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On attribue &amp;agrave; Robert E. Park l'invention de la sociologie urbaine. Mais le conna&amp;icirc;t-on vraiment ? Sait-on qu'il a con&amp;ccedil;u sa th&amp;egrave;se &amp;agrave; l'universit&amp;eacute; de Strasbourg, o&amp;ugrave; il aurait pu croiser le jeune Max Weber, et o&amp;ugrave; il a suivi le s&amp;eacute;minaire de Friedrich Knapp, qui allait durablement influencer sa sociologie ? Il embrasse dans son oeuvre th&amp;eacute;orique toute la sociologie europ&amp;eacute;enne, y compris E. Durkheim que les &amp;eacute;tudiants de Chicago devaient lire en fran&amp;ccedil;ais ! Voici le premier ouvrage en fran&amp;ccedil;ais qui traite de la vie et de l'oeuvre de Robert E. Park.&lt;/div&gt;
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                <text>&lt;div&gt;Actes du colloque international de Caen (6-8 octobre 2005) r&amp;eacute;unis par Philippe Fleury et Olivier Desbordes.&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;strong&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/strong&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Cet &lt;a href="http://crevilles.org/mambo/index.php?option=com_content&amp;amp;task=view&amp;amp;id=2449&amp;amp;Itemid=203"&gt;ouvrage&lt;/a&gt; rassemble les vingt-quatre communications prononc&amp;eacute;es lors du colloque Roma illustrata organis&amp;eacute; &amp;agrave; l&amp;rsquo;universit&amp;eacute; de Caen Basse-Normandie en 2005 autour du Plan de Rome de Paul Bigot et de son double virtuel. Cette rencontre s&amp;rsquo;est ouverte de fa&amp;ccedil;on tr&amp;egrave;s large &amp;agrave; la question de la repr&amp;eacute;sentation de la ville et de ses symboles. Il s&amp;rsquo;agissait de mettre &amp;agrave; contribution, dans une confrontation sans a priori disciplinaire ou m&amp;eacute;thodologique, diff&amp;eacute;rentes approches possibles : litt&amp;eacute;raires, iconographiques et arch&amp;eacute;ologiques. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Sommaire :&lt;/strong&gt; &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;- Philippe Fleury : Avant-propos &lt;br /&gt; - Jean-Pierre Adam : La premi&amp;egrave;re ville nouvelle de l&amp;rsquo;Histoire : une capitale pour l&amp;rsquo;&amp;Eacute;ternit&amp;eacute; &lt;br /&gt; - Jean-Luc Bastien : Les temples votifs de la Rome r&amp;eacute;publicaine : monumentalisation et c&amp;eacute;l&amp;eacute;bration des c&amp;eacute;r&amp;eacute;monies du triomphe &lt;br /&gt; - St&amp;eacute;phane Benoist : Les processions dans la cit&amp;eacute; : de la mise en sc&amp;egrave;ne de l&amp;rsquo;espace urbain &lt;br /&gt; - Dominique Briquel : Rome comme ville &amp;eacute;trusque &lt;br /&gt; - Jacqueline Champeaux : Images c&amp;eacute;lestes de Rome : la Ville et ses incarnations divines &lt;br /&gt; - Laurence Chevillat : La mise en sc&amp;egrave;ne de la refondation august&amp;eacute;enne de Rome dans la "Salle des Masques" de la maison d&amp;rsquo;Auguste au Palatin&lt;br /&gt; - &amp;Eacute;lizabeth Deniaux : Les temp&amp;ecirc;tes et la vie politique : recherches sur l&amp;rsquo;imaginaire des Romains de la fin de la R&amp;eacute;publique &lt;br /&gt; - Christine Dumas-Reungoat : La dimension symbolique de Babylone et du lien qui unit le roi &amp;agrave; sa ville d&amp;rsquo;apr&amp;egrave;s l&amp;rsquo;Enuma eli&amp;scaron;, Marduk, Cr&amp;eacute;ateur du monde et le Po&amp;egrave;me d&amp;rsquo;Erra &lt;br /&gt; - Caroline F&amp;eacute;vrier : Ponere lectos, deos exponere. Le lectisterne, une image du panth&amp;eacute;on romain ? &lt;br /&gt; - Jean-Claude Golvin : &amp;Agrave; propos de la restitution de l&amp;rsquo;image de Puteoli. Correspondances,ancrage, convergences &lt;br /&gt; - Jean-Pierre Guilhembet et Angeline Fallou : Sedvm regionvm locorvm nomina (Cic&amp;eacute;ron). La Rome antique &amp;agrave; travers ses toponymes : les vici &lt;br /&gt; - Corinne Jouanno : Rome vue de la Gr&amp;egrave;ce : l&amp;rsquo;exemple d&amp;rsquo;&amp;Eacute;pict&amp;egrave;te &lt;br /&gt; - Marie-Jos&amp;eacute; Kardos : L&amp;rsquo;Vrbs dans les Satires de Juv&amp;eacute;nal &lt;br /&gt; - Fran&amp;ccedil;oise Lecocq : Les premi&amp;egrave;res maquettes de Rome. L&amp;rsquo;exemple des mod&amp;egrave;les r&amp;eacute;duits en li&amp;egrave;ge de Carl et Georg May dans les collections europ&amp;eacute;ennes aux XVIIIe-XIXe si&amp;egrave;cles &lt;br /&gt; - Philippe Anna-Maria Liberati : L&amp;rsquo;evoluzione urbanistica di Roma dall&amp;rsquo;et&amp;agrave; arcaica al tardo impero attraverso il diritto e le sue fonti. Alcuni esempi &lt;br /&gt; - Sophie Madeleine : La troisi&amp;egrave;me dimension des insulae d&amp;rsquo;apr&amp;egrave;s les symboles de la Forma Vrbis Romae &lt;br /&gt; - Nicole M&amp;eacute;thy : Rome vue par un Italien du second si&amp;egrave;cle : le t&amp;eacute;moignage des lettres de Pline le Jeune &lt;br /&gt; - Michel Jean-Louis Perrin : Hraban Maur et Rome : l&amp;rsquo;exemple d&amp;rsquo;un grand eccl&amp;eacute;siastique &amp;agrave; l&amp;rsquo;&amp;eacute;poque carolingienne &lt;br /&gt; - Anne-Val&amp;eacute;rie Pont : Valeurs culturelles et politiques du beau paysage urbain &amp;agrave; Smyrne et &amp;agrave; Nicom&amp;eacute;die, du IIe au IVe si&amp;egrave;cle &lt;br /&gt; - Bruno Poulle : Rome vue par l&amp;rsquo;humaniste Jean-Jacques Boissard (1528-1602) &lt;br /&gt; - Manuel Royo et Brice Gruet : D&amp;eacute;crire Rome : fragment et totalit&amp;eacute;, la ville ancienne au risque du paysage &lt;br /&gt; - Pierre Sineux : Pour une relecture des r&amp;eacute;cits de gu&amp;eacute;rison de l&amp;rsquo;Askl&amp;eacute;pieion de l&amp;rsquo;&amp;icirc;le Tib&amp;eacute;rine &lt;br /&gt; - Jean-Paul Thuillier : Une journ&amp;eacute;e particuli&amp;egrave;re dans la Rome antique. Pour une topographie spor tive de l&amp;rsquo;Vrbs &lt;br /&gt; - Hubert Zehnacker : La description de Rome dans le livre V du De lingua latina de Varron&lt;/p&gt;</text>
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&amp;nbsp;&lt;/div&gt;
&amp;quot;Rome, ville &amp;eacute;ternelle... et durable ?&amp;quot;&lt;br /&gt;
&amp;#65279;&amp;quot;Ville &amp;eacute;ternelle&amp;quot; : l&amp;rsquo;expression qui d&amp;eacute;signe couramment Rome depuis le IVe si&amp;egrave;cle de notre &amp;egrave;re retrouve une nouvelle actualit&amp;eacute; &amp;agrave; l&amp;rsquo;heure o&amp;ugrave; les politiques tentent de promouvoir la &amp;quot;ville durable&amp;quot;. Pour comprendre comment la ville a construit son &amp;quot;&amp;eacute;ternit&amp;eacute;&amp;quot; en surmontant les perturbations, cet ouvrage de g&amp;eacute;ohistoire, fond&amp;eacute; sur la lecture g&amp;eacute;ographique de sources historiques, compare les deux transitions territoriales les plus r&amp;eacute;centes qu&amp;rsquo;a connues Rome : la transition multiforme des d&amp;eacute;buts de l&amp;rsquo;&amp;eacute;poque moderne et le Risorgimento.&lt;/div&gt;
&lt;br /&gt;
Bien qu&amp;rsquo;il couvre la p&amp;eacute;riode du XIIIe si&amp;egrave;cle &amp;agrave; nos jours, ce livre ne propose donc pas une nouvelle histoire de Rome ou du moins de &amp;quot;Rome apr&amp;egrave;s Rome&amp;quot;, mais une investigation de la durabilit&amp;eacute; urbaine &amp;agrave; partir de l&amp;rsquo;analyse de ses principales crises et renaissances.&lt;/div&gt;
&lt;br /&gt;
G&amp;eacute;raldine Djament-Tran d&amp;eacute;montre ici qu&amp;rsquo;il peut exister des configurations spatio-temporelles qui maintiennent la persistance d&amp;rsquo;une centralit&amp;eacute; politique, religieuse, &amp;eacute;conomique..., tandis que les &amp;eacute;clipses qu&amp;rsquo;a connues la ville (chute de l&amp;rsquo;Empire, errance de la capitale, d&amp;eacute;clin de la chr&amp;eacute;tient&amp;eacute;...) conduisent &amp;agrave; poser une des questions fondamentalement g&amp;eacute;ographiques du livre : comment une ville qui perd son statut peut-elle surmonter, en demeurant, la disparition de la construction territoriale qu&amp;rsquo;elle a et qui l&amp;rsquo;a produite ?&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;G&amp;eacute;raldine Djament-Tran&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en g&amp;eacute;ographie &amp;agrave; l&amp;rsquo;universit&amp;eacute; de Strasbourg. Ses champs de recherche sont la g&amp;eacute;ographie urbaine, la g&amp;eacute;ohistoire, l'&amp;eacute;pist&amp;eacute;mologie et la g&amp;eacute;ographie du patrimoine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
