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Paulette Duarte, 
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L'Harmattan

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&lt;b&gt;Paulette Duarte&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en urbanisme &amp;agrave; l'Institut d'Urbanisme de Grenoble et chercheure &amp;agrave; l'UMR PACTE.&lt;/div&gt;
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Pauline Kertudo, 
Didier Vanoni, 
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Mars 2009

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ANRU
FORS Recherche Sociale

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                <text>&lt;div&gt;&lt;b&gt;Extrait de l'avant-propos :&lt;/b&gt;&lt;/div&gt;
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Afin d&amp;rsquo;assurer le bon fonctionnement urbain et social des quartiers et la p&amp;eacute;rennit&amp;eacute; des investissements g&amp;eacute;n&amp;eacute;r&amp;eacute;s par les projets de r&amp;eacute;novation urbaine, l&amp;rsquo;ANRU et ses partenaires demandent l&amp;rsquo;&amp;eacute;laboration d&amp;rsquo;une convention de gestion urbaine de proximit&amp;eacute; (GUP) dans les six mois suivant la signature de la convention pluriannuelle. &lt;br /&gt;
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La GUP est en effet intrins&amp;egrave;quement li&amp;eacute;e au projet de r&amp;eacute;novation urbaine et la qualit&amp;eacute; de la d&amp;eacute;marche constitue une condition du succ&amp;egrave;s du projet de r&amp;eacute;novation urbaine lors de sa mise en &amp;oelig;uvre, et une condition de sa durabilit&amp;eacute; &amp;agrave; l&amp;rsquo;issue de sa r&amp;eacute;alisation. &lt;br /&gt;
&lt;br /&gt;
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16 mars 2006

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Pavillon de l'Arsenal</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
La notion de paysage, aujourd'hui largement utilis&amp;eacute;e dans les r&amp;eacute;flexions urbaines, traduit les nouveaux enjeux de fabrication de la ville : &amp;eacute;chelles, limites, appartenance et qualit&amp;eacute; environnementale.&lt;br /&gt;
&lt;br /&gt;
Ces r&amp;eacute;flexions sur l'espace public, sur l'int&amp;eacute;gration des ouvrages d'art et la r&amp;eacute;appropriation des architectures existantes, au coeur des villes et &amp;agrave; leurs fronti&amp;egrave;res, font l'actualit&amp;eacute; &amp;agrave; Paris et dans sa r&amp;eacute;gion comme dans de nombreuses m&amp;eacute;tropoles.&lt;br /&gt;
&lt;br /&gt;
Le Pavillon de l'Arsenal a donc souhait&amp;eacute; que des paysagistes, des architectes, des urbanistes et des ing&amp;eacute;nieurs, puissent &amp;agrave; l'occasion de ce nouveau cycle de conf&amp;eacute;rences venir expliquer leur approche en pr&amp;eacute;sentant leurs travaux participant ainsi au n&amp;eacute;cessaire d&amp;eacute;bat sur l'avenir les possibles &amp;quot;paysages&amp;quot; de la ville.&lt;/div&gt;
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                <text>, ségrégation résidentielle, ségrégation sociale, gated communities, interaction sociale, sécurité, , fragmentation sociale, gouvernance, identité, citadin, délinquance, sociologie urbaine, société urbaine, Smets Peer</text>
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Peer Smets

