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                <text>Modèles pour les villes d'avenir : un kaléidoscope de visions et d'actions pour des villes durables</text>
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L'Harmattan

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                <text>&lt;div&gt;&lt;b&gt;4e de couverture :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
La ville est notre chef-d'oeuvre collectif en p&amp;eacute;ril. Elle n&amp;eacute;cessite des actions politiques concert&amp;eacute;es pour lui assurer un avenir durable. 20 ans apr&amp;egrave;s le rapport embl&amp;eacute;matique Broondland sur le d&amp;eacute;veloppement durable, la qu&amp;ecirc;te de la ville durable, avec un environnement sain, de la coh&amp;eacute;sion sociale, de l'efficacit&amp;eacute; &amp;eacute;conomique et une &amp;eacute;co-conscience citoyenne universelle, est plus que jamais intense en Europe et dans le monde.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ce livre s'adresse &amp;agrave; tous ceux qui aiment et qui servent les villes et qui croient en leur potentiel pour humaniser la mondialisation. Il offre un kal&amp;eacute;idoscope de mod&amp;egrave;les qui peuvent inspirer les villes en qu&amp;ecirc;te de d&amp;eacute;veloppement durable. A l'&amp;egrave;re du d&amp;eacute;veloppement durable, la renaissance des villes ne peut pas r&amp;eacute;sulter d'une &amp;eacute;volution lin&amp;eacute;aire du pass&amp;eacute;, elle n&amp;eacute;cessite des innovations, bonds qualitatifs et changements de paradigmes.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Voula Mega&lt;/b&gt;, fonctionnaire de la Commission europ&amp;eacute;enne, est ing&amp;eacute;nieure dipl&amp;ocirc;m&amp;eacute;e de l'Ecole polytechnique d'Ath&amp;egrave;nes et de l'Ecole nationale des sciences g&amp;eacute;ographiques &amp;agrave; Paris.&lt;/div&gt;
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Walter Benjamin</text>
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1939

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                <text>Ce texte de Walter Benjamin est disponible en texte int&amp;eacute;gral sur Les classiques des sciences sociales
&amp;nbsp;
Cette &amp;eacute;dition &amp;eacute;lectronique a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute;e &amp;agrave; partir du texte de Walter Benjamin, &amp;ldquo;Paris, capitale du XIXe si&amp;egrave;cle&amp;rdquo;, expos&amp;eacute; de 1939 &amp;ndash; &amp;eacute;crit directement en fran&amp;ccedil;ais par W. Benjamin &amp;ndash; in Das Passagen-Werk (le livre des Passages), Frankfurt am Main, Suhrkamp Verlag, 1982, pages 60 &amp;agrave; 77.
&amp;nbsp;
Une &amp;eacute;dition num&amp;eacute;rique r&amp;eacute;alis&amp;eacute;e par Daniel Banda, b&amp;eacute;n&amp;eacute;vole, professeur de philosophie en Seine-Saint-Denis et charg&amp;eacute; de cours d'esth&amp;eacute;tique &amp;agrave; Paris-I Sorbonne.

&amp;nbsp;
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Wang Anyi</text>
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11 f&amp;eacute;vrier 2011

