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                <text>Territoriality and space production in China. Cross-currents: East Asian history and culture review</text>
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                <text>China, Chine, gouvernance, politique de la ville, urbanisation, territorialisation, aménagement urbain, espace urbain, Hsing You-tien</text>
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December 2011

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Research Institute of Korean Studies, Korea University
Institute of East Asian Studies, University of California, Berkeley

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                <text>&lt;div&gt;&lt;b&gt;Extract from the introduction by You-tien Hsing:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
In this special issue, we have tried to bridge studies of the Chinese state and of the Chinese city by employing the concepts of space production and territoriality. Three sets of analytical tools frame our questions:&lt;br /&gt;
&lt;br /&gt;
First, we use the concept of &amp;ldquo;urbanization of the local state&amp;rdquo; instead of &amp;ldquo;state-led urbanization&amp;rdquo; to capture the active role of urban processes as a formative force in social transformation and a definitive element in the making of the local state. Urban construction has become the key mechanism of local state building in the areas of public finance, territorial power consolidation, and local leaders&amp;rsquo; political performance.&lt;br /&gt;
&lt;br /&gt;
Second, we expand the concept of the city to encompass the notion of territoriality, defined as spatial strategies to consolidate power in a given place and time and to secure autonomy. Territorial contestation is unusually intense when the premises of state authority are under-defined and local state jurisdictional boundaries shift frequently, as has been the case in China over the past thirty years.&lt;br /&gt;
&lt;br /&gt;
Third, we expand the analysis of territoriality from the realm of the state to that of society with the concept of &amp;ldquo;civic territoriality.&amp;rdquo; This concept refers to societal actors&amp;rsquo; conscious cultivation and struggle to build territory for self protection and autonomy at the physical, socio-political, and discursive levels. Civic territoriality is central to societal actors&amp;rsquo; cultivation of collective identities, to their framing of grievances and demands, and to their options and choice of collective actions.&lt;br /&gt;
&lt;br /&gt;
This framework helped to organize the seven contributions of this issue into the following three themes: Territorial Order and State Power, Territorialization of Capital, and Civic Territoriality.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Sungtaek Cho and Wen-hsin Yeh - Letter from the co-Editors: Our vision for Cross-currents&lt;/div&gt;
You-tien Hsing - Introduction: Territoriality and space production in China&lt;/div&gt;
George C. S. Lin - Territorialization of state power through land development in Southern China&lt;/div&gt;
Shiuh-Shen Chien and Fulong Wu - Transformation of China's urban entrepreneurialism: The case study of the city of Kunshan&lt;/div&gt;
Jenn-hwan Wang and Tse-kang Leng - Production of space and space of production: High tech industrial parks in Beijing and Shanghai&lt;/div&gt;
Max D. Woodworth - Frontier boomtown urbanism in Ordos, Inner Mongolia Autonomous Region&lt;/div&gt;
Jingyuan Du and Max D. Woodworth - Irrigation society in China's northern frontier, 1860s-1920s&lt;/div&gt;
Jin-Yung Wu - Amis aborigine migrants' territorialization in metropolitan Taipei&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Book review essays:&lt;/div&gt;
Helen F. Siu - History in China's urban post-modern&lt;/div&gt;
Robert P. Weller - Chinese approaches to ethnic diversity&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Photo essay:&lt;/div&gt;
Shih-yang Kao (text) and Wang Jiuliang (photographs) - Beijing besieged by garbage&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Readings from Asia:&lt;/div&gt;
Sungtaek Cho - Recent scholarship from Korea&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;You-tien Hsing &lt;/b&gt;is a Professor and Graduate Advisor in the Department of Geography at the University of California, Berkeley.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>La intención de este trabajo es indagar sobre el fenómeno de la inseguridad urbana, tan presente actualmente en los medios de comunicación, en el discurso político y en la opinión pública latinoamericana, particularmente en Argentina. Vincularemos la noción de inseguridad como construcción social (Pegoraro 2003) con enfoques contemporáneos sobre el territorio, entendido como lugares donde una diversidad de actores ponen en marcha procesos complejos de interacción (Bozzano 2009) buscando líneas de interpretación que permitan hacer avances teórico-empíricos en relación con una problemática que impacta directamente sobre la calidad de vida de los ciudadanos y la construcción del espacio cotidiano</text>
