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                <text>Paris, capitale du relief. Une photographie de la ville au quotidien en 1860</text>
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Jos&amp;eacute; Calvelo</text>
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19 octobre 2010

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L'Amateur

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Lorsque vers 1850 le physicien David Brewster propose aux opticiens britanniques - qui le refusent - une bo&amp;icirc;te pour visionner des images en trois dimensions, nul n'est &amp;agrave; m&amp;ecirc;me d'imaginer le succ&amp;egrave;s que va remporter le st&amp;eacute;r&amp;eacute;oscope durant une vingtaine d'ann&amp;eacute;es. Adoub&amp;eacute; par la reine Victoria lors de l'Exposition universelle de 1851, le proc&amp;eacute;d&amp;eacute; devient la folie du jour : &amp;quot;Des milliers d'yeux avides se penchaient sur les trous du st&amp;eacute;r&amp;eacute;oscope comme sur les lucarnes de l'infini&amp;quot;, &amp;eacute;crira d'ailleurs Baudelaire.&lt;br /&gt;
&lt;br /&gt;
Au d&amp;eacute;but du Second Empire, l'affaire se pr&amp;eacute;sente comme un nouvel Eldorado et les op&amp;eacute;rateurs se mettent &amp;agrave; photographier Paris - comme Rome, Venise ou l'Egypte - sous toutes les coutures. Grands monuments ou construction des Halles, petits m&amp;eacute;tiers de la rue, lavandi&amp;egrave;res, foule sur les boulevards ou bourgeois dans les parcs de la capitale ou de la proche banlieue, voitures hippomobiles, canotiers de la Seine, jeux enfantins, tout est propice &amp;agrave; &amp;ecirc;tre saisi.&lt;br /&gt;
&lt;br /&gt;
La connaissance des documents st&amp;eacute;r&amp;eacute;oscopiques est souvent rest&amp;eacute;e limit&amp;eacute;e au cercle des collectionneurs. Apr&amp;egrave;s un long purgatoire dans les greniers, ces documents ouvrent des perspectives nouvelles et parfois insolites sur le Paris transfigur&amp;eacute; de Napol&amp;eacute;on III. Ils en restituent l'empreinte visuelle, l'inimitable singularit&amp;eacute;, comme le r&amp;eacute;v&amp;egrave;le la tr&amp;egrave;s riche iconographie de cet ouvrage. A travers les volumes ou les reliefs qu'ils ont laiss&amp;eacute;s, &amp;eacute;crivains et photographes du second Empire nous font d&amp;eacute;couvrir leur ville telle qu'ils la percevaient.&lt;/div&gt;
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                <text>, urbanisation, histoire urbaine, Moscou, Moscow, migration urbaine, société urbaine, modernisation, twentieth century, vingtième siècle, Bradley Joseph</text>
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Joseph Bradley

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1985

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University of California Press

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&amp;nbsp;&lt;/div&gt;
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                <text>fog, brouillard, Victorian London, London, Londres, nineteenth century, dix-neuvième siècle, histoire urbaine, représentations, environnement urbain, citadin, tourisme, urbanité, de Sapio Joseph</text>
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26 October 2011

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Joseph de Sapio</text>
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                <text>&lt;div&gt;In this 2011 seminar at the Institute of Historical Research, University of London School of Advanced Study, Joseph de Sapio discusses fog in the representation of Victorian London, particularly from the perspective of tourists to the city. He argues that, beyond their use in the literature of the period, representations of London fog 'can provide an alternative environment for considering the relationship between the citizen and the urban system', as fogs sever the relationship between an observer and the urban environment. The paper is 'designed as something of a starting-point for exploring the ways in which these representations of the fog-bound city pose challenges to the ideas of the urban system based on vision and movement. It argues that the urban environment during a thick fog is considerably altered from its nominal, everyday state, and the set of practices by which the modern city is constituted in the observer's mind are, as a result, inverted in a theatre of the street'.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Joseph de Sapio &lt;/b&gt;is a D.Phil candidate in History at the University of Oxford, where he is researching the role of tourism in nineteenth century London, and its influence on the physical and social development of the city.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Creative Commons Attribution-NonCommercial 2.0 UK: England &amp;amp; Wales License&lt;/a&gt;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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28 janvier 2011