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Philippe Picquier

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;quot;Il y a beau temps que les sir&amp;egrave;nes des bateaux &amp;agrave; vapeur ont remplac&amp;eacute; le chant des haleurs sur les rives du Huangpu, les colons &amp;eacute;trangers ont d&amp;eacute;guerpi avec leurs richesses, les coureurs de grand chemin ont fini par se fixer, les coquins et les canailles se sont civilis&amp;eacute;s, ils portent costume occidental et chaussures de cuir&amp;hellip; Nous avons eu la malchance de na&amp;icirc;tre parmi ces citadins banals, le sang bouillant de nos grands-parents s&amp;rsquo;est refroidi dans nos veines. Les cent ann&amp;eacute;es de ce si&amp;egrave;cle sont pass&amp;eacute;es pour Shanghai comme un r&amp;ecirc;ve, laissant des bribes de cauchemar et de belles illusions. Derri&amp;egrave;re nous, le fleuve poursuit sa course vers l&amp;rsquo;est.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Celle qui a c&amp;eacute;l&amp;eacute;br&amp;eacute; Shanghai avec tant de ma&amp;icirc;trise et d&amp;rsquo;opulence dans son roman Le Chant des regrets &amp;eacute;ternels part ici &amp;agrave; la recherche de son histoire, qui a pour moi, dit-elle, quelque chose de secret, tant mes impressions de Shanghai, ma ville, se m&amp;ecirc;lent aux herbes folles de ma vie personnelle. Elle compare Shanghai et P&amp;eacute;kin, essaie de d&amp;eacute;finir le go&amp;ucirc;t des deux villes, leur langue, leurs personnages, leur mani&amp;egrave;re de vivre, le vent, le soleil et le man&amp;egrave;ge des saisons, leur id&amp;eacute;al et leur trace dans l&amp;rsquo;histoire. Enfin elle conte les histoires de hasard et de fortune qui ont fait la l&amp;eacute;gende et la prosp&amp;eacute;rit&amp;eacute; de ce qui &amp;eacute;tait encore, il n&amp;rsquo;y a pas si longtemps &amp;agrave; l&amp;rsquo;aune de l&amp;rsquo;histoire de Chine, un simple village de p&amp;ecirc;cheurs.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;From the preface : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
In pre-twentieth-century Europe, cities often reflected common ideas about the design of urban buildings. Typically the form of cities was cohesive, and public spaces were clearly defined because each building played a part in an ensemble. The individual structures on Kramgasse in Bern, Switzerland, were conceived in sympathy with their neighbors and in consideration of their role in defining an outdoor public room. The issue here is not whether these design gestures were spontaneous and purposeful or were required by public policy; rather, it is the common agreement that each building played an important part in continuously generating and regenerating urban places.&lt;br /&gt;
&lt;br /&gt;
In the twentieth century, urban form has derived more often from theory than from such a consensus. Contemporary European urban design theorists have tried to create a new consensus based on different attitudes toward urban form, attitudes often characterized by the terms functionalist, townscape, structuralist, and neo-rationalist (or  rationalist). Our concern here is not the application of these attitudes in Europe but rather our belief that European urban design theory in the twentieth century has not provided a sound basis for American urban design. An appropriate urbanism for America must grow out of the inherent characteristics and conditions of American cities, not out of theories derived from an alien experience.&lt;br /&gt;
&lt;br /&gt;
Much recent urban development in the United States has been based on a pragmatic picking and choosing among European theories and precedents, with a few homegrown techniques thrown in. But the European theories are unconvincing in American contexts. Instead of the appliqu&amp;eacute; of imported ideas and homegrown methods, we need an urban design theory that is appropriate to American circumstances and allows architects, urban designers, and planners to develop a consensus about our own urban values.&lt;br /&gt;
&lt;br /&gt;
This book presents such a theory, which we call catalytic architecture. It describes the positive impact an individual urban building or project can have on subsequent projects and, ultimately, the form of a city. It encourages designers, planners, and policymakers to consider the chain-reactive potential of individual developments on civic growth and urban regeneration. It advocates design control as part of a catalytic strategy for urban design.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Wenda Doff

