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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
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Title
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Multimédia
Contributor
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Crévilles
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
L'art de la ville
Subject
The topic of the resource
, art dans la ville, litérature, architecture, peinture, photographie, cinéma, Zola Emile, Paris, Californie, Amérique, Benjamin Walter
Date
A point or period of time associated with an event in the lifecycle of the resource
6 au 8 novembre 2008
Format
The file format, physical medium, or dimensions of the resource
Creator
An entity primarily responsible for making the resource
Colloque
Description
An account of the resource
<div>Un colloque organisé par l'<a href="http://www.univ-tlse2.fr/" target="_blank">Université Toulouse-Le Mirail</a> du 6 au 8 novembre 2008.</div>
</div>
<b>Présentation par le diffuseur :</b></div>
</div>
Ce colloque s'intéresse à la manière dont l'art (la littérature, l'architecture,la peinture, la photographie, le cinéma...), à travers toutes les époques, aborde la ville.</div>
</div>
Sans vouloir cadastrer, archiver ou comprendre un lieu qui demeure dans le mouvement, nous envisagerons le renouvellement de la démarche artistique au contact du paysage urbain " ircumambulate the city", disait Melville.</div>
<br />
Conscient de ses limites, l'art se réinvente pour approcher un lieu où l'évidence du concret se mêle aux dérives imaginaires. Il n'évoque pas seulement la ville en termes de cadre, de construction sociale ou symbolique, ou de surface sémiotique, saturée de textes et d'images, mais il accorde ses doutes et ses modulations aux traces et aux transmutations urbaines. Il semble ainsi esquisser une "poéthique" (M. Deguy) de la ville.</div>
</div>
<b>Les cinq vidéos des conférences plénières de ce colloque sont disponibles en ligne :</b></div>
</div>
Conférence de KarlHeinz Stierle</a> : Emile Zola`s Myth of Paris (55'35 - en anglais)</div>
Conférence de Jean-Luc Nancy</a> : Corps de/dans la ville (86'04 - en français)</div>
Conférence de Jean-Michel Maupoix</a> : California ou la Découverte de l’Amérique (49'15 - en français)</div>
Conférence de Lisa Robertson</a> : Recording Time : The Movement of Sound in the City (48'36 - en anglais)</div>
Conférence de Sony Devabhaktuni</a> : Benjamin, architect (34'46 - en anglais)</div>
</div>
</div>
Amérique
architecture
art dans la ville
Benjamin Walter
Californie
cinéma
litérature
Paris
peinture
photographie
Zola Emile
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
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Title
A name given to the resource
Textes
Contributor
An entity responsible for making contributions to the resource
Crévilles
Livre
Type de contenu : livres
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Berlin : Divided city, 1945 - 1989
Subject
The topic of the resource
Berlin, vintième siècle, twentieth century, histoire urbaine, identité, art, architecture, musique, culture urbaine, ségrégation urbaine, film, littérature, literature, music, Broadbent Philip, Hake Sabine
Creator
An entity primarily responsible for making the resource
NC
Date
A point or period of time associated with an event in the lifecycle of the resource
September 2010
Publisher
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Berghahn Books
Format
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204
Description
An account of the resource
<div><b>Abstract from the publisher : </b></div> </div> A great deal of attention continues to focus on Berlin’s cultural and political landscape after the fall of the Berlin Wall, but as yet, no single volume looks at the divided city through an interdisciplinary analysis. This volume examines how the city was conceived, perceived, and represented during the four decades preceding reunification and thereby offers a unique perspective on divided Berlin’s identities. German historians, art historians, architectural historians, and literary and cultural studies scholars explore the divisions and antagonisms that defined East and West Berlin; and by tracing the little studied similarities and extensive exchanges that occurred despite the presence of the Berlin Wall, they present an indispensible study on the politics and culture of the Cold War.