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L'Harmattan

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Joseph Nasr est architecte et docteur en philosophie. Il enseigne l&amp;rsquo;architecture au Liban.&lt;/div&gt;
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Sa pens&amp;eacute;e sur l&amp;rsquo;abstraction est n&amp;eacute;e de l&amp;rsquo;extase face au Carr&amp;eacute; noir de Malevitch. Pour lui, la philosophie et l&amp;rsquo;architecture sont la cl&amp;eacute; de l&amp;rsquo;osmose qui permet d&amp;rsquo;accorder un sens &amp;agrave; l&amp;rsquo;existence. Il se consacre &amp;agrave; la manifestation du Rien, lui attribuant &amp;quot;substantialit&amp;eacute;&amp;quot; et &amp;quot;ph&amp;eacute;nom&amp;eacute;nalit&amp;eacute;&amp;quot;.&lt;/div&gt;
&lt;br /&gt;
Il se passionne pour les ph&amp;eacute;nom&amp;egrave;nes de la destruction, de la disparition, de la ruine, de l&amp;rsquo;anthropophagie de l&amp;rsquo;architecture et de la ville. &lt;br /&gt;
&lt;br /&gt;
Pr&amp;eacute;face de Henri-Pierre Jeudy.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Ao&amp;ucirc;t 2008

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Certu

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&amp;nbsp;&lt;/div&gt;
Les pratiques de la concertation sur les projets urbains sont en pleine &amp;eacute;volution depuis quelques ann&amp;eacute;es. Des pratiques qui mobilisent plusieurs acteurs avec des comp&amp;eacute;tences et des attentes diverses qu&amp;rsquo;ils soient habitants, &amp;eacute;lus, techniciens ou chercheurs.&lt;br /&gt;
&lt;br /&gt;
Cette participation des acteurs n&amp;eacute;cessite un travail pr&amp;eacute;alable sur la p&amp;eacute;dagogie de la ville pour apprendre &amp;agrave; dialoguer entre diff&amp;eacute;rents acteurs et &amp;agrave; se r&amp;eacute;approprier les mots et les attentes de chacun : quels sont les mots de chacun ? Quelles sont les logiques de temps de chacun ? Quels sont les r&amp;ocirc;les des acteurs et les r&amp;egrave;gles du jeu du dialogue ? Comment repr&amp;eacute;senter les projets lors des d&amp;eacute;bats publics et quelles sont les repr&amp;eacute;sentations des diff&amp;eacute;rents acteurs ?&lt;br /&gt;
&lt;br /&gt;
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&amp;nbsp;&lt;/div&gt;
Joseph Salamon est architecte et docteur en urbanisme&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Joseph V. O'Brien

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1982

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University of California Press

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                <text>&lt;b&gt;Extract from the preface : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Only a few cities evoke those clear images that feed the mind and imagination of successive generations or represent for posterity the spirit of an age : Johnson's London, Louis Napoleon's Paris, Brecht's Berlin. And so also the Dublin of Yeats and Joyce. This &amp;quot;literary&amp;quot; Dublin has long fascinated specialist and student alike. And little wonder, for ever since the creative genius of her most famous son reincarnated the wandering Ulysses in the person of a Dublin Jew, the city on the Liffey has become a &amp;quot;world city&amp;quot; - a world city of the literary imagination. There is another Dublin, again a Dublin of Yeats and Joyce, but one that evokes harsher images and nurtures little of the interest reserved for the milieu of dramatist and poet. This, the nether world of tenement and slum, of the poor and unemployed, is in large part the subject of this study.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Joseph V. O'Brien &lt;/b&gt;is a Professor in the Department of History at John Jay College of Criminal Justice, New York.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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7 May 2009

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Joshua Barker</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the distributor : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Anthropologists often use key figures, such as the street tough, the child witch, and the fl&amp;acirc;neur, as a means to elucidate, personify, and critique underlying dynamics of social and cultural transformation. It is a method that is widely used, but seldom scrutinised. In this lecture Joshua Barker uses examples from his research in the slums of Bandung, Indonesia, to argue that this method can make a powerful contribution to a comparative anthropology of urban marginality.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Joshua Barker&lt;/b&gt; is associate professor in the Department of Anthropology, University of Toronto.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Le monument, la ville, la nature. Pour une approche globale du patrimoine</text>
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13 mai 2010