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Delft University Press

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&amp;nbsp;&lt;/div&gt;
Like other West European countries, the Netherlands are facing a growing uneasiness about its changing demographics. It is within this context that animated discussions concerning immigrant neighbourhoods dominate. The general opinion is that living in such neighbourhoods hinders the 'integration' of immigrants into Dutch society. This book contributes to the academic and policy debate by not only examining the effects of ethnic concentration, but also by finding out how people are sorted into neighbourhoods. Bringing together different bodies of literature, this book offers a more holistic view of the creation of ethnic residential segregation and its potential significance for individual life chances.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Preface&lt;/div&gt;
Introduction&lt;/div&gt;
Confined contact : Residential segregation and ethnic bridges in the Netherlands&lt;/div&gt;
Concentrating on participation : Ethnic concentration and labour market participation of four ethnic groups&lt;/div&gt;
Involuntary isolation : Ethnic preferences and residential segregation&lt;/div&gt;
Residential outcomes of forced relocation : Lifting a corner of the veil on neighbourhood selection&lt;/div&gt;
The significance of self-selection for neighbourhood sorting and its implications for neighbourhood effect studies&lt;/div&gt;
Conclusion&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Wenda Doff &lt;/b&gt;is a Researcher in the OTB Research Institute for the Built Environment at TU Delft.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
How do we attempt to understand the sprawling &amp;quot;modern Babylon&amp;quot; that is London, with its layers of social, political and cultural history? Can art, architecture and literature help us to 'read' this complex city?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
LSE website&lt;/a&gt;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Will Alsop&lt;/b&gt; OBE is Design Principal at RMJM&amp;rsquo;s European flagship office in London, and is one of Britain&amp;rsquo;s most renowned architects.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Rosemary Ashton&lt;/b&gt; is Quain Professor of English Language and Literature at UCL, and the lead investigator of a 3-year Leverhulme funded research project studying the growth of Bloomsbury from swampy waste land to London's intellectual and cultural centre.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Leo Hollis&lt;/b&gt; was born in London and educated at Stonyhurst College. He read history at the University of East Anglia. he has written on both the history of London and Paris.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Hans Ulrich Obrist&lt;/b&gt; became Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery in April 2006. Prior to this he was Curator of the Mus&amp;eacute;e d&amp;rsquo;Art Moderne de la Ville de Paris since 2000, as well as curator of museum in progress, Vienna, from 1993-2000.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Une synth&amp;egrave;se de sociologie politique sur l'action par le sport des pouvoirs publics et des associations en direction des quartiers, assortie d'une &amp;eacute;valuation critique des r&amp;eacute;sultats enregistr&amp;eacute;s par la politique de la Ville depuis sa mise en oeuvre.&lt;/div&gt;
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En r&amp;eacute;ponse &amp;agrave; la &amp;quot;crise du lien social&amp;quot; le sport est souvent pr&amp;eacute;sent&amp;eacute; comme un puissant ciment ou comme un mod&amp;egrave;le d'int&amp;eacute;gration, dans ce contexte le sport devient &amp;quot;social&amp;quot;, un dispositif mis en oeuvre par les pouvoirs publics dans les quatiers populaires.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Les auteurs se proposent d'analyser cette r&amp;eacute;alit&amp;eacute; en l'illustrant d'anqu&amp;ecirc;tes r&amp;eacute;centes. Ce travail de synth&amp;egrave;se est un outil de r&amp;eacute;flexion pour chercheurs et &amp;eacute;tudiants en sciences sociales et un outil de d&amp;eacute;cision pour tous les acteurs des politiques publiques du sport.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Universit&amp;eacute; Marc Bloch&lt;/a&gt; de Strasbourg II, il dirige l'&amp;Eacute;quipe de recherche en sciences sociales du sport.&lt;br /&gt;
&lt;b&gt;Gilles Vieille Marchiset&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences (HDR) &amp;agrave; l'&lt;a href="http://www.univ-fcomte.fr" target="_blank"&gt;Universit&amp;eacute; de Franche-Comt&amp;eacute;&lt;/a&gt;, membre du Laboratoire de sociologie et d'anthropologie.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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For sixteen years William Whyte walked the streets of New York and other major cities. With a group of young observers, camera and notebook in hand, he conducted pioneering studies of street life, pedestrian behavior, and city dynamics. City: Rediscovering the Center is the result of that research, a humane, often amusing view of what is staggeringly obvious about the urban environment but seemingly invisible to those responsible for planning it.&lt;br /&gt;
&lt;br /&gt;
Whyte uses time-lapse photography to chart the anatomy of metropolitan congestion. Why is traffic so badly distributed on city streets? Why do New Yorkers walk so fast&amp;mdash;and jaywalk so incorrigibly? Why aren't there more collisions on the busiest walkways? Why do people who stop to talk gravitate to the center of the pedestrian traffic stream? Why do places designed primarily for security actually worsen it? Why are public restrooms disappearing? &amp;quot;The city is full of vexations,&amp;quot; Whyte avers: &amp;quot;Steps too steep; doors too tough to open; ledges you cannot sit on. . . . It is difficult to design an urban space so maladroitly that people will not use it, but there are many such spaces.&amp;quot; Yet Whyte finds encouragement in the widespread rediscovery of the city center. The future is not in the suburbs, he believes, but in that center. Like a Greek agora, the city must reassert its most ancient function as a place where people come together face-to-face.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt; &lt;/b&gt;&lt;/div&gt;
&lt;b&gt;William H. Whyte&lt;/b&gt; (1917-1999), author of the bestselling &amp;quot;Organization Man&amp;quot; was born in Pennsylvania and educated at Princeton.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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William H. Whyte
Albert LaFarge (ed.)

