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                <text>Seniors et cités</text>
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                <text>Boutrand Monique, baby-boomer, sénior, vie sociale, urbanisme, immobilier</text>
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Monique Boutrand</text>
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mars 2009

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La documentation fran&amp;ccedil;aise

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                <text>http://www.ladocumentationfrancaise.fr/rapports-publics/094000140/index.shtml?xtor=EPR-526</text>
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260</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
L'allongement de la dur&amp;eacute;e de la vie et le bouleversement de la structure de la population pose de multiples questions qui ne se limitent pas &amp;agrave; la sph&amp;egrave;re &amp;eacute;conomique. Elles ont &amp;eacute;galement une dimension sociale, culturelle et g&amp;eacute;ographique.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le CESE se penche sur ceux que l'on appelle les &amp;quot;baby-boomers&amp;quot; ou encore les &amp;quot;seniors&amp;quot; et pose la question des liens interg&amp;eacute;n&amp;eacute;rationnels.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Il aborde tous les aspects de la vie sociale concern&amp;eacute;s par ce ph&amp;eacute;nom&amp;egrave;ne : relations familiales, transmission du patrimoine, transfert des comp&amp;eacute;tences au travail, urbanisme, march&amp;eacute; de l'immobilier, fonctionnement des institutions publiques. Il appelle notamment &amp;agrave; red&amp;eacute;finir un &amp;quot;pacte social r&amp;eacute;publicain respectueux de toutes les g&amp;eacute;n&amp;eacute;rations dans la diversit&amp;eacute; de leurs besoins&amp;quot;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Seno Gumira Ajidarma and the writing of urban space in Indonesia</text>
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                <text>Jakarta, Indonesia, Indonésie, Ajidarma Seno Gumira, espace urbain, littérature, flâneur, flânerie, société urbaine, twentieth century, twenty-first century, vingtième siècle, vingt-et-unième siècle, Fuller Andy</text>
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7 March 2011

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Andy Fuller</text>
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                <text>http://www.ari.nus.edu.sg/publication_details.asp?pubtypeid=AU&amp;amp;pubid=1962</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the distributor:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
This paper considers the work of one of Indonesia&amp;rsquo;s most prominent contemporary writers, Seno Gumira Ajidarma. In this paper, I look at how Seno&amp;rsquo;s writing over the last 30 years traces and documents changes in contemporary Indonesian urban societies &amp;ndash; and particularly that of Jakarta. This paper considers the importance and relevance of the notion of the urban based fl&amp;acirc;neur and whether or not the fl&amp;acirc;neur and the practice of fl&amp;acirc;nerie is part of literary imaginings in contemporary Indonesia. I ask whether or not to be a fl&amp;acirc;neur and to practice fl&amp;acirc;nerie is a critical social act which questions formal constructions and usages of urban space. This paper looks at the ways in which the practices of listening, hearing, looking and writing are invoked in selected novels, short stories and essays of Seno Gumira Ajidarma.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Andy Fuller&lt;/b&gt; completed his PhD at the University of Tasmania in 2010. He is currently based at Freedom Institute in Jakarta and is also working as a researcher at The University of Melbourne.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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</text>
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                  <text>Espace populations sociétés</text>
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                <text>Ortiz-Guitart, Anna</text>
