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                <text>Paysage urbain : genèse, représentations, enjeux contemporains</text>
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2007

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                <text>&lt;div&gt;La revue Strates, mat&amp;eacute;r&amp;eacute;riaux pour la recherche en sciences sociales, met en ligne, en texte int&amp;eacute;gral, sur le portail &lt;a href="http://crevilles.org/mambo/index.php?option=com_content&amp;amp;task=view&amp;amp;id=729&amp;amp;Itemid=187"&gt;Revues.org&lt;/a&gt; son num&amp;eacute;ro 13 de 2007 intitul&amp;eacute; &amp;quot;Paysage urbain : gen&amp;egrave;se, repr&amp;eacute;sentations, enjeux contemporains&amp;quot;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Sommaire : &lt;br /&gt;
&lt;/b&gt;&lt;/div&gt;
&lt;ul style="font-size: 11px; margin-left: 160px; padding-left: 5px; text-align: justify; color: rgb(0, 0, 0); list-style-type: none; list-style-image: none; list-style-position: outside;"&gt;
    &lt;li&gt;&amp;bull; Le paysage urbain, au crible d&amp;rsquo;une diversit&amp;eacute; de regards&amp;hellip;  (Jean-Paul Billaud)&lt;/li&gt;
    &lt;li&gt;&amp;bull; Paysage urbain: d&amp;rsquo;une th&amp;eacute;matique &amp;agrave; un objet de recherche  (H&amp;eacute;l&amp;egrave;ne Janni&amp;egrave;re et Fr&amp;eacute;d&amp;eacute;ric Pousin)&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;
&lt;b&gt;I. Gen&amp;egrave;se et circulation de la notion entre urbanisme, g&amp;eacute;ographie et paysagisme&lt;/b&gt;&lt;/div&gt;
&lt;ul style="font-size: 11px; margin-left: 160px; padding-left: 5px; text-align: justify; color: rgb(0, 0, 0); list-style-type: none; list-style-image: none; list-style-position: outside;"&gt;
    &lt;li&gt;&amp;bull; Du townscape au &amp;laquo; paysage urbain &amp;raquo;, circulation d&amp;rsquo;un mod&amp;egrave;le rh&amp;eacute;torique mobilisateur (Fr&amp;eacute;d&amp;eacute;ric Pousin)&lt;/li&gt;
    &lt;li&gt;&amp;bull; De l&amp;rsquo;art urbain &amp;agrave; l&amp;rsquo;environnement : le paysage urbain dans les &amp;eacute;crits d&amp;rsquo;urbanisme en France, 1911-1980 (H&amp;eacute;l&amp;egrave;ne Janni&amp;egrave;re)&lt;/li&gt;
    &lt;li&gt;&amp;bull; Paysage urbain : pr&amp;eacute;misses d&amp;rsquo;un renouvellement dans la g&amp;eacute;ographie fran&amp;ccedil;aise, 1960-1980  (Xavier MICHEL)&lt;/li&gt;
    &lt;li&gt;&amp;bull; Le paradoxe du paysage urbain dans les discours paysagistes (Florent Hebert)&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;
&lt;b&gt;II. Le changement des regards: paysage urbain et photographie&lt;br /&gt;
&lt;/b&gt;&lt;/div&gt;
&lt;ul style="font-size: 11px; margin-left: 160px; padding-left: 5px; text-align: justify; color: rgb(0, 0, 0); list-style-type: none; list-style-image: none; list-style-position: outside;"&gt;
    &lt;li&gt;&amp;bull; The aerial view: notes for a cultural history (Mark Dorrian)&lt;/li&gt;
    &lt;li&gt;&amp;bull; From monument to landscape and back again (Bruno NOTTEBOOM)&lt;/li&gt;
    &lt;li&gt;&amp;bull; Paolo Monti et le projet de Bologne (Italo Zannier)&lt;/li&gt;
    &lt;li&gt;&amp;nbsp;&lt;/li&gt;
&lt;/ul&gt;
&lt;b&gt;III. Les pratiques professionnelles&lt;/b&gt;&lt;/div&gt;
&lt;ul style="font-size: 11px; margin-left: 160px; padding-left: 5px; text-align: justify; color: rgb(0, 0, 0); list-style-type: none; list-style-image: none; list-style-position: outside;"&gt;
    &lt;li&gt;&amp;bull; Pratiques et comp&amp;eacute;tences paysagistes dans les grands ensembles d&amp;rsquo;habitation, 1945-1975 (Bernadette Blanchon-Caillot)&lt;/li&gt;