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Journ&amp;eacute;e d'&amp;eacute;tude</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
La journ&amp;eacute;e d&amp;rsquo;&amp;eacute;tude &amp;quot;Le monument, la ville, la nature. Pour une approche globale du patrimoine&amp;quot; s&amp;rsquo;inscrivait dans le cadre des Rencontres europ&amp;eacute;ennes du patrimoine organis&amp;eacute;es par l&amp;rsquo;Institut national du patrimoine et l&amp;rsquo;Istituto Veneto di Scienze, Lettere ed Arti. Elle a eu lieu &amp;agrave; Venise &amp;agrave; l'Istituto Veneto di Scienze, lettere ed Arti Campo Santo Stefano, le 13 mai 2010.&lt;br /&gt;
&lt;br /&gt;
La notion de patrimoine est large et inclut non seulement les biens mobiliers et le b&amp;acirc;ti &amp;quot;monuments historiques&amp;quot;, mais aussi l&amp;rsquo;ensemble urbain lui-m&amp;ecirc;me, ainsi que le paysage naturel et l&amp;rsquo;environnement dans lesquels la ville s&amp;rsquo;inscrit. L&amp;rsquo;enjeu est de ne pas sacrifier le monument &amp;agrave; la ville et inversement. Il faut aujourd&amp;rsquo;hui apprendre &amp;agrave; pr&amp;eacute;server les centres-villes historiques en &amp;eacute;vitant la mus&amp;eacute;ification et sans d&amp;eacute;laisser l&amp;rsquo;environnement naturel.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Programme :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ouverture&lt;/a&gt;&lt;br /&gt;
Gian Antonio Danieli, Presidente dell&amp;rsquo;Istituto Veneto di Scienze, Lettere ed Arti ; Eric Gross, directeur de l&amp;rsquo;Institut national du patrimoine ; Mario Lolli Ghetti, Direttore generale per il paesaggio, le belle arti, l&amp;rsquo;architettura e l&amp;rsquo;arte contemporanea ; Ugo Soragni, Direttore regionale per i Beni culturali e paesaggistici del Veneto.&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/pourquoi_faut_il_que_la_politique_de_l_architecture_soit_rattachee_au_ministere_de_la_culture"&gt;Pourquoi faut-il que la politique de l&amp;rsquo;architecture soit rattach&amp;eacute;e au minist&amp;egrave;re de la culture ?&lt;/a&gt;&lt;br /&gt;
Philippe B&amp;eacute;laval, directeur g&amp;eacute;n&amp;eacute;ral des patrimoines, minist&amp;egrave;re de la culture et de la communication&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/il_paesaggio_come_bene_culturale_evoluzione_della_consapevolezza"&gt;Il paesaggio come bene culturale. Evoluzione della consapevolezza&lt;/a&gt;&lt;br /&gt;
Andrea Rinaldo, Segretario accademico dell&amp;rsquo;Istituto Veneto di Scienze Lettere ed Arti, Universit&amp;agrave; di Padova&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/le_projet_du_grand_paris"&gt;Le projet du Grand Paris&lt;/a&gt;&lt;br /&gt;
Francis Rambert, directeur de l&amp;rsquo;Institut fran&amp;ccedil;ais d&amp;rsquo;architecture, cit&amp;eacute; de l&amp;rsquo;architecture et du patrimoine&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/paesaggi_come_patrimoni_culturali_metamorfosi_e_salvaguardia_disegno_e_governo"&gt;Paesaggi come patrimoni culturali. Metamorfosi e salvaguardia. Disegno e governo&lt;/a&gt;&lt;br /&gt;
Domenico Luciani, Coordinatore del Comitato scientifico per studi sul paesaggio e il giardino, Fondazione Benetton Studi Ricerche&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/ouverture_de_seance_de_l_apres_midi"&gt;Ouverture de l'apr&amp;egrave;s-midi&lt;/a&gt;&lt;br /&gt;
Vincent Noce, journaliste, Lib&amp;eacute;ration&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/role_et_interpretation_du_patrimoine_dans_le_projet_urbain_de_bordeaux_depuis_1995"&gt;R&amp;ocirc;le et interpr&amp;eacute;tation du patrimoine dans le projet urbain de Bordeaux depuis 1995&lt;/a&gt;&lt;br /&gt;
Mich&amp;egrave;le Laru&amp;euml;-Charlus, directeur g&amp;eacute;n&amp;eacute;ral de l'am&amp;eacute;nagement, Bordeaux&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/federico_zeri_e_la_via_appia_1974_documentario_di_anna_zanoli"&gt;Federico Zeri e la Via Appia (1974), documentario di Anna Zanoli&lt;/a&gt;&lt;br /&gt;
Anna Ottani Cavina, Universit&amp;agrave; di Bologna, Direttore della Fondazione Federico Zeri&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/la_ricostruzione_dell_abruzzo"&gt;La ricostruzione dell&amp;rsquo;Abruzzo&lt;/a&gt;&lt;br /&gt;
Francesco Erbani Giornalista, La Repubblica&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://mediatheque-numerique.inp.fr/index.php/actes_de_colloque/rencontres_du_patrimoine/le_monument_la_ville_la_nature_pour_une_approche_globale_du_patrimoine/l_experience_de_l_inp_dans_les_abruzzes"&gt;L&amp;rsquo;exp&amp;eacute;rience de l&amp;rsquo;Inp dans les Abruzzes&lt;/a&gt;&lt;br /&gt;
Roch Payet, directeur des &amp;eacute;tudes, d&amp;eacute;partement des restaurateurs, Institut national du patrimoine&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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22 et 23 novembre 2012