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                <text>Cet article analyse le sens du lieu et le sentiment d’appartenance à ce lieu des femmes dans un espace public du Raval, quartier du centre historique de Barcelone. Il cherche à découvrir à quel point les espaces publics de qualité renforcent la création de lieux significatifs, c’est-à-dire contribuent à la construction du sens du lieu et des identités urbaines des femmes. Une approche qualitative, basée sur l’observation directe et des entretiens approfondis avec des femmes qui habitent dans le quartier, nous a permis de saisir le sens du lieu et le sentiment d’appartenance au lieu de ces femmes. </text>
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                <text>This paper analyses women’s sense of place and belonging in the public spaces of El Raval, a neighbourhood located in the historical centre of Barcelona.Attention will be paid to discover to what degree the presence of quality public space fosters the creation of socially meaningful places, thus contributing to the construction of women’s sense of belonging and urban identities. A qualitative approach, based on direct observation and in-depth interviews to women living in the neighbourhood has allowed us to study the women’s sense of place and belonging. </text>
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                <text>Sens du lieu pour les femmes d’un quartier multiculturel de Barcelone (El Raval)</text>
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                <text>Karoui, Hind</text>
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                <text>La recherche que nous menons est un essai de reconstitution des ambiances lumineuses dans les grandes demeures des dignitaires du pouvoir beylical du XVIIIe et du début du XIXe siècle (1704-1815), situées dans la médina de Tunis. Notre objectif est de comprendre les rôles respectifs de l' " architecte " et des usagers dans cette " mise en lumière " de l'espace domestique traditionnel tunisois. Deux points essentiels ont articulé notre réflexion. Le premier point concerne le profil des habitants et du chef de la corporation des maîtres-maçons, chargé de la conception et de l'exécution des travaux, le deuxième point porte sur la caractérisation des ambiances lumineuses des espaces de la demeure. Notre méthode d'approche est de type interactionnelle. Elle nous permet de combiner le volet lié à l'histoire-sociale avec le volet expérimental. Cette méthode s'applique à la modélisation géométrique, à la simulation numérique ainsi qu'aux prises de mesures d'éclairement, effectuées dans une des demeures de notre corpus, à savoir dãr Ben Abdallah (quartier Bãb el-Jazîra). Les types de percement et d'éléments de protection solaire qui leur ont été ajoutés, ainsi que leur orientation et leur emplacement dans la demeure, ont été de même analysés. Par ailleurs, à l'aide du logiciel d'éclairement SOLENE (CERMA, UMR, CNRS 1563), nous avons dressé des cartographies d'éclairement, pour décrire trois scènes de vie que nous avons considéré comme étant représentatives de la vie familiale de l'époque. Il s'agit : 1. D'une restitution d'un moment de détente du propriétaire, le ministre Slimãne Kéhia dans son observatoire privé (kushk), 2. D'une rencontre entre son épouse, la princesse Aziza avec ses invitées, dans la salle en " T " de la maison des hôtes, 3. D'une journée de travail, particulièrement laborieuse, vécue par les jeunes servantes noires, à l'occasion de l'approvisionnement annuel de la famille en couscous. Chacune de ces trois scènes se déroulaient à des moments particuliers de l'année et dans un espace spécifique de la demeure. Les résultats obtenus nous ont permis de saisir la relation existante entre les goûts et les désirs des usagers d'une part, les pratiques constructives et le savoir-faire de l' " architecte " d'autre part, avec la qualité lumineuse des espaces habitables. Pourquoi donc ne pas parler d'une " culture de la lumière ", qui se dessine à travers les faits et gestes des habitants et dans leur façon de gérer, d'ajuster et de contrôler les dispositifs d'éclairement par rapport à leur mode de vie, à leurs goûts et aspirations ?</text>