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                <text>Le concept de violence urbaine impute une catégorie d'actes à une catégorie d'espaces. L'émergence de ce concept s'inscrit dans une dynamique historique particulière des politiques publiques françaises qui a vu un recentrage de la question sociale ("les travailleurs exploités) sur une "nouvelle question urbaine" ("les zones d'exclusion"). L'analyse des émeutes de novembre 2005 démontre une fois de plus la prégnance de l'approche des phénomènes d'ordre public en terme de délinquance juvénile. Les groupes de jeunes déviants ne sont pas un phénomène nouveau en France, mais l'urbanisation massive qui a accompagné le développement du pays, a changé la nature de ces regroupements, disséminés dans les cités d'habitat social en périphérie. La "politique de la ville" s'est territorialisée, visant à la fois une réforme de l'Etat central et une résidentialisation de l'espace commun. En passant de "l'insécurité" aux "incivilités", nous avons semble-t-il évolué dans le même temps d'une société disciplinaire vers une société de contrôle où tout stationnement est perçu comme source d'inquiétude. Les sociétés disciplinaires visent les individus dangereux. Dans la société de contrôle chacun est susceptible de porter atteinte à son équilibre fragile. Les recherches en terme de violence urbaine, appuyées sur la désignation de groupes sociaux dangereux, montrent ici leurs limites. Par cette hyper-localisation et cette dépolitisation des violences, les politiques publiques considèrent les populations des quartiers d'habitat social, aliénées par ces espaces. Le terme de "ghetto revient inlassablement dans les discours. Prenant acte de ces ségrégations, le concept de "mixité" (sociale, ethnique...) est devenu un des fondements de la politique de la ville. Pourtant, le "vivre ensemble" dans les quartiers d'habitat populaire, loin d'être un simple problème d'équilibre résidentiel, se révèle être un "processus de frottement permanent entre les groupes sociaux. Il s'agit alors, à travers les activités sociales et les pratiques spatiales, de produire des "situations urbaines".</text>
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                <text>Le lien entre image et espace public est particulièrement évident dans le cas de la littérature, et plus particulièrement de la littérature policière, qui s'appuie sur un imaginaire urbain pour situer les romans dans des villes particulières et contribue en retour à façonner l'image d'une ville. Si l'image d'une ville construite ne peut être appréhendée sans tenir compte des règles et codes du genre policier, la saisie du lien entre image et espace public passe aussi par celle du triptyque auteur, ville et autorités représentant dans la ville. Nous montrons dans cet article, au travers de l'étude d'une série de romans policiers de Michael Connelly se déroulant à Los Angeles et ayant comme héros l'inspecteur Harry Bosch, d'une part que les libertés que l'auteur prend par rapport aux règles du roman policier lui permettent de créer du sens, en particulier une figure originale du policier angélien, mais que ce sens ne saurait être appréhendé sans une prise en compte des relations entre l'auteur et la police de Los Angeles - en particulier parce que les romans sont publiés sur une longue période, ce qui implique une réflexion de l'auteur sur l'effet que ses romans produisent sur l'image de Los Angeles.</text>
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                <text>polar</text>
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                <text>Texte et contexte dans la création d’une image de la ville</text>
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            <description>An account of the resource</description>
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                <text>Le lien entre image et espace public est particulièrement évident dans le cas de la littérature, et plus particulièrement de la littérature policière, qui s’appuie sur un imaginaire urbain pour situer les romans dans des villes particulières et contribue en retour à façonner l’image d’une ville. Si l’image d’une ville construite ne peut être appréhendée sans tenir compte des règles et codes du genre policier, la saisie du lien entre image et espace public passe aussi par celle du triptyque auteur, ville et autorités représentant la ville. Nous montrons dans cet article, au travers de l’étude d’une série de romans policiers de Michael Connelly se déroulant à Los Angeles et ayant comme héros l’inspecteur Harry Bosch, d’une part que les libertés que l’auteur prend par rapport aux règles du roman policier lui permettent de créer du sens, en particulier une figure originale du policier angélien, mais que ce sens ne saurait être appréhendé sans une prise en compte des relations entre l’auteur et la police de Los Angeles – en particulier parce que les romans sont publiés sur une longue période, ce qui implique une réflexion de l’auteur sur l’effet que ses romans produisent sur l’image de Los Angeles.</text>
