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A retrospective view of the 1951 Festival of Britain on the South Bank with special reference to design and architecture&lt;br /&gt;
&lt;br /&gt;
This movie is part of the collection: British Government Public Information Films&lt;br /&gt;
&lt;br /&gt;
Director : Maurice Harvey, Jacques Brunius&lt;br /&gt;
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Sponsor : Central Office of Information and The Observer&lt;br /&gt;
Audio/Visual : sound, color&lt;br /&gt;
Language : english&lt;/div&gt;
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&lt;div align="center"&gt;Ce film est libre de droits et t&amp;eacute;l&amp;eacute;chargeable en diff&amp;eacute;rentes r&amp;eacute;solutions sur le site de &lt;a target="_blank" href="http://www.archive.org/details/brief_city_TNA"&gt;Internet Archive&lt;/a&gt;&lt;/div&gt;
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                <text>Dreamlands. Cultures du divertissement, cultures de l'urbain ?</text>
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Colloque</text>
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Des expositions universelles &amp;agrave; Las Vegas ou Duba&amp;iuml;, de Disneyland &amp;agrave; la patrimonialisation des villes historiques europ&amp;eacute;ennes, quelle filiation ?&lt;/div&gt;
&lt;br /&gt;
Les mod&amp;egrave;les de foires internationales, d&amp;rsquo;expositions universelles et de parcs d&amp;rsquo;attraction de la soci&amp;eacute;t&amp;eacute; des loisirs ont fa&amp;ccedil;onn&amp;eacute; l&amp;rsquo;imaginaire, nourri les utopies comme les cr&amp;eacute;ations des artistes, mais sont aussi devenus r&amp;eacute;alit&amp;eacute;s. Pastiche, copie, artificiel et factice ont &amp;eacute;t&amp;eacute; retourn&amp;eacute;s et engendrent &amp;agrave; leur tour l&amp;rsquo;environnement dans lequel s&amp;rsquo;inscrit la vie r&amp;eacute;elle, s&amp;rsquo;imposant comme de nouvelles normes urbaines et sociales, brouillant les fronti&amp;egrave;res entre imaginaire et r&amp;eacute;alit&amp;eacute;. &amp;Agrave; l&amp;rsquo;occasion de l&amp;rsquo;exposition Dreamlands pr&amp;eacute;sent&amp;eacute;e en Galerie du Centre Pompidou, et en partenariat avec le Mus&amp;eacute;e national d&amp;rsquo;art moderne, la Biblioth&amp;egrave;que publique d&amp;rsquo;information propose de r&amp;eacute;fl&amp;eacute;chir avec des urbanistes, des architectes et des philosophes aux relations qu&amp;rsquo;entretiennent le monde du divertissement et celui de la culture dans les domaines de l&amp;rsquo;urbanisme et des politiques culturelles.&lt;/div&gt;
&lt;br /&gt;
Manifestation organis&amp;eacute;e &amp;agrave; l'occasion de l'exposition &amp;quot;Dreamlands. Des parcs d'attractions aux cit&amp;eacute;s du futur&amp;quot; pr&amp;eacute;sent&amp;eacute;e au Mus&amp;eacute;e national d'art moderne (5 mai - 9 ao&amp;ucirc;t 2010).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Documents :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Dreamlands. Introduction &lt;br /&gt;
Entretien de Paolo Portoghesi avec Fr&amp;eacute;d&amp;eacute;ric Migayrou &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;
Urbanisme et parcs d'attraction, de l'influence &amp;agrave; l'interaction &lt;br /&gt;
Entretien de Thomas Krens avec Didier Ottinger et Quentin Bajac&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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2h55'40&amp;quot;</text>
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Avril 2010