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14 d&amp;eacute;cembre 2012

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                <text>&lt;div&gt;Une journ&amp;eacute;e d&amp;rsquo;&amp;eacute;tudes organis&amp;eacute;e par Magali Paris, Sylvie Laroche et Gr&amp;eacute;goire Chelkoff, chercheurs au laboratoire Cresson, dans le cadre de la recherche &amp;quot;La nature au bord de la route&amp;quot; (2010-2012)&lt;br /&gt;
&amp;nbsp;&lt;br /&gt;
&lt;b&gt;Pr&amp;eacute;sentation par l'organisateur :&lt;/b&gt;&lt;br /&gt;
&amp;nbsp;&lt;br /&gt;
Cette journ&amp;eacute;e d&amp;rsquo;&amp;eacute;tude propose de mettre en d&amp;eacute;bat les r&amp;ocirc;les des jardins familiaux situ&amp;eacute;s en bord de route et de voie ferr&amp;eacute;e autour de 5 expos&amp;eacute;s de chercheurs et/ou de praticiens, chacun suivi d&amp;rsquo;un d&amp;eacute;bat avec des acteurs du territoire grenoblois et national.&lt;br /&gt;
5 grandes th&amp;eacute;matiques seront ici questionn&amp;eacute;es : les ambiances, l&amp;rsquo;&amp;eacute;cologie, la sociologie, l&amp;rsquo;&amp;eacute;conomie et la pollution des jardins familiaux.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Liste des interventions :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
- Les Jardins Familiaux : outils d&amp;rsquo;am&amp;eacute;nagement urbain et social, par J&amp;eacute;r&amp;ocirc;me Cl&amp;eacute;ment&lt;br /&gt;
&lt;br /&gt;
- Entre ambiances et &amp;eacute;cologie : le jardin comme &amp;eacute;cotone(s), par Gr&amp;eacute;goire Chelkoff, Magali Paris et Marine Linglart&lt;br /&gt;
&lt;br /&gt;
- Qualit&amp;eacute; des sols des jardins de bord de voies, le cas francilien, par Philippe Branchu&lt;br /&gt;
&lt;br /&gt;
- Le mesnage dans les communaut&amp;eacute;s-territoires rurbaines, par Claude Jacquier&lt;br /&gt;
&lt;br /&gt;
- Les collectifs de jardins urbains fran&amp;ccedil;ais dans le miroir du jardinage urbain &amp;agrave; grande &amp;eacute;chelle de Russie, par Marcel Marloie&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;
Des 1 000 immeubles insalubres existant encore &amp;agrave; Paris en 2001, indignes et dangereux pour la sant&amp;eacute; et le bien-&amp;ecirc;tre des habitants, il n&amp;rsquo;en restait quasiment plus en 2010. Mais il en reste... C&amp;rsquo;est dans ces &amp;icirc;lots heureusement appel&amp;eacute;s &amp;agrave; dispara&amp;icirc;tre que Joy Sorman est all&amp;eacute;e voir de plus pr&amp;egrave;s ce que recouvre r&amp;eacute;ellement ce terme d&amp;rsquo;insalubrit&amp;eacute; : Qui vit l&amp;agrave; ? Comment y vit-on ? Et pourquoi peut-il &amp;ecirc;tre difficile d&amp;rsquo;en partir malgr&amp;eacute; le d&amp;eacute;labrement g&amp;eacute;n&amp;eacute;ralis&amp;eacute;, l&amp;rsquo;absence d&amp;rsquo;entretien, le non-respect des normes de s&amp;eacute;curit&amp;eacute;, la promiscuit&amp;eacute; ? Joy Sorman raconte souvent le &amp;quot;non croyable&amp;quot; alors que Eric Lapierre trace l&amp;rsquo;histoire de cet &amp;eacute;tat des lieux et les programmes successifs de r&amp;eacute;habilitation.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Eric Lapierre&lt;/b&gt; est architecte-urbaniste.&lt;br /&gt;
&lt;b&gt;Joy Sorman&lt;/b&gt; est &amp;eacute;crivaine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Joy Sorman, Eric Lapierre et Jean-Claude Pattacini</text>
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20 janvier 2011