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                <text>The relationship between image and the public space is particularly obvious in literary works, and especially so in detective novels, which rely on an imaginative rendering of urban life to place the action in particular cities, whose image in turn is partly shaped by these novels. While the image of the city constructed in the novel cannot be grasped without taking into account the rules and codes of the crime genre, the ability to sense the link between image and the public space also depends on a three-way relationship between the author, the city and the authorities representing the city. In this article, through a study of a crime series by Michael Connelly set in Los Angeles and featuring Inspector Harry Bosch as a hero, we show that the liberties the author takes with the rules of the crime novel allow him to create meaning, and the highly original character of this Los Angeles policeman in particular, but that the meaning cannot be grasped unless we bear in mind the relationships between the author and the Los Angeles Police Department, particularly as the series has been published over a long period and therefore implies reflection on the part of the author on the effect produced by his novels on the image of Los Angeles.</text>
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                <text>Arnauld de Sartre, Xavier</text>
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            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Géographie et cultures</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2010</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>fr</text>
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            <name>Identifier</name>
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            <elementTextContainer>
              <elementText elementTextId="638494">
                <text>http://gc.revues.org/1874</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>États-Unis</text>
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  <item itemId="11921" public="1" featured="0">
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          <name>Dublin Core</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Autres serveurs</text>
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              <description>An account of the resource</description>
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                  <text/>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>Crévilles</text>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194639">
                <text>Carlson, Maria. Advisor</text>
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            </elementTextContainer>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194640">
                <text>Dement, Sidney Eric</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194641">
                <text>2011</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194642">
                <text>This dissertation explores the relationship between urban space and urban text according to the principles outlined by the Moscow-Tartu School of Semiotics in the 1980s and 90s. While the Petersburg Text in V.N. Toporov's formulation has become a commonplace of Russian literary criticism, a typologically equivalent "Moscow Text" has repeatedly been dismissed. This study outlines the common arguments for dismissing a "Moscow Text," suggests counter arguments, and proposes a model for analyzing Moscow space as a text in literary texts. The model is then used to prove the thesis that Moscow space functions as a text in M.A. Bulgakov's Master and Margarita. Three prominent loci within the Moscow of Master and Margarita demonstrate the textuality of urban space in literary texts: the monument to Pushkin on Tverskoi Boulevard, Margarita's Mansion, and the Spring Ball of the Full Moon. Bulgakov cites the historical realia and the literary texts associated with Moscow's monument to Pushkin to develop the theme of the poet in the novel. The semiotic principle of "labyrinthine Moscow" (moskovskaia putanitsa) enables Bulgakov to build the mysterious and ambivalent mansion (osobniak) that plays a central role in the paths of Margarita and Ivan throughout the novel. Turn-of-the-century photographs from the Sandunov Bathhouses uncover an additional layer of Moscow imagery at the Spring Ball of the Full Moon that reinforces plot connections between the Moscow, Iershalaim, and Phantasmagorical settings in the novel. Analyses of these loci demonstrate Bulgakov's uses of the textual dimensions of Moscow space to represent the struggle between the humanist and those in power (vlast') and contemplate the limits of artistic and personal freedom (volia).</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="194643">
                <text>http://hdl.handle.net/1808/7825</text>
              </elementText>
              <elementText elementTextId="194644">
                <text>http://lallier.msh-vdl.fr/theses/items/show/1070</text>
              </elementText>
              <elementText elementTextId="194645">
                <text>http://lallier.msh-vdl.fr/theses/archive/files/376ed3750f1fea9baad7949ee42408e2.jpg</text>
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            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="194647">
                <text>University of Kansas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194648">