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                <text>http://tel.archives-ouvertes.fr/tel-00724004</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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Varia&#13;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Plaisir, &amp;eacute;motion et bien-&amp;ecirc;tre, des sensations &amp;eacute;tonnamment m&amp;ecirc;l&amp;eacute;es &amp;agrave; une discipline scientifique, la g&amp;eacute;ographie. Et pourtant, aujourd&amp;rsquo;hui, les neurosciences nous apprennent que les repr&amp;eacute;sentations que nous construisons du monde qui nous entoure sont bien fonction de l&amp;rsquo;exp&amp;eacute;rience sensorielle v&amp;eacute;cue. C&amp;rsquo;est l&amp;rsquo;approche originale qu&amp;rsquo;a choisie Lucile Gr&amp;eacute;sillon pour analyser notre relation aux lieux par le biais de nos cinq sens, en particulier l&amp;rsquo;olfaction, ce &amp;quot;d&amp;eacute;tail immense&amp;quot; dont parlait Bachelard. Faisant appel aux neurosciences et partant d&amp;rsquo;exemples concrets, l&amp;rsquo;auteure pose des questions d&amp;eacute;licates : quelle est l&amp;rsquo;importance de notre sensibilit&amp;eacute; dans la relation aux lieux ? Quelles interactions d&amp;eacute;couvre-t-on entre les espaces et notre ressenti de bien-&amp;ecirc;tre ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Pour y r&amp;eacute;pondre, elle rend compte de la relation charnelle et affective des Parisiens &amp;agrave; travers cinq lieux : le quai du RER B &amp;agrave; la station Ch&amp;acirc;telet - Les Halles, le quartier de la Huchette, la rue Lagrange, le quartier des Peupliers et la place Pinel. La repr&amp;eacute;sentation que l&amp;rsquo;on se fait de ces espaces s&amp;rsquo;enrichit alors de dimensions multisensorielles, h&amp;eacute;doniques et &amp;eacute;motionnelles inh&amp;eacute;rentes &amp;agrave; notre condition d&amp;rsquo;&amp;ecirc;tre qui sent. Cette relation aux lieux appara&amp;icirc;t complexe car cet &amp;ecirc;tre est &amp;agrave; la fois un animal, un individu et un &amp;ecirc;tre social.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le lecteur trouvera dans cet ouvrage des pistes pour construire une autre ville durable, loin de toute consid&amp;eacute;ration comptable fond&amp;eacute;e sur un bilan carbone, mais incorporant notre nature sensible.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Lucile Gr&amp;eacute;sillon&lt;/b&gt; est urbaniste, ma&amp;icirc;tre de conf&amp;eacute;rences en g&amp;eacute;ographie et chercheuse au laboratoire ESO (Espaces et soci&amp;eacute;t&amp;eacute;s, UMR du CNRS).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Pascal Greco</text>
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2 d&amp;eacute;cembre 2009

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idpure

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation de l'ouvrage dans &lt;a href="http://urbanites.rsr.ch/" target="_blank"&gt;Les Urbanit&amp;eacute;s&lt;/a&gt; :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le magazine romand Idpure, r&amp;eacute;cemment r&amp;eacute;compens&amp;eacute; par un prestigieux &amp;ldquo;red dot&amp;rdquo; award pour l&amp;rsquo;excellence de sa ligne graphique, se lance dans l&amp;rsquo;&amp;eacute;dition en publiant l&amp;rsquo;ouvrage SEOUL / SHANGHAI / TOKYO, qui sort en librairie ce 3 d&amp;eacute;cembre. C&amp;rsquo;est le photographe et artiste tous azimuts Pascal Greco qui est l&amp;rsquo;auteur des images dont l&amp;rsquo;ouvrage fait l&amp;rsquo;objet.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
S&amp;eacute;oul, Shangha&amp;iuml;, Tokyo, trois villes d&amp;rsquo;Asie, trois types d&amp;rsquo;architecture que Pascal Greco a photographi&amp;eacute;s de nuit. L&amp;rsquo;accent est mis sur les toits, les arri&amp;egrave;re-cours, les parkings&amp;hellip; ces aires marginales que cachent les immeubles clinquants, qui donnent &amp;agrave; ces m&amp;eacute;tropoles-l&amp;agrave; leur r&amp;eacute;putation de villes &amp;eacute;minemment modernes.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Les Urbanit&amp;eacute;s pr&amp;eacute;sentent un extrait de cet ouvrage.&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Novembre 2011

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
D&amp;eacute;crite comme une petite localit&amp;eacute; paysanne au d&amp;eacute;but du XXe si&amp;egrave;cle, S&amp;eacute;oul est aujourd&amp;rsquo;hui la m&amp;eacute;tropole &amp;eacute;mergente d&amp;rsquo;Asie par excellence, symbole de la mondialisation dans laquelle s&amp;rsquo;est inscrit le d&amp;eacute;veloppement sud-cor&amp;eacute;en. S&amp;rsquo;il s&amp;rsquo;agit d&amp;rsquo;expliquer la g&amp;eacute;ographie sociale, &amp;eacute;conomique et humaine d&amp;rsquo;une m&amp;eacute;gapole, parler de S&amp;eacute;oul oblige &amp;eacute;galement &amp;agrave; r&amp;eacute;fl&amp;eacute;chir sur le d&amp;eacute;veloppement urbain des villes. Quel r&amp;ocirc;le jouent-elles dans le monde ? Ont-elles d&amp;eacute;pass&amp;eacute; les &amp;Eacute;tats et deviennent-elles des actrices &amp;agrave; part enti&amp;egrave;re des relations internationales ? Dans le cas de S&amp;eacute;oul, il ne faut pas oublier la proche DMZ, zone d&amp;eacute;militaris&amp;eacute;e qui s&amp;eacute;pare depuis 1953 les deux Cor&amp;eacute;e et depuis laquelle deux syst&amp;egrave;mes, l&amp;rsquo;un d&amp;eacute;mocratique, l&amp;rsquo;autre dictatorial, s&amp;rsquo;observent tout en s&amp;rsquo;ignorant.&lt;br /&gt;