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Editions Alternatives
Pavillon de l'Arsenal

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&amp;nbsp;&lt;/div&gt;
Des 1 000 immeubles insalubres existant encore &amp;agrave; Paris en 2001, indignes et dangereux pour la sant&amp;eacute; et le bien-&amp;ecirc;tre des habitants, il n&amp;rsquo;en restait quasiment plus en 2010. Mais il en reste...&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
C&amp;rsquo;est dans ces &amp;icirc;lots heureusement appel&amp;eacute;s &amp;agrave; dispara&amp;icirc;tre que Joy Sorman est all&amp;eacute;e voir de plus pr&amp;egrave;s ce que recouvre r&amp;eacute;ellement ce terme d&amp;rsquo;insalubrit&amp;eacute; : Qui vit l&amp;agrave; ? Comment y vit-on ? Et pourquoi peut-il &amp;ecirc;tre difficile d&amp;rsquo;en partir malgr&amp;eacute; le d&amp;eacute;labrement g&amp;eacute;n&amp;eacute;ralis&amp;eacute;, l&amp;rsquo;absence d&amp;rsquo;entretien, le non-respect des normes de s&amp;eacute;curit&amp;eacute;, la promiscuit&amp;eacute; ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Joy Sorman raconte souvent, de mani&amp;egrave;re prenante, le &amp;quot;non croyable&amp;quot; alors que Eric Lapierre trace l&amp;rsquo;histoire de cet &amp;eacute;tat des lieux et les programmes successifs de r&amp;eacute;habilitation.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Une centaine de photos de Jean-Claude Pattacini illustrent cet ouvrage.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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28 April 2010

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Judit Bodnar</text>
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&amp;nbsp;&lt;/div&gt;
Please join us for a comparative and historical analysis of the gentrification of the Near North Side of Chicago.&lt;br /&gt;
&lt;br /&gt;
Professor Bodnar will examine the communities that have replaced the Cabrini-Green housing &amp;lsquo;projects&amp;rsquo; and the proliferation of similar kinds of residential planned developments  -- particularly in US and European cities. This horizontal analysis will be complemented by discussion of the history of gentrification on the Near North Side and the unfolding of current redevelopment initiatives, which signify a new scale and configuration of generalized gentrification as it has come to be known. This line of inquiry also focuses on the public-private interface.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Judit Bodnar &lt;/b&gt;is an Associate Professor of Sociology, Anthropology and history at the Central European University. In 2010, she was an Endeavor Visiting Scholar at the University of Chicago.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>culture urbaine, urbanité, métropole, banlieue, espace urbain, forme urbaine, périurbanisation, démographie, De Jong Judith K., États-Unis, United States </text>
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29 November 2011

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Judith K. De Jong</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the distributor:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
In this talk, 2011-2012 GCI Faculty Scholar De Jong will discuss the research and writing she is undertaking during her fellowship year at the Institute. Her project investigates how American cultural attitudes about urban life in the metropolis, reinforced by significant demographic change, are dissolving traditional relationships between city and suburb and producing new spatial and formal conditions; in particular, the project aims to identify new models for (sub)urbanisation.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Judith K. De Jong &lt;/b&gt;is a licensed architect and an Assistant Professor of Architecture at the University of Illinois at Chicago.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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25 septembre 2008