La place de Rome dans l&amp;rsquo;histoire du cin&amp;eacute;ma est consid&amp;eacute;rable. Une Rome bless&amp;eacute;e dans &lt;i&gt;Rome, ville ouverte&lt;/i&gt; (Rossellini, 1945) et dans la trilogie de De Sica et Zavattini (&lt;i&gt;Sciusci&amp;agrave;&lt;/i&gt; en 1946, &lt;i&gt;Le Voleur de bicyclette&lt;/i&gt; en 1948, &lt;i&gt;Umberto&lt;/i&gt; D. en 1952)&amp;thinsp;; puis le boom avec &lt;i&gt;La Dolce Vita&lt;/i&gt; (Fellini, 1960) et les antih&amp;eacute;ros de Pasolini (&lt;i&gt;Accattone&lt;/i&gt; en 1961, et &lt;i&gt;Mamma Roma&lt;/i&gt; en 1962)&amp;thinsp;; pour atteindre la Rome chaotique de &lt;i&gt;Fellini Roma&lt;/i&gt; (1972). Huit films, cinq cin&amp;eacute;astes&amp;thinsp;: autant de parcours dans la ville et son imaginaire. Toutes les images aussi m&amp;egrave;nent &amp;agrave; Rome...&lt;br /&gt;
&lt;br /&gt;
Immortalis&amp;eacute;e par le cin&amp;eacute;ma, la Ville &amp;eacute;ternelle en devient une des capitales avec &lt;i&gt;Cinecitt&amp;agrave;&lt;/i&gt;. &amp;Agrave; Rome et ses couches arch&amp;eacute;ologiques correspondent ainsi des films et les couches iconographiques laiss&amp;eacute;es par la s&amp;eacute;dimentation de la cr&amp;eacute;ation. Les images de Rome au cin&amp;eacute;ma sugg&amp;egrave;rent des formes distinctes de la r&amp;eacute;alit&amp;eacute; d&amp;eacute;j&amp;agrave; prot&amp;eacute;iforme de la ville et ont, en retour, transform&amp;eacute; les structures urbaines et les coutumes.&lt;br /&gt;
&lt;br /&gt;
Cet essai est une invitation &amp;agrave; penser la vie de la ville entre m&amp;eacute;moire et images. Une r&amp;eacute;flexion en mouvement sur le r&amp;ocirc;le du cin&amp;eacute;ma dans nos mani&amp;egrave;res modernes de &amp;quot;faire cit&amp;eacute; ensemble&amp;quot;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Docteur en histoire (EHESS) et dipl&amp;ocirc;m&amp;eacute; de l'ESSEC, &lt;b&gt;Julien Neutres&lt;/b&gt; m&amp;egrave;ne en parall&amp;egrave;le une carri&amp;egrave;re dans la communication et des recherches en sciences humaines.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Rome - as a city, as an empire, as an enduring idea - is in many ways the origin of everything Robert Hughes has spent his life thinking and writing about with such dazzling irreverence and exacting rigour. In this magisterial book he traces the city's history from its mythic foundation with Romulus and Remus to Fascism, Fellini and beyond.&lt;/div&gt;
&lt;br /&gt;
For almost a thousand years, Rome held sway as the spiritual and artistic centre of the world. Hughes vividly recreates the ancient Rome of Julius Caesar, Marcus Aurelius, Nero, Caligula, Cicero, Martial and Virgil. With the artistic blossoming of the Renaissance, he casts his unwavering critical eye over the great works of Raphael, Michelangelo and Brunelleschi, shedding new light on the Old Masters. In the seventeenth, eighteenth and nineteenth centuries, when Rome's cultural predominance was assured, artists and tourists from all over Europe converged on the city. Hughes brilliantly analyses the defining works of Caravaggio, Velasquez, Rubens and Bernini.&lt;/div&gt;
&lt;br /&gt;
Hughes' Rome is a vibrant, contradictory, spectacular and secretive place; a monument both to human glory and human error. This deeply personal account reflects his own complex relationship with a city he first visited as a wide-eyed twenty-year-old, thirsting for the sights, sounds, smells and tastes he had only read about or seen in postcard reproductions. In equal parts loving, iconoclastic, enraged and wise, peopled with colourful figures and rich in unexpected details, ROME is an exhilarating journey through the story of one of the world's most timelessly fascinating cities.&lt;br /&gt;