    &lt;li&gt;&amp;bull; Les villes nouvelles fran&amp;ccedil;aises : lieux de formation aux pratiques de l&amp;rsquo;am&amp;eacute;nagement (Viviane CLAUDE)&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;
&lt;b&gt;IV. Paysage urbain, fleuve et rivi&amp;egrave;re: enjeux environnementaux contemporains&lt;/b&gt;&lt;/div&gt;
&lt;ul style="font-size: 11px; margin-left: 160px; padding-left: 5px; text-align: justify; color: rgb(0, 0, 0); list-style-type: none; list-style-image: none; list-style-position: outside;"&gt;
    &lt;li&gt;&amp;bull; Fleuves en ville : enjeux &amp;eacute;cologiques et projets urbains (Sophie Bonin)&lt;/li&gt;
    &lt;li&gt;&amp;bull; Quelles r&amp;eacute;ponses au &amp;laquo; d&amp;eacute;sordre urbain &amp;raquo; en vall&amp;eacute;e de l&amp;rsquo;Orge ? (Claire Roullet-Sureau)&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;
&lt;b&gt;V. Transformations urbaines. Nouvelles r&amp;eacute;ceptions, nouvelles valeurs&lt;/b&gt;&lt;/div&gt;
&lt;ul style="font-size: 11px; margin-left: 160px; padding-left: 5px; text-align: justify; color: rgb(0, 0, 0); list-style-type: none; list-style-image: none; list-style-position: outside;"&gt;
    &lt;li&gt;&amp;bull; Montr&amp;eacute;al 1960, les ressorts d&amp;rsquo;une r&amp;eacute;identification (Andr&amp;eacute; Lortie)&lt;/li&gt;
    &lt;li&gt;&amp;bull; Le paysage de la gentrification &amp;agrave; Barcelone (Hovig Ter Minassian)&lt;/li&gt;
&lt;/ul&gt;
&amp;nbsp;&lt;/div&gt;
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Pierre Dubois, 
Alexis Tadi&amp;eacute;, 
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28 juin 2012

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Presses universitaires Paris Sorbonne

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Au travers d&amp;rsquo;&amp;eacute;tudes d&amp;rsquo;histoire de l&amp;rsquo;art et d&amp;rsquo;essais d&amp;rsquo;histoire culturelle, ce livre aborde les liens entre la ville, ses transformations aux XVIIIe et XIXe si&amp;egrave;cles, et les &amp;eacute;volutions dans les arts, m&amp;ecirc;me quand ils &amp;eacute;vitent la ville pour se tourner vers la nature, ses paysages, ses jardins. On lira des &amp;eacute;tudes plus th&amp;eacute;oriques d&amp;rsquo;histoire de l&amp;rsquo;art, d&amp;rsquo;histoire de la ville, d&amp;rsquo;histoire de son architecture, mais aussi des consid&amp;eacute;rations sur la fa&amp;ccedil;on dont les d&amp;eacute;veloppements esth&amp;eacute;tiques s&amp;rsquo;inscrivent dans l&amp;rsquo;espace urbain, ou au contraire s&amp;rsquo;en &amp;eacute;chappent. Les contributions abordent &amp;agrave; la fois des personnages importants de l&amp;rsquo;&amp;eacute;volution des arts en Angleterre &amp;agrave; l&amp;rsquo;&amp;eacute;poque qui nous int&amp;eacute;resse, comme en &amp;eacute;cho aux travaux de Jacques Carr&amp;eacute; sur Burlington, des genres caract&amp;eacute;ristiques de cette &amp;eacute;poque, des institutions centrales &amp;agrave; la vie culturelle de l&amp;rsquo;Angleterre des XVIIIe et XIXe si&amp;egrave;cles, des questions de th&amp;eacute;orie des arts.&lt;br /&gt;
&lt;br /&gt;
Le pr&amp;eacute;sent ouvrage regroupe des contributions de divers amis, coll&amp;egrave;gues (fran&amp;ccedil;ais et &amp;eacute;trangers) et anciens &amp;eacute;tudiants de Jacques Carr&amp;eacute;, qui travaillent dans des domaines diff&amp;eacute;rents au sein du champ de l&amp;rsquo;histoire culturelle. Cette diversit&amp;eacute; t&amp;eacute;moigne de la fa&amp;ccedil;on dont les champs disciplinaires sont constamment red&amp;eacute;finis et mis en corr&amp;eacute;lation, en interaction ou en tension les uns avec les autres. Tandis qu&amp;rsquo;il y a peu encore, on s&amp;eacute;parait de fa&amp;ccedil;on &amp;eacute;tanche l&amp;rsquo;histoire des id&amp;eacute;es, l&amp;rsquo;histoire de l&amp;rsquo;art et l&amp;rsquo;histoire sociale, ce sont les points d&amp;rsquo;intersection entre ces domaines qui posent aujourd&amp;rsquo;hui de nouvelles questions critiques. Cet ouvrage contribue &amp;agrave; explorer ce champ vari&amp;eacute; pour en souligner l&amp;rsquo;unit&amp;eacute;, et en faire appara&amp;icirc;tre les &amp;eacute;chos, les rappels, les continuit&amp;eacute;s ou les ruptures.