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2000

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Fordham University Press

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The Essential William H. Whyte offers the core writings of a great observer of the postwar American scene. Included are selections from The Organization Man, Securing Space for Urban America: Conservation Easements, The Last Landscape, The Social Life of Urban Spaces, and City: Rediscovering the Center, as well as many of Whyte&amp;rsquo;s articles from Fortune Magazine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;William H. Whyte&lt;/b&gt; was an American urbanist, organizational analyst, journalist and people-watcher.&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Albert LaFarge&lt;/b&gt; was raised in New York City, where he has worked as a book editor since 1985.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Xavier Bonnaud</text>
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De la ville au technocosme n&amp;rsquo;est pas un essai ordinaire. Son auteur, Xavier Bonnaud, est un architecte qui a exerc&amp;eacute; pendant plus de vingt ans en r&amp;eacute;gion parisienne. C&amp;rsquo;est fort de cette exp&amp;eacute;rience et de ses lectures qu&amp;rsquo;il s&amp;rsquo;est plong&amp;eacute; dans ce monde, le n&amp;ocirc;tre, constamment renouvel&amp;eacute; par la technologie.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
En interrogeant ce nouvel environnement &amp;ndash;un assemblage de r&amp;eacute;seaux, de fonctions et de lieux qui &amp;eacute;quipent notre existence et servent notre qu&amp;ecirc;te de performance-, Xavier Bonnaud nous propose de r&amp;eacute;fl&amp;eacute;chir &amp;agrave; l&amp;rsquo;impact de la technicit&amp;eacute; croissante de nos existences. Une question domine du reste sa r&amp;eacute;flexion : pourquoi, &amp;agrave; travers son g&amp;eacute;nie technique, l&amp;rsquo;homme construit pour lui-m&amp;ecirc;me des cit&amp;eacute;s qui lui paraissent soudain inhospitali&amp;egrave;res ?&lt;br /&gt;
&lt;br /&gt;
Ouvrage &amp;quot;de soci&amp;eacute;t&amp;eacute;&amp;quot;, au sens o&amp;ugrave; il est ancr&amp;eacute; dans le r&amp;eacute;el, et de philosophie de l&amp;rsquo;urbain, De la ville au technocosme questionne finalement le devenir de l&amp;rsquo;homme : puisqu&amp;rsquo;il n&amp;rsquo;y a pas d&amp;rsquo;alternative au monde urbain, est-ce que l&amp;rsquo;homme saura y mettre de l&amp;rsquo;esp&amp;eacute;rance ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
universit&amp;eacute; de Clermont-Ferrand&lt;/a&gt;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Xavier Rousseaux, 
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Presses universitaires de Louvain