&lt;br /&gt;
Prizewinning writer and critic's dazzling biography of the Eternal City.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Robert Hughes &lt;/b&gt;is &lt;i&gt;Time &lt;/i&gt;magazine's art critic, the bestselling author of 'The Fatal Shore' and the originator and narrator of the highly acclaimed TV series and book 'The Shock of the New'.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Few other cities can compare with Rome's history of continuous habitation, nor with the survival of so many different epochs in its present. This volume explores how the city's past has shaped the way in which Rome has been built, rebuilt, represented and imagined throughout its history.&lt;br /&gt; &lt;br /&gt; Bringing together scholars from the disciplines of architectural history, urban studies, art history, archaeology and film studies, this book comprises a series of studies on the evolution of the city of Rome and the ways in which it has represented and reconfigured itself from the medieval period to the present day. Moving from material appropriations such as spolia in the medieval period, through the cartographic representations of the city in the early modern period, to filmic representation in the twentieth century, we encounter very different ways of making sense of the past across Rome's historical spectrum. The broad chronological arrangement of the chapters, and the choice of themes and urban locations examined in each, allows the reader to draw comparisons between historical periods.&lt;br /&gt; &lt;br /&gt; An imaginative approach to the study of the urban and architectural make-up of Rome, this volume will be valuable not only for historians of art and architecture, but also for students of cultural history and film studies.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Contents:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Foreword&lt;/div&gt; Preface&lt;/div&gt; Dorigen Caldwell - Introduction: Continuities of place&lt;/div&gt; Caroline J. Goodson - Roman archaeology in medieval Rome&lt;/div&gt; Jessica Maier - Roma renascens: 16th-century maps of the Eternal City&lt;/div&gt; Emma Stirrup - Time concertinaed at the altar of Santa Cecilia in Trastevere&lt;/div&gt; Mario Bevilacqua - Lione Pascoli, Giovanni Gaetano Bottari, Giovanni Battista Nolli: Functions and topography of Rome in the 18th century&lt;/div&gt; Terry Kirk - The political topography of modern Rome, 1870-1936: Via XX Settembre to Via dell'Impero&lt;/div&gt; Aristotle Kallis - Conciliazione and the Fascist vision for the 'third Rome'&lt;/div&gt; Jacopo Benci - 'An extraordinary proliferation of layers': Pasolini's Rome(s)&lt;/div&gt; Lesley Caldwell - Piazza Vittorio: Cinematic notes on the evolution of a piazza&lt;/div&gt; Daniele Manacorda - Archaeology and the modern city: Thoughts on Rome (and elsewhere)&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Dorigen Caldwell&lt;/b&gt; is Lecturer in Italian Renaissance Art in the Department of History of Art and Screen Media at Birkbeck, University of London.&lt;br /&gt; &lt;b&gt;Lesley Caldwell &lt;/b&gt;is an Honorary Senior Research Fellow in the Italian Department of University College London.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Rue d'Ulm

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
En France comme dans d&amp;rsquo;autres pays d&amp;rsquo;Europe occidentale, les bidonvilles du XXIe si&amp;egrave;cle semblent indissociables de la &amp;quot;communaut&amp;eacute; rom&amp;quot;, per&amp;ccedil;ue &amp;agrave; la fois comme culturellement exotique et socialement marginale. Mais qui sont en r&amp;eacute;alit&amp;eacute; les habitants de ces baraques construites dans les interstices urbains ? A-t-on affaire &amp;agrave; des &amp;quot;nomades insaisissables&amp;quot; ou &amp;agrave; des migrants &amp;eacute;conomiques comme tant d&amp;rsquo;autres ? Quels sont leur quotidien et les difficult&amp;eacute;s auxquelles ils sont confront&amp;eacute;s ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