                <text>Slavic literature, literature, Slavic studies, Bulgakov, Master and Margarita, Moscow Text, semiotics, setting, text</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194649">
                <text>Textual dimensions of urban space in M. A. Bulgakov's Master and Margarita</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="644253">
                  <text>Archives ouvertes des études urbaines</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="644254">
                  <text>Collection of HAL papers</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="644255">
                  <text>HAL</text>
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        <name>Dublin Core</name>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="475962">
                <text>Grenoble</text>
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              <elementText elementTextId="475963">
                <text>France</text>
              </elementText>
            </elementTextContainer>
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                <text>Wolberg, Nathalie</text>
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            <name>Date</name>
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              <elementText elementTextId="475965">
                <text>2011</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475966">
                <text>La démarche de projet a pour ambition la débanalisation de l'individu dans sa relation aux environnements quotidiens. Il s'agit d'élaborer des dispositifs conçus à partir des caractéristiques personnelles d'individus pour créer des univers cohérents avec ceux qui les habitent. La prise en compte des postures à la fois physique et psychique et de leur relation aux actions quotidiennes permet de re-questionner la topologie de l'environnement. Le corps définit ainsi les formes de l'espace et mène à la création de nouvelles spatialités. L'environnement est appréhendé par le biais du sensible. Il génère une architecture "sans mur" où la lumière, le son, la matière, ..., donnent à lire les limites de l'espace. Développée à travers une recherche sur la dimension érotique de l'architecture, cette sensibilité entretenue avec l'espace permet d'explorer les notions de plaisir et de désir. L'architecture comme objet intime.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="475967">
                <text>http://halshs.archives-ouvertes.fr/halshs-00833985</text>
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              <elementText elementTextId="475968">
                <text>http://halshs.archives-ouvertes.fr/docs/00/83/39/85/PDF/Ambiance2008_Wolberg.pdf</text>
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                <text>FRE</text>
              </elementText>
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              <elementText elementTextId="475970">
                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475972">
                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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              <elementText elementTextId="475973">
                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
              </elementText>
              <elementText elementTextId="475974">
                <text>[SHS:PHIL] Humanities and Social Sciences/Philosophy</text>
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                <text>architecture</text>
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                <text>sensible</text>
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                <text>perception</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="475978">
                <text>Texture d'espaces - Territoires d'emotion : L'architecture comme objet intime</text>
              </elementText>
            </elementTextContainer>
          </element>
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                <text>conference proceeding</text>
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                <text>The population of Nouakchott numbers around 745,000 inhabitants, and accounts for approximately one quarter of Mauritania's total population. It is the capital city of one of the multi-ethnic countries of the Sahelo-Saharan region, and was created almost ex-nihilo in 1957, three years before the independence of Mauritania. Its growth is symptomatic of the recent transformation of the Mauritanian way of life, which particularly affected the demographically dominant Moorish ethnic group (the Bīđ̣ān). This Arabic-speaking population, which was still 95 percent nomadic at the down of the twentieth century, is now 80 percent sedentary. Thus the urbanization of Mauritania is almost contemporarneous with the birth of a multi-lingual nation, the establishment of a modern state and the entry of Africa into the global world. To understand the sociolinguistic impact of these recent changes, I describe briefly pre-modern Moorish society and examine the historical factors that may account for its impressive linguistic and cultural homogeneity. I discuss the relevance of the notion of urbanity and urban spaces in the pre-modern and modern Mauritanian context and highlight some of the most recent sociolinguistic changes. The (r)urbanization of Mauritania raises the issue of the relationship between bedouinity and urbanity in the Arabic speaking world. It also involves the questions of diversity versus homogeneity, mixing versus boundaries, deviance versus form, and humor versus state-control.</text>