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A la fin de chaque mois, les Urbanit&amp;eacute;s &amp;ldquo;zooment&amp;rdquo; sur une ville ayant valeur de laboratoire urbain dans le monde. Destination Shanghai cette semaine, o&amp;ugrave; s&amp;rsquo;ouvre le 1er mai la 75e Exposition universelle. Cette exposition sera la plus grande, la plus ch&amp;egrave;re, la plus ambitieuse de toutes les expositions universelles. La ville de Shanghai a d&amp;eacute;ploy&amp;eacute; des efforts incroyables pour l&amp;rsquo;occasion. Elle a construit le plus gros hub de transport au monde, un nouveau terminal d&amp;rsquo;a&amp;eacute;roport, des centaines de kilom&amp;egrave;tres de voies de m&amp;eacute;tro et d&amp;rsquo;autoroutes, elle a d&amp;eacute;moli et reb&amp;acirc;ti des quartiers entiers. Le plus symbolique d&amp;rsquo;entre eux est sans aucun doute celui du Bund, le long de la rivi&amp;egrave;re Huangpu, avec ses grands immeubles coloniaux, t&amp;eacute;moins du formidable essor de la ville dans les ann&amp;eacute;es 20 et 30. Le Bund brille d&amp;rsquo;un tout nouvel &amp;eacute;clat, compl&amp;egrave;tement r&amp;eacute;nov&amp;eacute;, et dot&amp;eacute; d&amp;rsquo;une statue en bronze, une r&amp;eacute;plique du taureau que l&amp;rsquo;on peut voir &amp;agrave; New York sur Wall Street. Le m&amp;ecirc;me artiste a livr&amp;eacute; celui de Shanghai, mais il l&amp;rsquo;a fait deux fois plus grand que son petit fr&amp;egrave;re am&amp;eacute;ricain. Et la b&amp;ecirc;te fait face - de l&amp;rsquo;autre c&amp;ocirc;t&amp;eacute; de la rivi&amp;egrave;re - &amp;agrave; la nouvelle cit&amp;eacute; de Pudong, les 101 &amp;eacute;tages du World Financial Center et autres gigantesques gratte-ciel. Il s&amp;rsquo;en est construit 4000 ces 20 derni&amp;egrave;res ann&amp;eacute;es.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Reportages :&lt;/b&gt;&lt;/div&gt;
Zoom sur Shanghai (1/5) : la d&amp;eacute;mesure des villes chinoises&lt;/a&gt;&lt;br /&gt;
&lt;a target="_blank" href="http://urbanites.rsr.ch/blog/zoom-sur-shanghai-25-slogan-et-impasse-de-l%E2%80%99exposition-universelle/"&gt;Zoom sur Shanghai (2/5) : slogan et impasse de l'Exposition universelle&lt;/a&gt;&lt;/div&gt;
Zoom sur Shanghai (3/5) : un si petit pavillon suisse&lt;/a&gt;&lt;/div&gt;
Zoom sur Shanghai (4/5) : de la premi&amp;egrave;re Exposition universelle de Londres &amp;agrave; celle de Shanghai, un curieux mim&amp;eacute;tisme&lt;br /&gt;
&lt;/a&gt;&lt;/div&gt;
Zoom sur Shanghai (5/5) : l'Exposition universelle de Tian'anmen&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Chlo&amp;eacute; Deligne, 
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Janvier 2009

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Le Cri

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&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le cinquantenaire de l&amp;rsquo;Expo 58 a &amp;eacute;t&amp;eacute; c&amp;eacute;l&amp;eacute;br&amp;eacute; avec faste. Expositions, dossiers sp&amp;eacute;ciaux dans la presse, &amp;eacute;missions t&amp;eacute;l&amp;eacute;vis&amp;eacute;es permettant &amp;agrave; un public vari&amp;eacute; d&amp;rsquo;exposer ses souvenirs... tout a &amp;eacute;t&amp;eacute; mis en &amp;oelig;uvre pour rappeler l&amp;rsquo;importance et le succ&amp;egrave;s de l&amp;rsquo;&amp;eacute;v&amp;eacute;nement. A contre-courant de ces comm&amp;eacute;morations convenues, l&amp;rsquo;objectif de cet ouvrage est d&amp;rsquo;examiner l&amp;rsquo;impact de l&amp;rsquo;Exposition sur la ville qui l&amp;rsquo;accueillit : Bruxelles.&lt;br /&gt;
&lt;br /&gt;
Profitant du recul qui permet au chercheur de jeter un regard r&amp;eacute;trospectif d&amp;eacute;passant le simple t&amp;eacute;moignage, l&amp;rsquo;&amp;eacute;motion ou le ressenti personnel,il propose un d&amp;eacute;cryptage de l&amp;rsquo;&amp;eacute;v&amp;eacute;nement d&amp;rsquo;un point de vue bruxellois. Il montre que l&amp;rsquo;Expo c&amp;eacute;l&amp;eacute;br&amp;eacute;e en 1958 par de nombreux habitants de la capitale, eut en d&amp;eacute;finitive un impact bien plus consid&amp;eacute;rable sur leur vie quotidienne qu&amp;rsquo;ils avaient pu l&amp;rsquo;imaginer &amp;agrave; l&amp;rsquo;&amp;eacute;poque.&lt;br /&gt;
&lt;br /&gt;
Ce livre a donc pour ambition non seulement de recontextualiser l&amp;rsquo;&amp;eacute;v&amp;egrave;nement mais aussi de s&amp;rsquo;interroger sur le chemin parcouru depuis lors en mati&amp;egrave;re de politiques urbaines, qu&amp;rsquo;il s&amp;rsquo;agisse d&amp;rsquo;urbanisme, de mobilit&amp;eacute;, de logement, d&amp;rsquo;internationalisation ou de marketing. Derri&amp;egrave;re l&amp;rsquo;analyse de l&amp;rsquo;impact de l&amp;rsquo;Exposition sur la ville, il pose la question du lien entre d&amp;eacute;veloppement urbain et &amp;eacute;v&amp;egrave;nements internationaux. Nourri par des &amp;eacute;tudes approfondies et des mises en perspective sur la longue dur&amp;eacute;e de sociologues, politologues, architectes, g&amp;eacute;ographes et historiens, il ouvre les portes d&amp;rsquo;une r&amp;eacute;flexion globale tant sur le pass&amp;eacute; que sur le devenir de la R&amp;eacute;gion bruxelloise, dans une p&amp;eacute;riode o&amp;ugrave;, plus que jamais, elle est l&amp;rsquo;enjeu de d&amp;eacute;sirs contradictoires.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Chlo&amp;eacute; Deligne&lt;/b&gt; est historienne, chercheuse qualifi&amp;eacute;e FNRS &amp;agrave; l&amp;rsquo;&lt;a href="http://www.ulb.ac.be/" target="_blank"&gt;Universit&amp;eacute; Libre de Bruxelles&lt;/a&gt; et codirectrice du &lt;a href="http://www.ulb.ac.be/philo/cirhibru/index.html" target="_blank"&gt;CIRHIBRU&lt;/a&gt;.&lt;br /&gt;
&lt;b&gt;Serge Jaumain&lt;/b&gt; est professeur d&amp;rsquo;Histoire &amp;agrave; l&amp;rsquo;&lt;a href="http://www.ulb.ac.be/" target="_blank"&gt;Universit&amp;eacute; Libre de Bruxelles&lt;/a&gt; et codirecteur du &lt;a href="http://www.ulb.ac.be/philo/cirhibru/index.html" target="_blank"&gt;CIRHIBRU&lt;/a&gt;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Editions du Patrimoine