Cet avenir encore incertain qui domine en p&amp;eacute;ninsule Cor&amp;eacute;enne, plus d&amp;rsquo;un demi-si&amp;egrave;cle apr&amp;egrave;s la fin de la guerre froide, se retrouve dans plusieurs sujets d&amp;rsquo;actualit&amp;eacute; trait&amp;eacute;s dans ce num&amp;eacute;ro.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>La prison est une peine géographique : elle punit des populations détenues en les tenant à distance de leurs proches et en les confinant dans des lieux clos et segmentés. En même temps, le dispositif spatial de la prison cherche à réinsérer le détenu dans la cité, à maintenir ses liens familiaux. D'où un jeu entre distances et proximités, continuités et discontinuités. L'étude de la carte pénitentiaire française montre diverses formes de mise à distance des détenus. En dépit de proximités avérées entre la plupart des prisons et les bassins de population ou les voies de communication, les détenus et leurs proches vivent l'incarcération comme une mise à l'écart. Ces distanciations s'accroissent au niveau local : les élus et les riverains interrogés souhaitent souvent éloigner les nuisances des prisons, voire cacher le stigmate carcéral – d'où la délicate insertion des établissements dans leur « territoire d'accueil ». L'espace architectural des prisons accentue cette obsession séparatrice : démarquer le dedans du dehors et séparer les détenus entre eux. Une trentaine d'entretiens sur le vécu de l'espace carcéral menés dans cinq établissements confirme la force de la discontinuité dedans/dehors, mais nuance les discontinuités internes. Certains détenus arrivent à circuler dans la prison, beaucoup moins à s'approprier un espace garantissant sécurité, intimité ou vie sociale. La prison se présente donc comme un dispositif de séparation, plus que de relégation : elle coupe les détenus de leurs proches et les empêche de partager un espace commun entre les murs. Cette thèse invite ainsi à repenser les géographies de l'exclusion plus en termes de discontinuités que de distances.</text>
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September 11th and the City &#13;
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Ralph Waldo Emerson once wrote "The test of civilization is the power of drawing the most benefit out of cities." The test of terrorism, then, may well be the power to inflict the greatest harm to those same centers of culture, commerce, and exchange. This is something that the September 11 terrorists well understood. Mohamed Atta was a man well acquainted with the power and majesty of cities--and presumably their durability and resilience. He was trained as an engineer, architect and urban planner. Yet, warped by fundamentalism, Atta became the "perverted dreamer" that E. B. White imagined decades ago in Here is New York, a man who would "loose the lightning" on Manhattan and attempt to destroy it, symbolically and literally. And even as the rubble of the World Trade Center smoldered in the days and weeks following September 11, pundits in the United States, too, foretold of the death of downtown and the end of the city as we know it. But cities have endured trauma and violence for millennia, much of it far worse than that unleashed by Mohamed Atta on September 11. Any study of the city in history will reveal that human settlements possess an essential ability to resurrect themselves in the wake of devastation, a point that the Resilient City colloquium hopes to reaffirm.  &#13;
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Thomas J. Campanella is a Faculty Fellow of the Institute for the Arts and Humanities at the University of North Carolina, and a former Fulbright fellow at the Chinese University of Hong Kong.&#13;
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Lawrence J. Vale is a Professor and Head of the Department of Urban Studies and Planning, MIT School of Architecture and Planning.</text>
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