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                <text>&lt;div&gt;Violences juv&amp;eacute;niles urbaines en Europe : histoire d'une construction sociale&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
De nos jours, dans les villes, la violence des jeunes alarme, inqui&amp;egrave;te. &amp;quot;Ils sont de plus en plus violents, de plus en plus jeunes&amp;quot;, entend-on r&amp;eacute;guli&amp;egrave;rement de l'opinion publique. Pourtant, ces commentaires ne reposent sur aucune base scientifique fiable : ils rel&amp;egrave;vent d&amp;rsquo;un discours construit depuis pr&amp;egrave;s de deux cents ans sur des faits peu repr&amp;eacute;sentatifs et des impressions non critiqu&amp;eacute;es.&lt;/div&gt;
&lt;br /&gt;
Jusqu&amp;rsquo;ici, ville et violence, jeunesse et violence, voire jeunesse et ville &amp;eacute;taient analys&amp;eacute;es de mani&amp;egrave;re s&amp;eacute;par&amp;eacute;e ; en revanche, la probl&amp;eacute;matique de la violence des jeunes dans l&amp;rsquo;espace public urbain n&amp;rsquo;avait pas donn&amp;eacute; lieu &amp;agrave; des recherches crois&amp;eacute;es.&lt;br /&gt;
Par la confrontation syst&amp;eacute;matique des sources (r&amp;eacute;pressives, discursives) et selon une pluralit&amp;eacute; d&amp;rsquo;approches m&amp;eacute;thodologiques (travail sur archives, enqu&amp;ecirc;te orale), les auteurs de ce livre, historiens, criminologues ou sociologues, tentent de cerner l&amp;rsquo;&amp;eacute;cart existant entre perception et r&amp;eacute;alit&amp;eacute; du ph&amp;eacute;nom&amp;egrave;ne aux diff&amp;eacute;rentes p&amp;eacute;riodes de l&amp;rsquo;histoire.&lt;/div&gt;
&lt;br /&gt;
Sur la base de recherches r&amp;eacute;centes, ils proposent de mieux comprendre quand, comment et pourquoi s&amp;rsquo;est construite dans la soci&amp;eacute;t&amp;eacute; europ&amp;eacute;enne cette repr&amp;eacute;sentation de la jeunesse comme vecteur de violence associ&amp;eacute; &amp;agrave; la vie urbaine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Sommaire :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Introduction. Violences juv&amp;eacute;niles urbaines : entre masculinit&amp;eacute;s, mobilit&amp;eacute;s et m&amp;eacute;diatisations - Xavier De Weirt, Xavier Rousseaux&lt;br /&gt;
&lt;br /&gt;
PREMIERE PARTIE&lt;/div&gt;
&lt;b&gt;Pourquoi les jeunes font-ils peur ? Socio-histoire d'une anxi&amp;eacute;t&amp;eacute;&lt;/b&gt;&lt;br /&gt;
La d&amp;eacute;linquance juv&amp;eacute;nile, des &amp;quot;Blousons noirs&amp;quot; &amp;agrave; nos jours. Le d&amp;eacute;tour historique comme pr&amp;eacute;alable au questionnement sociologique contemporain - Laurent Mucchielli&lt;br /&gt;
De la jeunesse belliqueuse &amp;agrave; la d&amp;eacute;linquance juv&amp;eacute;nile. Jeunes, violence et urbanit&amp;eacute; dans les soci&amp;eacute;t&amp;eacute;s m&amp;eacute;di&amp;eacute;vales et modernes (1300-1850) - Aude Musin, Xavier Rousseaux&lt;br /&gt;
Jeunes, ville et violence. Grande-Bretagne XIXe-XXe si&amp;egrave;cles - Philippe Chassaigne&lt;br /&gt;
&lt;br /&gt;
DEUXIEME PARTIE&lt;/div&gt;
&lt;b&gt;La ville, foyer de violence juv&amp;eacute;nile ? Etudes de terrain&lt;/b&gt;&lt;br /&gt;
Violence juv&amp;eacute;nile &amp;agrave; Paris au temps des Apaches. Fin XIXe si&amp;egrave;cle&amp;ndash;d&amp;eacute;but du XXe si&amp;egrave;cle - Jean-Claude Farcy&lt;br /&gt;