R&amp;eacute;pondre &amp;agrave; ces questions invite dans le m&amp;ecirc;me temps &amp;agrave; interroger les causes de ce ph&amp;eacute;nom&amp;egrave;ne. Et celles-ci n&amp;rsquo;ont que peu &amp;agrave; voir avec une quelconque appartenance ethnique mais renvoient &amp;agrave; des r&amp;eacute;alit&amp;eacute;s sociales, politiques et &amp;eacute;conomiques qui concernent l&amp;rsquo;ensemble des habitants de la Ville contemporaine et, au-del&amp;agrave;, toute l&amp;rsquo;Europe d&amp;rsquo;aujourd&amp;rsquo;hui.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ethnologue, &lt;b&gt;Martin Olivera&lt;/b&gt; est docteur de l&amp;rsquo;universit&amp;eacute; Paris Ouest-Nanterre. Membre de l&amp;rsquo;Observatoire europ&amp;eacute;en Urba-rom (fond&amp;eacute; en 2009) qui s&amp;rsquo;int&amp;eacute;resse aux politiques publiques en direction des groupes dits roms/tsiganes, il est &amp;eacute;galement formateur en Seine-Saint-Denis aupr&amp;egrave;s des professionnels du secteur social (association Rues et Cit&amp;eacute;s).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Septembre 2011

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Association des amis de la R.G.L.

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                <text>&lt;div&gt;&lt;b&gt;Sommaire du n&amp;deg; 86/1 de G&amp;eacute;ocarrefour :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Les migrants roms dans les villes fran&amp;ccedil;aises et italiennes : mobilit&amp;eacute;s, r&amp;eacute;gulations et marginalit&amp;eacute;s - Olivier Legros et Tommaso Vitale&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Articles&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
&amp;quot;Nomads&amp;quot; in the Eternal City. Local policies and Roma participation in the &amp;quot;emergency&amp;quot; era / &amp;quot;Nomades&amp;quot; dans la Ville &amp;eacute;ternelle. Les politiques locales et la participation des Roms pendant &amp;quot;l&amp;rsquo;&amp;eacute;tat d&amp;rsquo;urgence nomades&amp;quot; - Ulderico Daniele&lt;br /&gt;
&lt;br /&gt;
Soigner et d&amp;eacute;manteler. Mobilit&amp;eacute; forc&amp;eacute;e, politiques sanitaires et trajectoires individuelles dans les &amp;quot;campi nomadi&amp;quot; de Rome - Lorenzo Alunni&lt;br /&gt;
&lt;br /&gt;
Ce que tol&amp;eacute;rer veut dire. Une &amp;quot;quasi-exclave&amp;quot; habit&amp;eacute;e par des Roms aux portes de Milan (Italie) - Alice Sophie Sarcinelli&lt;br /&gt;
&lt;br /&gt;
L&amp;rsquo;action publique locale au d&amp;eacute;fi de l&amp;rsquo;habitat des Roms &amp;agrave; Florence (Italie) : en finir avec les campi nomadi. Vari&amp;eacute;t&amp;eacute; et fragilit&amp;eacute; des exp&amp;eacute;riences (ann&amp;eacute;es 1990 - 2000) - David Frantz&lt;br /&gt;
Bricoler l&amp;rsquo;hospitalit&amp;eacute; publique : r&amp;eacute;flexions autour du relogement des Roms roumains &amp;agrave; Montreuil -       Norah Benarrosh-Orsoni&lt;br /&gt;
&lt;br /&gt;
De Mitrovica &amp;agrave; Troyes : l&amp;rsquo;itin&amp;eacute;raire de Nedzmedin Neziri, pr&amp;eacute;sident de l&amp;rsquo;URYD. Entretien - R&amp;eacute;gis Guyon et Nedzmedin Neziri&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Comptes-rendus d'ouvrages&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
Fabrizio Maccaglia, Palerme, ill&amp;eacute;galisme et gouvernement urbain d&amp;rsquo;exception - Paolo Molinari&lt;br /&gt;
Cristina Bianchetti, Urbanistica e Sfera Pubblica - Denis Bocquet&lt;br /&gt;
Les mondes de la mobilit&amp;eacute;, sous la direction de Fran&amp;ccedil;oise Dureau et Marie-Antoinette Hily - Olivier Pliez&lt;br /&gt;
Regards sur la mondialisation migratoire et l&amp;rsquo;ouverture des fronti&amp;egrave;res - Delphine Pag&amp;egrave;s el-Karoui&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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