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Bayard

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La banlieue fait peur. &amp;quot;Ev&amp;eacute;nements&amp;quot;, &amp;quot;r&amp;eacute;volte&amp;quot;, &amp;quot;&amp;eacute;meutes&amp;quot;, &amp;quot;insurrection&amp;quot; : notre incapacit&amp;eacute; &amp;agrave; nommer ce qui s'est pass&amp;eacute; &amp;agrave; l'automne 2005 montre notre malaise autant que la difficult&amp;eacute; que nous &amp;eacute;prouvons face &amp;agrave; ce qui ne cesse d'interroger nos propres sch&amp;eacute;mas d'interpr&amp;eacute;tation.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Car loin d'&amp;ecirc;tre seulement un territoire de d&amp;eacute;gradation et de violence, la banlieue cr&amp;eacute;e des subjectivit&amp;eacute;s, des formes de vie, des connaissances, de la valeur &amp;eacute;conomique, de la sociabilit&amp;eacute;, du langage.&lt;/div&gt;
&lt;br /&gt;
A y regarder de plus pr&amp;egrave;s, c'est m&amp;ecirc;me - en d&amp;eacute;pit des difficult&amp;eacute;s &amp;eacute;conomiques et des injustices sociales, des discriminations quotidiennes et de l'abandon dont elle est victime - un formidable laboratoire d'action politique, de vie et de r&amp;eacute;sistance, un lieu d'&amp;eacute;laboration et d'exp&amp;eacute;rimentation. Alors : de quoi avons-nous peur au juste ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
universit&amp;eacute; de Paris 1 Panth&amp;eacute;on-Sorbonne&lt;/a&gt;, elle a, entre 2004 et 2006, enseign&amp;eacute; la philosophie dans un lyc&amp;eacute;e de la Seine-Saint-Denis.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Julia L. Foulkes

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January 2011

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Temple University Press

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&amp;nbsp;&lt;/div&gt;
In the 1930s and 1940s, as the United States moved from a rural to an urban nation, the pull of the city was irrepressible. It was so strong that even a photographic mission designed to record the essence of rural America could not help but capture the energy of urbanization too. To the City showcases over 100 photographs from the Farm Security Administration (FSA) project along with extracts from the Works Progress Administration (WPA) guidebooks and oral histories, to convey the detail and dimensions of that transformation.&lt;br /&gt;
&lt;br /&gt;
This artfully grouped collection of photographs includes magnificent images by notable photographers Dorothea Lange, Walker Evans and Gordon Parks, among many others. Foulkes organizes this history of Americana into five themes: Intersection; Traffic; High Life and Low Life; The City in the Country; and Citizens to illuminate the changes in habits, landscapes, and aspirations that the march to cities encompassed.&lt;br /&gt;
&lt;br /&gt;
As the rural past holds symbolic sway and the suburb presents demographic force, the urban portion of our history&amp;mdash;why and how cities have been a destination for hope&amp;mdash;recedes from view. To the City is a thoughtful, engaging reminder.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Julia L. Foulkes&lt;/b&gt; is an Associate Professor of History at The New School.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Julie Sedel</text>
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17 avril 2009