D&amp;eacute;viances et d&amp;eacute;linquance d&amp;rsquo;une jeunesse populaire dans un quartier ouvrier en transformation durant le XXe si&amp;egrave;cle. De l&amp;rsquo;Entre-deux-guerres &amp;agrave; l&amp;rsquo;&amp;egrave;re postindustrielle - &amp;Eacute;ric Marli&amp;egrave;re&lt;br /&gt;
Terreurs de quartiers. Jeunesse et violences &amp;agrave; Marseille (1850-1914) - C&amp;eacute;line Regnard&lt;br /&gt;
Un faux probl&amp;egrave;me ? La violence des jeunes &amp;agrave; Anvers dans la premi&amp;egrave;re moiti&amp;eacute; du XXe si&amp;egrave;cle - Antoon Vrints&lt;br /&gt;
La r&amp;eacute;bellion &amp;agrave; Bruxelles apr&amp;egrave;s la Seconde Guerre mondiale (1945-1975). Un contre-exemple &amp;agrave; la construction sociale dominante du ph&amp;eacute;nom&amp;egrave;ne comme action collective et juv&amp;eacute;nile - Melpomeni Skordou&lt;br /&gt;
Des jeunes adultes jug&amp;eacute;s devant le tribunal correctionnel de Bruxelles. La perception des comportements violents entre rouages judiciaires et approche de la r&amp;eacute;alit&amp;eacute; (1946-1975) - Xavier De Weirt&lt;br /&gt;
Postface. Le savoir et la distance - Dominique Kalifa&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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 Presses Universitaires
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Depuis les ann&amp;eacute;es 1980 et la c&amp;eacute;l&amp;eacute;bration du centenaire de la naissance de Le Corbusier, l'ensemble de son &amp;oelig;uvre a &amp;eacute;t&amp;eacute; l'objet d'une reconnaissance grandissante &amp;agrave; l'&amp;eacute;chelle nationale et internationale.&lt;br /&gt;
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Firminy n'a pas &amp;eacute;t&amp;eacute; exclue de ce mouvement. Le r&amp;eacute;cent ach&amp;egrave;vement de l'&amp;eacute;glise Saint Pierre de Firminy-Vert et le projet d'inscription au patrimoine mondial de l'UNESCO du &amp;quot;Site Le Corbusier &amp;agrave; Firminy&amp;quot;, constituent le couronnement d'un processus de reconnaissance sans pr&amp;eacute;c&amp;eacute;dent. &lt;br /&gt;
&lt;br /&gt;
Ce mouvement de reconnaissance est aujourd'hui &amp;agrave; Firminy au c&amp;oelig;ur d'un vaste projet de requalification &amp;eacute;conomique et identitaire dont le tourisme culturel constitue un des axes principaux.&lt;br /&gt;
&lt;br /&gt;
Comprendre les m&amp;eacute;canismes et les cons&amp;eacute;quences de ce mouvement, en int&amp;eacute;grant l'histoire et le changement de statut de ce b&amp;acirc;ti, constitue l'objet central de cet ouvrage. &lt;br /&gt;
&lt;br /&gt;
Fruit d'un travail commun entre chercheurs et praticiens men&amp;eacute; sur le terrain pendant trois ans, cet ouvrage offre un &amp;eacute;clairage sp&amp;eacute;cifique sur le sens que l'on doit donner aujourd'hui &amp;agrave; l'h&amp;eacute;ritage corbus&amp;eacute;en &amp;agrave; Firminy, h&amp;eacute;ritage dont la post&amp;eacute;rit&amp;eacute; est d&amp;eacute;sormais li&amp;eacute;e aux transformations &amp;eacute;conomiques, sociales et culturelles de notre &amp;eacute;poque.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Xavier Guillot&lt;/strong&gt; est architecte, ma&amp;icirc;tre-assistant &amp;agrave; l'Ecole nationale sup&amp;eacute;rieure d'architecture de Saint-Etienne. Christian Garrier est artsite, ma&amp;icirc;tre-assistant &amp;agrave; l'Ecole nationale sup&amp;eacute;rieure d'architecture de Paris-La Vilette.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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22 septembre 2010