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;strong&gt; Un entretien mis en ligne par les &lt;a href="index.php?option=com_content&amp;amp;task=view&amp;amp;id=791&amp;amp;Itemid=195"&gt;Archives Audiovisuelles de la Recherche en Sciences Humaines et Sociales&lt;/a&gt;  &lt;/strong&gt;&lt;strong&gt;&lt;br /&gt;
&lt;br /&gt;
Patrizia INGALLINA&lt;/strong&gt; est architecte-urbaniste, ma&amp;icirc;tre de conf&amp;eacute;rences HDR &amp;agrave; l'Institut d'Urbanisme de Paris et professeur associ&amp;eacute; au Politecnico de Turin. Elle a la responsabilit&amp;eacute; des travaux dans le cadre de l'axe &amp;laquo; Repr&amp;eacute;sentations, projet urbain et programmation &amp;raquo; du C.R.E.T.E.I.L (Centre de Recherche sur l'Espace, les Transports, l'Environnement et les Institutions Locales).&lt;br /&gt;
&lt;br /&gt;
Patrizia Ingallina s'int&amp;eacute;resse &amp;agrave; la mani&amp;egrave;re dont les cultures fran&amp;ccedil;aise et italienne (aussi bien dans le jeu des institutions que dans le syst&amp;egrave;me d'id&amp;eacute;es et dans la perception des habitants) con&amp;ccedil;oivent et se repr&amp;eacute;sentent la ville et les modes d'intervention sur elle, dans une optique de transformation urbaine. La notion de &amp;laquo; recupero &amp;raquo;, abord&amp;eacute;e dans le cadre de sa th&amp;egrave;se, r&amp;eacute;sumait bien les caract&amp;eacute;ristiques italiennes de la pens&amp;eacute;e et de l'action sur la ville existante et fournissait un exemple int&amp;eacute;ressant pour la France, aidant &amp;agrave; la d&amp;eacute;finition de la notion de &amp;laquo; projet urbain &amp;raquo;. &lt;br /&gt;
&lt;br /&gt;
Ses travaux r&amp;eacute;cents sur le projet urbain comme recherche de nouvelles d&amp;eacute;marches de planification (notamment par l'introduction de la notion de strat&amp;eacute;gie) et l'int&amp;eacute;gration du paysage dans ces d&amp;eacute;marches s'effectuent toujours dans un cadre international (Italie, Canada, &amp;Eacute;tats-Unis). Il s'agit de comprendre les actions d'urbanisme, la diversit&amp;eacute; de leurs points de rencontre, dans l'espace intellectuel et pratique qui se cr&amp;eacute;e actuellement en Europe.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Responsable de cet entretien :&lt;/strong&gt;  Charles Biljetina&lt;/div&gt;
&lt;/div&gt;
&lt;!--FIN DU COMMENTAIRE--&gt;
&amp;nbsp;&lt;/div&gt;
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Des origines de Paris, bien avant qu'elle ne devienne capitale, aux diverses transformations qui vont concourir &amp;agrave; son rayonnement international, ce dossier pr&amp;eacute;sente une approche vivante et illustr&amp;eacute;e de ces &amp;eacute;volutions.&lt;/div&gt;
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L'apport pluridisciplinaire (historique, politique, urbain, sociologique, culturel, g&amp;eacute;ographique et &amp;eacute;conomique) permet d'en saisir tous les aspects constitutifs qui se prolongent maintenant avec le projet du Grand Paris.&lt;/div&gt;
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&#13;
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