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Le Bord de l'eau

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&amp;nbsp;&lt;/div&gt;
&amp;Agrave; la fin des ann&amp;eacute;es 1990, le traitement journalistique des quartiers populaires p&amp;eacute;riph&amp;eacute;riques s&amp;rsquo;est focalis&amp;eacute; sur des faits de violence impliquant des jeunes hommes issus de l&amp;rsquo;immigration. Pourquoi l&amp;rsquo;attention des journalistes s&amp;rsquo;est-elle port&amp;eacute;e sur cette fraction de la population des cit&amp;eacute;s ?&lt;/div&gt;
&lt;br /&gt;
Ce livre se propose d'y r&amp;eacute;pondre &amp;agrave; travers l&amp;rsquo;&amp;eacute;tude des quartiers populaires et des logiques journalistiques. Depuis les ann&amp;eacute;es 1970, les cit&amp;eacute;s HLM p&amp;eacute;riph&amp;eacute;riques ont &amp;eacute;t&amp;eacute; marqu&amp;eacute;es par un double mouvement de paup&amp;eacute;risation et de disqualification sociale. La d&amp;eacute;gradation du cadre b&amp;acirc;ti sur fond de crise &amp;eacute;conomique s&amp;rsquo;est accompagn&amp;eacute;e du d&amp;eacute;part des petites classes moyennes fran&amp;ccedil;aises et de l&amp;rsquo;installation puis de la rel&amp;eacute;gation durable d&amp;rsquo;un prol&amp;eacute;tariat en grande partie immigr&amp;eacute;.&lt;br /&gt;
&lt;br /&gt;
Progressivement, les jeunes gens ayant investi les espaces collectifs sont devenus le point de focalisation des regards et leurs usages de l&amp;rsquo;espace comme leurs formes de sociabilit&amp;eacute;, ostensiblement pr&amp;eacute;sentes, une source de tensions. Parall&amp;egrave;lement, le fonctionnement journalistique a &amp;eacute;t&amp;eacute; marqu&amp;eacute; par des profonds changements : lib&amp;eacute;ralisation des m&amp;eacute;dias audiovisuels, concentration de la presse... Dans les r&amp;eacute;dactions, les faits divers ont pris le pas sur les sujets sociaux et le mod&amp;egrave;le du journalisme &amp;quot;professionnel&amp;quot; a remplac&amp;eacute; celui du journalisme engag&amp;eacute;. Leurs mani&amp;egrave;res de travailler se sont &amp;eacute;galement trouv&amp;eacute;es modifi&amp;eacute;es par la professionnalisation croissante des sources d&amp;rsquo;informations.&lt;/div&gt;
&lt;br /&gt;
En effet, pour se pr&amp;eacute;munir des incursions m&amp;eacute;diatiques et &amp;eacute;viter les d&amp;eacute;rapages journalistiques, des institutions et des groupes plus informels ont mis en place des strat&amp;eacute;gies de communication. Dans les quartiers populaires de la p&amp;eacute;riph&amp;eacute;rie, certains habitants et acteurs sociaux se sont ainsi transform&amp;eacute;s en attach&amp;eacute;s de presse.&lt;br /&gt;
&lt;br /&gt;
Loin d&amp;rsquo;&amp;ecirc;tre statique, la m&amp;eacute;diatisation appara&amp;icirc;t donc comme un processus &amp;agrave; l&amp;rsquo;int&amp;eacute;rieur duquel les m&amp;eacute;dias sont de plus en plus devenus des acteurs de la r&amp;eacute;alit&amp;eacute; sociale qu&amp;rsquo;ils pr&amp;eacute;tendent seulement &amp;quot;enregistrer&amp;quot; ou &amp;quot;photographier&amp;quot;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;Eacute;cole des hautes &amp;eacute;tudes en sciences sociales&lt;/a&gt; (Paris).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Malgr&amp;eacute; une am&amp;eacute;lioration globale incontestable, notre pays, comme le reste du monde, est aujourd&amp;rsquo;hui confront&amp;eacute; au retour des bidonvilles. C&amp;rsquo;est ce que Julien Damon d&amp;eacute;veloppe dans le troisi&amp;egrave;me num&amp;eacute;ro de &amp;quot;Demain la Ville&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