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Pr&amp;egrave;s de deux millions de logements et quarante millions de m&amp;egrave;tres carr&amp;eacute;s de bureaux vides, et plus de quatre millions de mal-log&amp;eacute;s et de sans-abri ; l&amp;rsquo;organisation de la p&amp;eacute;nurie au profit des investisseurs ; la rel&amp;eacute;gation &amp;agrave; la p&amp;eacute;riph&amp;eacute;rie des populations les plus d&amp;eacute;munies ; une politique du logement social hypocrite, fond&amp;eacute;e sur la sp&amp;eacute;culation ; le nombre des expulsions en augmentation constante&amp;hellip; Face &amp;agrave; cette appropriation par quelques-uns de l&amp;rsquo;espace, il semble plus qu&amp;rsquo;urgent de d&amp;eacute;sob&amp;eacute;ir pour inventer de nouveaux modes de vivre et d&amp;rsquo;habiter ensemble.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Chercheur en sciences politiques, &lt;b&gt;Xavier Renou&lt;/b&gt; est membre  du collectif des D&amp;eacute;sob&amp;eacute;issants.&lt;/div&gt;
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16 septembre 2009

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Xavier Thomas</text>
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&amp;nbsp;&lt;/div&gt;
Parall&amp;egrave;lement aux Journ&amp;eacute;es Europ&amp;eacute;ennes du Patrimoine, la zone industrielle d&amp;rsquo;Arnavant f&amp;ecirc;te ses 40 ans le 17 septembre 2009, et convie le public &amp;agrave; d&amp;eacute;couvrir ce vaste p&amp;eacute;rim&amp;egrave;tre situ&amp;eacute; entre les 14 et 15e arrondissements, au sud des Aygalades. Son histoire est particuli&amp;egrave;rement repr&amp;eacute;sentative, puisque bien avant la cr&amp;eacute;ation de la ZI, des usines &amp;eacute;taient implant&amp;eacute;es l&amp;agrave; d&amp;egrave;s le XIXe si&amp;egrave;cle, au d&amp;eacute;but de la r&amp;eacute;volution industrielle.&lt;/div&gt;
&lt;br /&gt;
C&amp;rsquo;est l&amp;rsquo;occasion d&amp;rsquo;&amp;eacute;voquer l&amp;rsquo;histoire industrielle de Marseille en compagnie de l&amp;rsquo;historien Philippe Mioche et de son &amp;eacute;diteur Olivier Lambert, qui font para&amp;icirc;tre ces jours ci un ouvrage sur ce th&amp;egrave;me.&lt;/div&gt;
&lt;br /&gt;
On visite ce site d&amp;rsquo;Arnavant avec Christine Breton, conservateure du patrimoine, accompagn&amp;eacute;e d&amp;rsquo;Henri Sciallano, qui nous d&amp;eacute;crit les lieux tels qu&amp;rsquo;ils apparaissaient dans la premi&amp;egrave;re moiti&amp;eacute; du XXe si&amp;egrave;cle.&lt;/div&gt;
&lt;br /&gt;
Aude Vandenbrouck et Jean-Paul Roch, secr&amp;eacute;taire g&amp;eacute;n&amp;eacute;rale et pr&amp;eacute;sident d&amp;rsquo;Arnavant, nous parlent du pr&amp;eacute;sent de la zone industrielle et des manifestations qui sont propos&amp;eacute;es au public &amp;agrave; l&amp;rsquo;occasion de ce 40e anniversaire.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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3 juin 2010

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Xavier Thomas</text>
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&amp;nbsp;&lt;/div&gt;
Les travers&amp;eacute;es urbaines en d&amp;eacute;bat dans cette conversation perch&amp;eacute;e*, enregistr&amp;eacute;e au Merlan le 21 mai 2010.&lt;br /&gt;
Travers&amp;eacute;es urbaines, c&amp;rsquo;est &amp;agrave; dire parcours, d&amp;eacute;ambulations, plong&amp;eacute;es dans le d&amp;eacute;dale des rues, mise &amp;agrave; l&amp;rsquo;&amp;eacute;preuve des corps pour une d&amp;eacute;couverte d&amp;rsquo;espaces inconnus, ou parfois trop connus, qui r&amp;eacute;v&amp;egrave;lent la ville comme un bien commun, un espace partag&amp;eacute;. Des travers&amp;eacute;es mises en oeuvre par des artistes ou collectifs d&amp;rsquo;artistes, comme Ici-M&amp;ecirc;me et SAFI qui proposent du 4 au 12 juin plusieurs marches et travers&amp;eacute;es des quartiers nord de Marseille.&lt;br /&gt;
&lt;br /&gt;
Que r&amp;eacute;v&amp;egrave;lent ces travers&amp;eacute;es &amp;agrave; ceux qui les imaginent, &amp;agrave; ceux qui les pratiquent ou bien &amp;agrave; ceux qui les observent, de pr&amp;egrave;s ou de loin ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
C&amp;rsquo;est l&amp;rsquo;objet de cette conversation &amp;agrave; laquelle prennent part :&lt;br /&gt;
Nadira Amsaghri (habitante du quartier Picon-Busserine), Jacques Boyer (collectif Ici-M&amp;ecirc;me), Christine Breton (conservateur du patrimoine), J&amp;eacute;r&amp;eacute;my Garniaux (g&amp;eacute;ographe), G&amp;eacute;raldine Garnier (la Gare Franche), Dalila Ladjal (association SAFI), Marie-H&amp;eacute;l&amp;egrave;ne Liz&amp;eacute;e (&amp;eacute;cologue), Nathalie Marteau (le Merlan, sc&amp;egrave;ne nationale), Louise Pascal (participante des travers&amp;eacute;es d&amp;rsquo;Ici-M&amp;ecirc;me).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
La ville : terrain de jeu r&amp;eacute;serv&amp;eacute; aux urbanistes et aux politiques ? S&amp;ucirc;rement pas ! Artistes, chercheurs et habitants sont parfaitement fond&amp;eacute;s &amp;agrave; produire une r&amp;eacute;flexion pertinente sur l&amp;rsquo;urbain, &amp;agrave; d&amp;eacute;placer et renouveler les champs du d&amp;eacute;bat. Qu&amp;rsquo;est-ce qu&amp;rsquo;une ville, comment l&amp;rsquo;explorer quand on y d&amp;eacute;barque, quels sont les enjeux d&amp;rsquo;une nouvelle g&amp;eacute;ographie qui int&amp;egrave;gre les donn&amp;eacute;es culturelles et s&amp;rsquo;associe aux artistes, comment ces artistes travaillent-ils l&amp;rsquo;urbain ?&lt;br /&gt;
&lt;br /&gt;
A l&amp;rsquo;occasion de la programmation du collectif Berlin au Merlan, on accueille pour cette conversation perch&amp;eacute;e :&lt;br /&gt;
Boris Gr&amp;eacute;sillon (g&amp;eacute;ographe), Guillaume Calas (architecte, projet Archist par la galerie Art-cade), Yves Degryse (artiste, collectif Berlin), Agn&amp;egrave;s Kaiser (association Colin&amp;eacute;o, sensibilisation &amp;agrave; l&amp;rsquo;environnement), Fatima Mostefaoui (Conf&amp;eacute;d&amp;eacute;ration des Familles, section de la cit&amp;eacute; des Flamands), Jean-Claude Groussard (ancien directeur de l&amp;rsquo;&amp;eacute;cole d&amp;rsquo;architecture de Marseille), Nathalie Marteau (le Merlan, sc&amp;egrave;ne nationale).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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26 et 30 d&amp;eacute;cembre 2010

