eacute;clairent le r&amp;ocirc;le particulier des villes comme centres de production culturelle. Une conception distributive de la culture, socialement ancr&amp;eacute;e, oriente l&amp;rsquo;ensemble de ces consid&amp;eacute;rations que la seconde partie de l&amp;rsquo;ouvrage met en oeuvre en proc&amp;eacute;dant &amp;agrave; l&amp;rsquo;&amp;eacute;tude de cas de laboratoires urbains de production culturelle (Vienne, Calcutta, San Fancisco &amp;agrave; certains moments de leur histoire), ainsi qu&amp;rsquo;&amp;agrave; l&amp;rsquo;&amp;eacute;tude de formes contemporaines de cr&amp;eacute;olisation culturelle dans le contexte des interactions mondiales.&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Ulf Hanner&lt;/b&gt;z a dirig&amp;eacute; le d&amp;eacute;partement d&amp;rsquo;anthropologie sociale de l&amp;rsquo;Universit&amp;eacute; de Stockholm et est aujourd&amp;rsquo;hui membre de la &amp;quot;Royal Swedish Academy of Sciences&amp;quot;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Mansel Blackford&amp;rsquo;s The Lost Dream explores the history of city planning in five Pacific Coast cities&amp;mdash;Seattle, Portland, Oakland, San Francisco, and Los Angeles&amp;mdash;during the Progressive Era. Although city planning had diverse roots, Blackford shows that much of the early planning originated with businessmen who viewed it as a way to shape their urban environments both economically and socially.&lt;br /&gt;
&lt;br /&gt;
During the opening years of the twentieth century, the business and political leaders in each of these cities began developing comprehensive city plans encompassing harbor improvements, new street and transportation facilities, civic centers, and parks and boulevards. As Blackford shows, businessmen worked through both established political channels and newly formed bodies outside of those channels to become leaders in the planning process. As the planning campaigns evolved, businessmen found themselves both joined and opposed by ever-changing coalitions of professionals, politicians, and workers.&lt;br /&gt;
&lt;br /&gt;
The way that businessmen had previously interacted with these other parties greatly affected their success in obtaining their goals, but ultimately, Blackford claims, politics lay at the heart of planning. The proposed plans were accepted or rejected in heated citywide elections in which, to be successful, businessmen had to convince others to vote with them&amp;mdash;a feat they achieved in only one city. Nevertheless, these plans were often later adopted in some piecemeal fashion, and Blackford concludes his study with an analysis of the legacy of Progressive Era city planning for later periods.&lt;br /&gt;
&lt;br /&gt;
The Lost Dream makes significant contributions to our understanding of city planning in America and particularly in the American West.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Mansel G. Blackford &lt;/b&gt;is professor of history at The Ohio State University and is the author of a number of books on business history.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Mel Scott

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1985 (2nd edition)

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University of California Press

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