En 2020, avance l&amp;rsquo;auteur sp&amp;eacute;cialiste reconnu de ces questions urbaines, un quart des urbains de la plan&amp;egrave;te pourrait vivre dans un bidonville, si l&amp;rsquo;on se r&amp;eacute;f&amp;egrave;re aux chiffres avanc&amp;eacute;s actuellement par les Nations Unies. Cette perspective qu&amp;rsquo;il appelle &amp;quot;bidonvillisation&amp;quot; n&amp;rsquo;est pas, selon lui, une fatalit&amp;eacute; et elle s&amp;rsquo;accompagne de transformations de la pauvret&amp;eacute; urbaine. Mais Julien Damon ne c&amp;egrave;de pas au pessimisme et montre que si les bidonvilles sont des &amp;quot;agglom&amp;eacute;rats de pollution, d&amp;rsquo;ins&amp;eacute;curit&amp;eacute; et d&amp;rsquo;infamies&amp;quot;, ils sont aussi &amp;quot;un r&amp;eacute;servoir de cr&amp;eacute;ativit&amp;eacute; culturelle, d&amp;rsquo;imagination sociale, d&amp;rsquo;inventivit&amp;eacute; &amp;eacute;conomique et urbanistique&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Julien Damon&lt;/b&gt; est professeur associ&amp;eacute; &amp;agrave; Sciences-Po, auteur de &lt;a href="http://crevilles.org/mambo/index.php?option=com_content&amp;amp;task=view&amp;amp;id=1822&amp;amp;Itemid=203"&gt;Vivre en ville. Observatoire mondial des modes de vie urbains&lt;/a&gt; (Paris, PUF, 2008).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Longtemps, les villes ont &amp;eacute;t&amp;eacute; d&amp;eacute;pendantes de leur environnement. C'est d&amp;eacute;sormais l'environnement qui est d&amp;eacute;pendant des villes. Et si, loin d'&amp;ecirc;tre un probl&amp;egrave;me, la ville &amp;eacute;tait dor&amp;eacute;navant une solution aux d&amp;eacute;fis environnementaux ? Convergences et divergences des positions et des points de vue autorisent un portrait contrast&amp;eacute; des modes de vie urbains contemporains. Quelles sont les tendances &amp;agrave; l'oeuvre ? &amp;Agrave; quoi se disent pr&amp;ecirc;ts les habitants ? A qui font-ils confiance ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Interrog&amp;eacute;s dans sept grandes agglom&amp;eacute;rations urbaines aux quatre coins de la plan&amp;egrave;te (Bombay, Chicago, Le Caire, Londres, Paris, P&amp;eacute;kin, Sao Paulo), les citadins font part de leurs situations, aspirations, &amp;eacute;valuations en ce qui concerne leur vie en ville.&lt;/div&gt;
&lt;br /&gt;
En compl&amp;eacute;ment et en miroir de ces opinions, des experts du monde entier apportent leurs observations, illustrations et pr&amp;eacute;conisations sur la ville d'aujourd'hui et de demain.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
L&amp;rsquo;urbanisme cristallise la controverse politique et technique par les utopies qu&amp;rsquo;il peut v&amp;eacute;hiculer. Les questions de la repr&amp;eacute;sentation pr&amp;eacute;valent souvent sur l&amp;rsquo;analyse de la complexit&amp;eacute; des d&amp;eacute;marches et de la d&amp;eacute;cision.&lt;/div&gt;
&lt;br /&gt;
Aussi cet ouvrage explore les questions qui traversent cette activit&amp;eacute; professionnelle et cette discipline depuis une quarantaine d&amp;rsquo;ann&amp;eacute;es ainsi que les politiques publiques associ&amp;eacute;es. Une telle r&amp;eacute;trospective critique permet d&amp;rsquo;offrir des cl&amp;eacute;s pour comprendre le pr&amp;eacute;sent et envisager l&amp;rsquo;avenir.&lt;/div&gt;
&lt;br /&gt;
Les contributions composant le livre sont sign&amp;eacute;es de praticiens et de chercheurs qui enseignent au Cycle d&amp;rsquo;Urbanisme de Sciences Po, institution de r&amp;eacute;f&amp;eacute;rence dans le domaine, &amp;agrave; l&amp;rsquo;occasion de son quaranti&amp;egrave;me &amp;shy;anniversaire.&lt;/div&gt;
&lt;br /&gt;
Ce volume traite principalement des politiques d&amp;rsquo;am&amp;eacute;na&amp;shy;gement du territoire, de la politique de la ville, d&amp;rsquo;urbanisme stricto sensu et de l&amp;rsquo;action fonci&amp;egrave;re en insistant sur les questions d&amp;rsquo;habitat. Un livre qui devrait devenir rapidement une sorte de manuel critique sur la mani&amp;egrave;re dont la ville se con&amp;ccedil;oit et se met en &amp;oelig;uvre aujourd&amp;rsquo;hui en France.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Julien Damon&lt;/b&gt; est sociologue et professeur associ&amp;eacute; &amp;agrave; Sciences-Po.&lt;/div&gt;
&lt;b&gt;Michel Micheau&lt;/b&gt; est professeur des Universit&amp;eacute;s, directeur du cycle d'urbanisme de Sciences Politiques - Paris.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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