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
A Beyrouth, depuis le quartier de Forn El Shebbak en bordure de la Ligne Verte, d&amp;eacute;marcation entre quartiers Est et Ouest du temps (pas si lointain) de la guerre, jusqu&amp;rsquo;&amp;agrave; la rue Hamra (rue Rouge, quartier des plaisirs), en passant par la fa&amp;ccedil;ade constell&amp;eacute;e d&amp;rsquo;impacts de l&amp;rsquo;immeuble jaune ou encore quelques notes de Fair&amp;ucirc;z (topaze !), un road trip nocturne mais color&amp;eacute; en compagnie de la productrice Ariane Langlois, enregistr&amp;eacute; le 28 novembre 2010.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Beyrouth et ses urbanistes. Une ville en plans (1946-1975)&lt;/a&gt;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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28 mai 2011

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&amp;nbsp;&lt;/div&gt;
Troisi&amp;egrave;me et dernier volet des Universit&amp;eacute;s populaires radiophoniques propos&amp;eacute;es par Grenouille et l&amp;rsquo;association Art-Cade autour du projet Archist, &amp;agrave; la convergence des pratiques de l&amp;rsquo;art contemporain et de r&amp;eacute;flexions sur la ville.&lt;br /&gt;
&lt;br /&gt;
Enregistr&amp;eacute; en public le 28 mai 2011, place Jean-Jaur&amp;egrave;s dans le quartier de St Marcel, nous sommes en compagnie de &lt;b&gt;Stany Cambot&lt;/b&gt;, architecte et animateur du collectif Echelle Inconnue, pour aborder la ville sous l&amp;rsquo;angle de la mobilit&amp;eacute;. Une notion derri&amp;egrave;re laquelle se profile aussi la question de l&amp;rsquo;articulation entre pragmatisme et utopie en urbanisme.&lt;br /&gt;
&lt;br /&gt;
Une conversation qui commence par poser quelques rep&amp;egrave;res historiques sur l&amp;rsquo;Utopia de Thomas More, l&amp;rsquo;urbanisme &amp;quot;id&amp;eacute;al&amp;quot; au XVIIIe et XIXe si&amp;egrave;cle, la Smala, exemple unique d&amp;rsquo;une ville nomade dessin&amp;eacute;e en Alg&amp;eacute;rie par l&amp;rsquo;&amp;eacute;mir Abdelkader pour &amp;eacute;chapper aux colons fran&amp;ccedil;ais.&lt;br /&gt;
&lt;br /&gt;
Nous abordons ensuite la question des mobilit&amp;eacute;s dans les villes actuelles : la place qu&amp;rsquo;y occupent les gens du voyage, les migrants ou les SDF, &amp;agrave; travers les travaux et projets men&amp;eacute;s par Echelle Inconnue.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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