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Elsa Vivant

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October 2010

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Elsevier
ScienceDirect

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                <text>&lt;div&gt;&lt;b&gt;Journal description from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Progress in Planning is a multidisciplinary journal of research monographs offering a convenient and rapid outlet for extended papers in the field of spatial and environmental planning. Each issue comprises a single monograph of between 25,000 and 35,000 words. The journal is fully peer reviewed, has a global readership, and has been in publication since 1972.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Abstract from &lt;/b&gt;&lt;b&gt;'The (re)making of Paris as a bohemian place?' by Elsa Vivant : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
As several authors have shown, culture is becoming a key tool of the urban planning kit. It is used by urban decision-makers to create symbolic and economic values, which are often considered as a competitive advantage for cities. Nevertheless, when so many cities are using the same strategies, to what extent does culture-led planning allow a city to distinguish itself? &lt;br /&gt;
&lt;br /&gt;
Here, we ask whether alternative cultures can lead to an urban resistance against these sanitised and homogenised cityscapes. Alternative cultures provide both cultural spaces and unique urban experiences, but can also give a place a new type of symbolic value. How can these alternative cultures be used by planners to pioneer urban regeneration projects? How are they in&amp;#64258;uenced by cultural policies? Are they attracting other urbanites, such as the gentri&amp;#64257;cation theories argue, or do they reveal a large diffusion of conditions of works and constraints in everyday life? &lt;br /&gt;
&lt;br /&gt;
Based on several examples in Paris, this paper intends to show the shift in the attitude of planners and authorities toward what we call off cultural scenes. Increasingly, these decision-makers are accepting of and entering into discussions with off artists, using them as pioneers in urban developments and copying their approach in new cultural projects. Many of these changes illustrate the willingness of the current mayor of Paris to promote the city as a creative and open place to work, invest, create and live. Later, this &lt;br /&gt;
paper will analyse these changes with respect to three case studies and address several questions: How does the presence of off artist spaces help to balance an overly sanitised urban project? What is the value of these off spaces to cultural planning? How do off spaces, such as artist squats, inspire new cultural policies? Do off cultural scenes promote or generate gentri&amp;#64257;cation or, rather, reveal a global socio-economic trend which re-valorises inner-city locations? Finally, our work here leads to a reappraisal and serves as a reminder of the importance of serendipity in urban life and, thus, in urban planning.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Elsa Vivant &lt;/b&gt;is an Assistant Professor in Urban Studies and Urban Planning in the French Institute of Urban Planning (Institut fran&amp;ccedil;ais d'urbanisme) at the University of Paris 8, France.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>The thesis seeks to demonstrate that during the period between 1986 and 2006, some of the principal cities of the Spanish metropolitan system, have undergone significant change in terms of their European competitiveness. It is suggested that in the case of Madrid and Barcelona in particular this change has been of such a magnitude to proportion them a much more important place within the European spatial configuration than that which they occupied in the mid-1980s. Empirical evidence is offered to support this conjecture. The thesis lies wholly within the framework of spatial planning at the European territorial scale. 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If by 1930 one of the key characteristics of Spain’s urban system was having not just one but two cities (Madrid and Barcelona) belonging to the group of 27 cities across the world with populations in excess of 1 million inhabitants, this same differentiation between the country’s two largest cities and the remainder of the urban system is equally valid today. Spain’s urban system remains clearly bicephalous in being dominated by these same two cities in terms of demographic and economic strength. Part Three begins by examining the evolution of European spatial policy against the background of an ever-enlarging European Union and changes with regard to the notion of cohesion – from a concept understood in terms of economic and social factors, to one in which the territorial dimension has become increasingly important. 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                <text>The (re)positioning of the Spanish metropolitan system within the European urban system (1986-2006)</text>