</div> </div> <b>Contents : </b></div> </div> Introduction - Philip Broadbent and Sabine Hake<br /> PART I: COLD WAR BEGINNINGS<br /> Life Among the Ruins: Sex, Space, and Subculture in Zero Hour Berlin - Jennifer Evans<br /> The Propagandistic Role of Modern Art in Postwar Berlin - Maike Steinkamp<br /> Back to the Future: New Music’s Revival and Redefinition in Occupied Berlin - Elizabeth Janik<br /> The Nylon Curtain: Architectural Unification in Divided Berlin - Greg Castillo<br /> Mediascape and Soundscape: Two Landscapes of Modernity in Cold War Berlin - Heiner Stahl<br /> PART II: EAST BERLIN, THE SOCIALIST CAPITAL<br /> Painting the Berlin Wall in Leipzig: The Politics of Art in 1960s East Germany<br /> April Eisman<br /> “You Have to Draw a Line Somewhere”: Tropes of Division in DEFA Films from the early 1960s - Mariana Ivanova<br /> Building the East German Television Tower - Heather Gumbert<br /> Deborah Asher Barnstone: Transparency in Divided Berlin: The Palace of the Republic - Heather Gumbert<br /> PART III: WEST BERLIN, SHOWCASE OF THE WEST<br /> “I Still Have a Suitcase in Berlin”: Hildegard Knef’s Cold War Movies - Ulrich Bach<br /> Benno Ohnesorg, Rudi Dutschke, and the Student Movement in West Berlin: Critical Reflections after Forty Years - David Barclay<br /> Berlin and Post-Meinhof Feminism: Yvonne Rainer’s Journeys from Berlin/1971 - Claudia Mesch<br /> Daniel Libeskind’s Jewish Museum in Berlin as a Cold War Project - Paul Jaskot<br /> Beyond the Berlin Myth: the Local, the Global and IBA 87 - Emily Pugh<br /> PART IV: BERLIN AFTER UNIFICATION: LOOKING BACK AND BEYOND<br /> Stereographic City: Berlin Photography in the Wende Era - Miriam Paeslack<br /> Divided City, Divided Heaven? Berlin Border Crossings in Post-Wende Fiction - Lyn Marven<br /> Interview with Barbara Hoidn</div> </div> <b>Philip Broadbent</b> is Assistant Professor in the Department of Germanic Studies at the University of Texas at Austin.<br /> <br /> <b>Sabine Hake</b> is the Texas Chair of German Literature and Culture in the Department of Germanic Studies at the University of Texas at Austin.</div> </div>
Type
The nature or genre of the resource
Ouvrage
architecture
art
Berlin
Broadbent Philip
culture urbaine
film
Hake Sabine
histoire urbaine
identité
litérature
littérature
music
musique
ségrégation urbaine
twentieth century
vintième siècle
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Textes
Contributor
An entity responsible for making contributions to the resource
Crévilles
Livre
Type de contenu : livres
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The imagination of class: Masculinity and the Victorian urban poor
Subject
The topic of the resource
classe, pauvreté, masculinité, masculinity, hommes, men, Victorian, nineteenth century, dix-neuvième siècle, United Kingdom, Royaume-Uni, London, Londres, literature, littérature, histoire urbaine, représentations, Bivona Daniel, Hinkle Roger B.
Creator
An entity primarily responsible for making the resource
Daniel Bivona Roger B. Hinkle
Date
A point or period of time associated with an event in the lifecycle of the resource
2006
Publisher
An entity responsible for making the resource available
The Ohio State University Press
Identifier
An unambiguous reference to the resource within a given context
http://hdl.handle.net/1811/5980
Format
The file format, physical medium, or dimensions of the resource
208
Description
An account of the resource
<div><b>Extract from the Introduction:</b></div> </div> The poor were always with the English. Poverty had been of broad social concern since the Elizabethan period at least: the topic of ongoing debate, periodic legislation, sporadic philanthropy. But the London poor of the nineteenth century - particularly from the 1840s on - seemed to present a different phenomenon. The spectacle of poverty and associated degradation in Central and East London, and later in South London, gave rise to a new set of imaginative and cultural representations. It developed from and in turn created new relationships between an ascending urban middle class and the worst victims of the metropolis. Poverty became, as Gertrude Himmelfarb notes, "a cultural rather than an economic condition" (<i>Idea of Poverty </i>366). The character of the London poor broke into the public consciousness as if it were a <i>discovery</i>, which was "at once painful and alarming" in the words of one observer, and the "sense of novelty did not seem to disappear till the 1890's" (<i>Victorian City </i>1:18). New terms, such as "slum," entered the vocabulary, and from the Victorian period on, almost as one conceived of the big city, one conceived at the same time of a festering, teeming, sullen nether world within it. The state of London's poor came to exercise a strong imagistic influence, shaping the discourses of journalism, social work, government activity, and high culture.</div> </div> The late <b>Roger B. Henkle </b>was Professor of English and Modern Culture and Media at Brown University.</div> <b>Daniel Bivona </b>is Associate Professor of English at Arizona State University.</div> </div>
Type
The nature or genre of the resource
Ouvrage
Bivona Daniel
classe
dix-neuvième siècle
Hinkle Roger B.
histoire urbaine
hommes
litérature
littérature
London
Londres
masculinité
masculinity
men
nineteenth century
pauvreté
représentations
Royaume-Uni
United Kingdom
Victorian