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                <text>The psychogeographic mapping of a city: City-dwellers and lived spaces in Walker Evans' Havana</text>
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22 February 2012

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James Clifford Kent</text>
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                <text>http://backdoorbroadcasting.net/2012/02/james-clifford-kent-the-psychogeographic-mapping-of-a-city-city-dwellers-and-lived-spaces-in-walker-evans-havana-portfolio-1933/</text>
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                <text>&lt;div&gt;Full title: The psychogeographic mapping of a city: City-dwellers and lived spaces in Walker Evans' Havana portfolio (1933)&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
In this research seminar, James Clifford Kent starts by introducing 'the origins of   fascinations with Walker Evans and his Havana portfolio, before considering how it fits into the broader discussion of the fl&amp;acirc;neur'. He also attempts to 'define psychogeography's place in the study of the fl&amp;acirc;neur and street photography, before exploring the historical context, within which Evans's images of Havana from 1933 were produced'.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;James Clifford Kent &lt;/b&gt;is a British documentary-filmmaker and photography who teachers in the School of Modern Languages, Literature and Cultures at Royal Holloway, University of London, and in the Spanish Department at Coventry University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>The flâneur on the bus: Franz Hessel and Joseph Roth in Weimar Berlin</text>
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7 December 2011

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Jon Hughes</text>
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                <text>&lt;div&gt;&lt;b&gt;Organisers' description of the seminar series (&lt;a target="_blank" href="http://backdoorbroadcasting.net/2012/01/the-flaneur-research-seminars-in-comparative-literature-and-culture-2011-12/"&gt;source&lt;/a&gt;):&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
The School of Modern Languages, Literatures and Cultures at Royal Holloway is pleased to announce a series of lunchtime Research Seminars in Comparative Literature and Culture. The School&amp;rsquo;s popular degree programme in Comparative Literature and Culture (CLC) gives students the opportunity to study fiction, film, visual art, and intellectual history across different periods, cultures and contexts. The Research Seminars will showcase the complementary, comparative, and interdisciplinary research interests of researchers in the SMLLC by exploring a single theme: &amp;lsquo;The Fl&amp;acirc;neur&amp;rsquo;.&lt;br /&gt;
&lt;br /&gt;
The &amp;lsquo;Fl&amp;acirc;neur&amp;rsquo;, both as a figure and as an approach to art, has its origins in the nineteenth century, when the leisurely &amp;lsquo;gentleman stroller&amp;rsquo; emerged as a recognizable urban type in cities such as London and, especially, Paris, and consequently became the subject of comment, satire and analysis. For the poet Charles Baudelaire, the fl&amp;acirc;neur became of a figure of aesthetic and existential significance: the pedestrian observer able to &amp;lsquo;bathe&amp;rsquo; in crowds, to feel at home anywhere, to derive intoxication from random encounters. As the world&amp;rsquo;s cities have continued to expand, the fl&amp;acirc;neur has continued to exercise influence on and appeal to artists and writers, and architects and urban planners. The early twentieth century saw the figure impact on the work of journalists and critics writing in German, notably the work of Walter Benjamin. At the same time, city streets, the anonymity of crowds, and a fascination for &amp;lsquo;observation&amp;rsquo; were characteristic preoccupations of many photographers, artists and filmmakers. More recently, the narrative position of the fl&amp;acirc;neur &amp;ndash; a combination of critical distance and total immersion &amp;ndash; has become a feature of travel writing in an increasingly mobile, globalized world.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
available to download&lt;/a&gt;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Jon Hughes &lt;/b&gt;is Senior Lecturer at the School of Modern Languages, Literatures and Cultures at Royal Holloway, University of London, Research Officer at the Centre for German-Jewish Studies in Sussex, and Lecturer in German at King's College London.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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7 March 2011

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Andy Fuller</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the distributor:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
This paper considers the work of one of Indonesia&amp;rsquo;s most prominent contemporary writers, Seno Gumira Ajidarma. In this paper, I look at how Seno&amp;rsquo;s writing over the last 30 years traces and documents changes in contemporary Indonesian urban societies &amp;ndash; and particularly that of Jakarta. This paper considers the importance and relevance of the notion of the urban based fl&amp;acirc;neur and whether or not the fl&amp;acirc;neur and the practice of fl&amp;acirc;nerie is part of literary imaginings in contemporary Indonesia. I ask whether or not to be a fl&amp;acirc;neur and to practice fl&amp;acirc;nerie is a critical social act which questions formal constructions and usages of urban space. This paper looks at the ways in which the practices of listening, hearing, looking and writing are invoked in selected novels, short stories and essays of Seno Gumira Ajidarma.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Andy Fuller&lt;/b&gt; completed his PhD at the University of Tasmania in 2010. He is currently based at Freedom Institute in Jakarta and is also working as a researcher at The University of Melbourne.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>psychogéographie, exploration urbaine, flânerie, représentations, littérature, ambiances, Coverley Merlin</text>
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Merlin Coverley</text>
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Moutons &amp;eacute;lectriques

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;dite&lt;/b&gt;ur :&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Depuis le fl&amp;acirc;neur des villes jusqu'&amp;agrave; l'explorateur de salon, de la d&amp;eacute;rive au d&amp;eacute;tournement, la psychog&amp;eacute;ographie nous procure de nouvelles mani&amp;egrave;res d'appr&amp;eacute;hender notre environnement, des m&amp;eacute;thodes pour transformer les rues famili&amp;egrave;res de notre exp&amp;eacute;rience quotidienne en quelque chose de nouveau et d'inattendu. Depuis Guy Debord et les situationnistes jusqu'&amp;agrave; Jacques R&amp;eacute;da, Iain Sinclair ou Will Self, en passant par Stevenson, Baudelaire, L&amp;eacute;on-Paul Fargue ou Jacques Yonnet, nombreux sont les adeptes de la psychog&amp;eacute;ographie qui ont couch&amp;eacute; par &amp;eacute;crit leurs errances et leurs explorations urbaines. Londres et Paris sont les territoires privil&amp;eacute;gi&amp;eacute;s de la psychog&amp;eacute;ographie, mais celle-ci peut se pratiquer tout aussi bien &amp;agrave; New York ou &amp;agrave; San Francisco, &amp;agrave; Lisbonne ou &amp;agrave; Bruxelles.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cet ouvrage conduit le lecteur &amp;agrave; travers l&amp;rsquo;histoire et les processus de la psychog&amp;eacute;ographie, en offrant &amp;agrave; la fois une explication et une d&amp;eacute;finition des termes concern&amp;eacute;s, et une analyse des figures et &amp;oelig;uvres clefs de ce mouvement.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Merlin Coverley&lt;/b&gt; est un libraire et &amp;eacute;crivain anglais, auteur de plusieurs ouvrages sur les &amp;eacute;crits de Londres.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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