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&amp;nbsp;&lt;/div&gt;
Spectaculaires, les expositions universelles parisiennes ont marqu&amp;eacute; la m&amp;eacute;moire collective et demeurent des t&amp;eacute;moins pr&amp;eacute;cieux de leur &amp;eacute;poque.&lt;br /&gt;
Vitrine politique, technique et industrielle, les expositions incitent &amp;agrave; la c&amp;eacute;l&amp;eacute;bration du progr&amp;egrave;s mais elles ont &amp;eacute;galement vocation &amp;agrave; privil&amp;eacute;gier l&amp;rsquo;acc&amp;egrave;s &amp;agrave; la culture et aux &amp;eacute;changes culturels. Les divertissements en tous genres, attractions et spectacles qui ponctuent l&amp;rsquo;exposition, la transforment en une gigantesque f&amp;ecirc;te concourant ainsi au succ&amp;egrave;s ph&amp;eacute;nom&amp;eacute;nal rencontr&amp;eacute; aupr&amp;egrave;s des visiteurs.&lt;/div&gt;
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Bien qu&amp;rsquo;&amp;eacute;ph&amp;eacute;m&amp;egrave;res, les expositions universelles successives ont profond&amp;eacute;ment marqu&amp;eacute; le paysage parisien et nous ont l&amp;eacute;gu&amp;eacute; quelques monuments qui font aujourd&amp;rsquo;hui la fiert&amp;eacute; des parisiens et la sp&amp;eacute;cificit&amp;eacute; de la capitale : la Tour Eiffel, le Grand et le Petit Palais, le Pont Alexandre III, les Palais de Chaillot et de Tokyo, les premiers grands h&amp;ocirc;tels (H&amp;ocirc;tel du Louvre, Grand H&amp;ocirc;tel, H&amp;ocirc;tel Continental&amp;hellip;), les gares ferroviaires (Orsay, les Invalides), la premi&amp;egrave;re ligne de m&amp;eacute;tro (Porte de Vincennes / Porte Maillot).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Ce texte de Walter Benjamin est disponible en texte int&amp;eacute;gral sur Les classiques des sciences sociales
&amp;nbsp;
Cette &amp;eacute;dition &amp;eacute;lectronique a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute;e &amp;agrave; partir du texte de Walter Benjamin, &amp;ldquo;Paris, capitale du XIXe si&amp;egrave;cle&amp;rdquo;, expos&amp;eacute; de 1939 &amp;ndash; &amp;eacute;crit directement en fran&amp;ccedil;ais par W. Benjamin &amp;ndash; in Das Passagen-Werk (le livre des Passages), Frankfurt am Main, Suhrkamp Verlag, 1982, pages 60 &amp;agrave; 77.
&amp;nbsp;
Une &amp;eacute;dition num&amp;eacute;rique r&amp;eacute;alis&amp;eacute;e par Daniel Banda, b&amp;eacute;n&amp;eacute;vole, professeur de philosophie en Seine-Saint-Denis et charg&amp;eacute; de cours d'esth&amp;eacute;tique &amp;agrave; Paris-I Sorbonne.