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                <text>For his talk “The 21st-century Medieval City,” Robert Neuwirth took an overflow audience to “the cities of tomorrow,” the developing-world shanty-towns where a billion people live now, and three billion (a third of humanity) are expected to be living by 2050. With vivid stories and slides (shown for the first time publicly), Neuwirth detailed how life works for the squatters in Rio, Nairobi, Istanbul, and Mumbai. It’s hard for new arrivals— 1.4 million a week around the world, 70 million a year. They throw together mud huts and make do with no water, no electricity, no transportation, no sewage, and barely room to turn around amid square miles of dense crowding.</text>
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University of Pretoria
&amp;nbsp;


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                <text>&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
 , is it a historical core, a business district or no physical location at all? Food for a lengthy palaver.&lt;br /&gt;
&lt;br /&gt;
Out of the central theme, three sub-themes were distilled to enable in-depth debate: (1) the African City Centre in contemporary global context, (2) the (historic) identity of the African City Centre and (3) the future life of the African City Centre. It is on these three sub-themes that entries were called-in.&lt;br /&gt;
&lt;br /&gt;
Entries... range  from art work, film, architectural projects to scientifically reviewed academic papers. These are included in the following presentation.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Papers : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Master keynote address :&lt;br /&gt;
&lt;br /&gt;
Imagining Urban Futures - Heinrich Wolff&lt;br /&gt;
Economic heterogeneity and the return of the central city - Abdumaliq Simone&lt;br /&gt;
&lt;br /&gt;
Refereed papers :&lt;br /&gt;
&lt;br /&gt;
The woes of a 'straight jacketed' central business district: The case study of Odum, Kumasi - S.O. Afram and G.F.A. Olympio&lt;br /&gt;
Meanings and perceptions of the built environment peri-urban areas of Maputo, Mozambique - Jorgen E Andersen&lt;br /&gt;
The indigenous urban tissue of Addis-Ababa - A city model for the future growth of African metropolis - J&amp;ouml;rg Baumeister and Nikolaus Knebel&lt;br /&gt;
Agency in an African city. The various trajectories through time and space of the public market of Kinshasha - Luce Beeckmans&lt;br /&gt;
Recentering the city: An anthropology of secondary cities in Africa - Filip De Boeck, Ann Cassiman and Steven van Wolputte&lt;br /&gt;
The urban market: Social and spatial configurations in the African city - Garret Gantner&lt;br /&gt;
Working on cities: an Experience from Kumasi, Ghana. A design studio for architects and urban managment students - Ellen Geurts&lt;br /&gt;
'Cities without slums'? Global architects of power and the African city - Branwen Gruffydd Jones&lt;br /&gt;
coffeemanifesto: sampling instant and slow spaces in the African city - Hannah le Roux&lt;br /&gt;
Planned and unplanned towns in former Portuguese colonies in sub-saharan Africa: an analysis of Silveira's Iconografia - M.C. Matos, T.B. Ramos and L.P. Costa&lt;br /&gt;
Narrating urban acupuncture  - B&amp;auml;rbel M&amp;uuml;ller&lt;br /&gt;
Diagnoses on Cairo City, reflective analysis of Ramses square - Ayatollah Musa and Robert H.C. van Kats&lt;br /&gt;
UniverCity-centre: the university as an anchor and its capacity for democratizing urban space - Caroline Newton&lt;br /&gt;
The evolution of the Kibuga into Kampala's city centre - analysis of the transformation of an African city - Barnabas Nawangwe&lt;br /&gt;
A search for specificity: learning from Africa - Liz Ogbu&lt;br /&gt;
Ethical positions in Built Environment education - Mark R.O. Olweny and Charles L.M. Olweny&lt;br /&gt;
Ile-Ife: a cultural phenomenon in the throes of transformation - Cordelia O. Osasona, Lee O. Ogunshakin and David A. Jiboye&lt;br /&gt;
African city: towards a new paradigm - &amp;quot;chameleonic&amp;quot; urbanism for hybrid cities - DMLS Viana&lt;br /&gt;
Xilunguine, Louren&amp;ccedil;o Marques, Maputo &amp;ndash; structure and agency in urban form: past, present and future - Paul Jenkins&lt;br /&gt;
&lt;br /&gt;
Refereed Posters :&lt;br /&gt;
&lt;br /&gt;
Learning from Earth - Caitlin Martusewicz&lt;br /&gt;
Garden City Settlements - Garret Gantner&lt;br /&gt;
Between Land and Water - Giovanni Vio &lt;br /&gt;
Working on Cities - Imanuel Sirron-Kakpor     &lt;br /&gt;
Modernism vs Capitalism - Paulo Moreira&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Current debates around networks and urban fragmentation focus on the ownership of the service to explain processes of socio-technical differentiation in cities (splintering). In this perspective, integrated public ownership and management historically allowed for service universalization and the emergence of a “modern infrastructural ideal”, whereas recent trends towards privatization and unbundling are seen to foster fragmentation. In this paper, we argue, through an historical appraisal of the rolling out of water and power networks in very different contexts, that ownership is just one of the factors in urban network service provision and management, and that the local socio-political context must be taken into account to understand how and why networks are universalized (or not) and what socio-spatial effects they produce. Beyond ownership, network provision and management thus emerge as a reflection of social dynamics and ties in specific, place-based urban contexts. The aim is thus to challenge the mechanical link that sometimes appears in research between network ownership and territorial fragmentation. With case studies chosen from various socio historical contexts, from Papal Rome to colonial Cape Town, statist Paris to liberal Los Angeles, we argue that, even if ownership remains one of the important key factors in explaining dynamics of ‘splintering', we must heed the whole framework of governance specific to each situation, which goes far beyond the mere issue of formal network governance. We thus resort to the concept of urban regime, studied in a historical perspective, to situate the socio spatial dynamics of networks, between market forces, and the private interests of elites, and issues pertaining to mechanisms of wider social control, which is where the notion of regulation is useful to us. Moreover, it is necessary to take into account the problematic of the political economy of network utilities, which goes beyond the simple logic of private vs. public ownership.</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; The American Urban Reader brings together the most exciting work on the evolution of the American city, from colonial settlement and western expansion to post-industrial cities and the growth of the suburbs. Each of the chronologically and thematically organized chapters includes thoughtfully selected scholarly essays from historians, social scientists and journalists, which are supplemented by relevant primary documents that offer more nuanced perspectives and convey the diversity and interdisciplinary nature of the study of the urban condition. A comprehensive companion website offers valuable further reading, compelling supplementary links, slideshows of additional images, and a dialogue opening blog written by one of the authors.&lt;br /&gt; &lt;br /&gt; Lisa Krissoff Boehm and Steven H. Corey together bring 35 years of classroom experience in urban studies and history, and have selected a range of work that is dynamically written and carefully edited to be accessible to students and appropriate for anyone seeking a deeper understanding of how American cities have developed.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Steven Hunt Corey&lt;/b&gt; is Professor and Chair of the Department of Urban Studies at Worcester State College, Worcester, MA.&lt;br /&gt; &lt;br /&gt; &lt;b&gt;Lisa Krissoff Boehm&lt;/b&gt; is Professor of Urban Studies and Director of the Honors Program at Worcester State College in Worcester, MA.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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        <name>géographie urbaine</name>
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        <name>histoire de l'urbanisme</name>
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        <name>histoire urbaine</name>
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        <name>United States</name>
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                  <text>Autres serveurs</text>
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                  <text>Crévilles</text>
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              <elementText elementTextId="195357">
                <text>Chinn, Carl</text>
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            <name>Date</name>
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                <text>1986</text>
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                <text>This thesis explores the premise that during the late Victorian and Edwardian eras there existed a significant and influential division within the working class of England's industrial towns and cities. This division, based largely on economic factors to do with the size and regularity of earnings, manifested itself first in the type and locality of residence, which in turn emphasised and reinforced the division of the working class into an upper section of better-paid usually more skilled and regularly-employed and a lower, poorer section of the low-waged and casually employed. Whilst it is not suggested that this produced "working classes" rather than "a working class", it did, nevertheless, result in two sections among the wage-earning class whose members pursued in many significant ways quite different ways of life. Economic differences allied to residential segregation meant that each section: developed different notions of such concepts as "rough" and "respectable" and did not by any means share beliefs as to what constituted acceptable or "deviant" behaviour. These and other questions are pursued by an examination of the years from 1871 to 1914 in the Birmingham neighbourhood of West Sparkbrook. The chronology has been set to make