&amp;nbsp;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; In Expositions, Philippe Hamon leads us on an engaging intellectual stroll through the spaces and representations of the nineteenth-century French metropolis. Inspired by the cultural histories of Walter Benjamin and Wolfgang Schivelbusch, Expositions explores the spatial and cultural logic of Haussmann's sweeping Paris boulevards, classic novels by Balzac and Zola, the Bon March&amp;eacute; department store, and the poetry of Baudelaire.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Inspired by the cultural history of Walter Benjamin, Hamon investigates the phenomenon of the &lt;i&gt;Exposition universelle&lt;/i&gt;, with its spectacular public spaces. He relates how the entire urban landscape became a stage while the culture of the image attained ever greater currency in the daily experience of advertising, fashion, photography, and illustration. Masterfully interweaving cultural, architectural, and literary history with semiotic and rhetorical analysis (&lt;i&gt;exposition &lt;/i&gt;is also the foundation of novelistic practice), Hamon offers a virtuoso study of a key moment in the genesis of cultural modernity. His &lt;i&gt;Expositions &lt;/i&gt;will attract readers in literature, architecture, history, and cultural and urban studies.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Philippe Hamon &lt;/b&gt;is Professor Emeritus at the University of the New Sorbonne (Paris III) and a specialist in literary theory.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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                <text>Izmir, candidate à l'Expo 2015</text>
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&amp;nbsp;mars 2008



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&amp;nbsp;Le Monde diplomatique 






Dans son num&amp;eacute;ro de mars 2008, Le Monde diplomatique publie un suppl&amp;eacute;ment  consacr&amp;eacute; &amp;agrave; la ville turque d&amp;#39;Izmir.

Troisi&amp;egrave;me ville de Turquie, Izmir souhaite accueillir l&amp;r</text>
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Dans son num&amp;eacute;ro de mars 2008, Le Monde diplomatique publie un &lt;a href="http://www.monde-diplomatique.fr/2008/03/A/15721" target="_blank"&gt;suppl&amp;eacute;ment&lt;/a&gt;  consacr&amp;eacute; &amp;agrave; la ville turque d&amp;#39;Izmir.&lt;br /&gt;
&lt;br /&gt;
Troisi&amp;egrave;me ville de Turquie, Izmir souhaite accueillir l&amp;rsquo;exposition universelle de 2015. &lt;br /&gt;
&lt;br /&gt;
Deux mille sept cents ann&amp;eacute;es d&amp;rsquo;une histoire mouvement&amp;eacute;e t&amp;eacute;moignent du r&amp;ocirc;le qu&amp;rsquo;elle a toujours jou&amp;eacute; &amp;agrave; la charni&amp;egrave;re de l&amp;rsquo;Occident et de l&amp;rsquo;Orient (&amp;quot;&lt;a href="http://www.monde-diplomatique.fr/2008/03/MANSEL/15723" target="_blank"&gt;Smyrne, deux mille sept cents ans d&amp;rsquo;une histoire tourment&amp;eacute;e&lt;/a&gt;&amp;quot;). &lt;br /&gt;
&lt;br /&gt;
D&amp;eacute;sormais, elle est tourn&amp;eacute;e r&amp;eacute;solument vers l&amp;rsquo;Europe, avec une &amp;eacute;conomie diversifi&amp;eacute;e &amp;ndash; y compris le tourisme, attir&amp;eacute; par ses richesses architecturales et thermales (&amp;quot;&lt;a href="http://www.monde-diplomatique.fr/2008/03/POPE/15738" target="_blank"&gt;Une ville turque tourn&amp;eacute;e vers l&amp;rsquo;Europe&lt;/a&gt;&amp;quot;). &lt;br /&gt;
&lt;br /&gt;
Voil&amp;agrave; un profil qu&amp;rsquo;elle esp&amp;egrave;re conforme &amp;agrave; la conception d&amp;eacute;velopp&amp;eacute;e par le Bureau international des expositions (&amp;ldquo;&lt;a href="http://www.monde-diplomatique.fr/2008/03/LOSCERTALES/15724" target="_blank"&gt;Refl&amp;eacute;ter la diversit&amp;eacute; du monde nouveau&lt;/a&gt;&amp;rdquo;).
&lt;/div&gt;

&amp;nbsp;
&lt;/div&gt;
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