possible the use of census material and oral evidence, and the neighbourhood was chosen because, although it was in these years mainly an area of middle and upper working class housing, it had within it clearly differentiated pockets of lower working class housing, and so makes significant comparisons possible. After an examination of the growth of West Sparkbrook as a residential district, an analysis has been made of the institutions, habits and behaviour of the people of the district. Documentary, archival and oral evidence has been called on to examine the cultural schism in a number of exemplary areas. Differences in housing, schooling, working and shopping have been considered, and attitudes towards drinking, gambling and fighting. The differing roles and responsibilities within the family of men, women and children have been shown in the different groups, as well as leisure behaviour and the role of religion and of religious and charitable institutions in the lives of the community. From this picture emerges a clearer idea of the limits imposed on behaviour by the notions of "rough" and "respectable", and the extent to which these notions were developed by each group within its specific social, economic and cultural environment.</text>
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            <name>Identifier</name>
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                <text>http://etheses.bham.ac.uk/239/</text>
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                <text>http://lallier.msh-vdl.fr/theses/items/show/1164</text>
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                <text>en</text>
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            <name>Publisher</name>
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              <elementText elementTextId="195364">
                <text>University of Birmingham</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>history, economic history, working class, class, economy, urban society, residential segregation, Birmingham, West Sparkbrook, nineteenth century, twentieth century, 19th century, 20th century, Victorian, Edwardian, neighbourhood</text>
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                <text>The anatomy of a working-class neighbourhood: West Sparkbrook 1871-1914</text>
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                  <text>Urbanisation et sociétés urbaines</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="644248">
                  <text/>
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              <name>Contributor</name>
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              <elementTextContainer>
                <elementText elementTextId="644249">
                  <text>IRD</text>
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      </elementSetContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <elementText elementTextId="353824">
                <text>Le Bris, Emile (ed.)</text>
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                <text>AFRIQUE DU SUD</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="353826">
                <text>Hindson, D.</text>
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                <text>1996</text>
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                <text>http://www.documentation.ird.fr/hor/fdi:010005820</text>
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                <text>oai:ird.fr:fdi:010005820</text>
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                <text>Hindson D. The apartheid city : construction, decline and reconstruction. In : Le Bris Emile (ed.).  Villes du sud : sur la route d'Istanbul. Paris : ORSTOM, 1996, p. 75-106. </text>
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                <text>EN</text>
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                <text>ORSTOM</text>
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                <text>AMENAGEMENT URBAIN</text>
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                <text>POLITIQUE DU LOGEMENT</text>
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                <text>APARTHEID</text>
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                <text>EXCLUSION SOCIALE</text>
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                <text>PAUVRETE</text>
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                <text>SQUATTERISATION</text>
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                <text>RACISME</text>
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                <text>MIGRATION</text>
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                <text>STRATIFICATION SOCIALE</text>
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                <text>EVOLUTION</text>
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                <text>The apartheid city : construction, decline and reconstruction</text>
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                <text>Villes du sud : sur la route d'Istanbul</text>
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