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&amp;nbsp;&lt;/div&gt;
Today there is a widespread fear of crime on a global scale. This can be seen as a response to social inequalities, social polarisation and the fragmentation of cities, which has to a large extent been caused by neo-liberalism. Worldwide, an increasing number of middle and high-income groups have looked to security measures, such as cameras, fences, walls and gates, to separate themselves from other people in the city. These physical measures, in combination with hired guards, replace the &amp;lsquo;older&amp;rsquo; social control mechanisms, which are based on social cohesion within the community concerned. One may question whether those living in gated &amp;lsquo;communities&amp;rsquo; indeed feel responsible for other urbanites. In other words, will such a hard closure (physically-marked segregation) lead to soft closure, reflected in social-cultural and political segregation? What is the impact of the lifestyle(s) of those living in gated communities on the dynamics of the city, urban identity and urban governance?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Peer Smets&lt;/b&gt; is assistant professor at the department of sociology, VU University Amsterdam and has recently co-edited the special issue &amp;lsquo;Countering Urban Segregation&amp;rsquo; of Urban Studies. Nowadays, he publishes on neighbourhood dynamics in Amsterdam and interethnic contacts at the neighbourhood level.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Most of the professional training, thinking and strategies of architects, urban designers and planners, are strictly three-dimensional. In reality of course the city is four dimensional, and one needs to acknowledge the influence of time in planning and design strategies. Similarly, there has been relatively little analysis of the importance of interim, short-term or &amp;lsquo;meanwhile&amp;rsquo; activities in urban areas. In an era of increasing pressure on scarce resources, we cannot wait for long-term solutions to vacancy or dereliction. Instead, we need to view temporary uses as increasingly legitimate and important in their own right. They can be a powerful tool through which we can drip-feed initiatives for incremental change &amp;ndash; as and when we have the resources &amp;ndash; while being guided by a loose-fit vision.&lt;br /&gt;
&lt;br /&gt;
Peter Bishop and Lesley Williams explore the growing interest among practitioners at the cutting edge of architecture, urban design and regeneration, in temporary, interim, &amp;lsquo;pop-up&amp;rsquo; or &amp;lsquo;meanwhile&amp;rsquo; uses for land and buildings in our urban areas. They explore the origins and the social, economic and technological drivers behind this phenomenon, and its place within modern planning theory and practice. The Temporary City challenges our preoccupation with long-term strategies and masterplans and questions our ability to achieve these in the face of increasing resource constraints and political and economic uncertainty. The book includes sixty-eight diverse case studies from Europe and North America which illustrate the range of temporary use opportunities and the benefits that these can bring.&lt;br /&gt;
&lt;br /&gt;
This is essential reading for all those struggling to address the current problems of urban renewal in an era of great change. It offers a prism through which to view the city as a rich mosaic of time-limited, but inspiring urban interventions.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Peter Bishop &lt;/b&gt;is an architect, advisor to the Mayor of London, Visiting Professor at Nottingham Trent University, and an Honorary Fellow of University College London and RIBA.&lt;/div&gt;
&lt;b&gt;Lesley Williams &lt;/b&gt;is a freelance consultant specialising in the design and facilitation of stakeholder involvement processes, consensus building and partnership development.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;The fifth panel of this symposium in celebration of Anthony Orum&amp;rsquo;s retirement: Great Cities/Ordinary Lives Conference -  A look at the city and its residents from the bottom up&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Panel 5 : Listening to the voices and organizing the interests of ordinary people :&lt;br /&gt;
Peter Dreier : The potential and limits of community organizing for addressing America's urban crisis&lt;br /&gt;
Wanda Rushing - Re-imagining a divided Memphis&lt;br /&gt;
Mary Pattillo - All these different schools : Listening to parents in the era of school choice&lt;br /&gt;
Philip Nyden - Where is the public in public sociology? What place do ordinary people with ordinary lives have in creating knowledge?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Peter Dreier &lt;/b&gt;is E. P. Clapp Distinguished Professor of Politics and Department Chair of Urban and Environmental Policy at Occidental College.&lt;/div&gt;
&lt;b&gt;Wanda Rushing &lt;/b&gt;is Professor of Sociology at the University of Memphis.&lt;/div&gt;
&lt;b&gt;Mary Pattillo &lt;/b&gt;is Harold Washington Professor in the Department of Sociology and African American Studies at Northwestern University.&lt;/div&gt;
&lt;b&gt;Philip Nyden &lt;/b&gt;is Professor of Sociology and Director of the Center for Urban Research and Learning (CURL) at Loyola University Chicago.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
See also recordings of the other conference sessions:&lt;/div&gt;
Panel 1: The lives of urban residents in a global world: Europe, Shanghai and Los Angeles&lt;/a&gt;&lt;/div&gt;
Panel 2: Cities: Place, space and everyday infrastructure&lt;/a&gt;&lt;/div&gt;
Panel 3: The lives of urban residents in a global world: Berlin, South Africa, and Chicago&lt;/a&gt;&lt;/div&gt;
Keynote address: What do we do when we do urban sociology? Sharon Zukin&lt;/a&gt;&lt;/div&gt;
Panel 4: Cities: Novel readings of the city and the lives of ordinary people&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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14 October 2009

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Peter Head</text>
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What makes cities sustainable?&lt;br /&gt;
&lt;br /&gt;
How do changing urban technologies enable us to change our patterns of behaviour?&lt;br /&gt;
&lt;br /&gt;
Director in charge for the first eco-city, Dongtan near Shanghai, Peter Head of ARUP will describe how to retrofit old cities and design new self-sufficient urban form to meet the challenges of climate change.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Peter Head &lt;/b&gt;is the ARUP Director of Planning Plus&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Peter Jukes

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1991

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University of California Press 

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                <text>&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
A remarkable meditation on the topography of the modern city, A Shout in the Street  offers a close and sensitive examination of four urban landscapes -- London, Paris, Leningrad, and New York. Peter Jukes pursues the essence of these international metropolises in an assemblage comprised of his own evocative essays, excerpts from modern masters of the essay form such as Benjamin, Barthes, and Sontag, and period photographs. A Shout in the Street, with a keenly cinematic eye, searches out not just the glittering facades, but the vitality of thoroughfares and neighborhoods. &lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Peter Jukes &lt;/b&gt;is a British author, screenwriter, playwright,&amp;nbsp; and literary critic.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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6 October 2009

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Peter Marcuse</text>
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&amp;nbsp;&lt;/div&gt;
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26 mars 2010

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Petros Petsimeris</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cette conf&amp;eacute;rence a eu lieu dans le cadre de la 3&amp;egrave;me rencontre franco-italienne, intitul&amp;eacute;e &amp;quot;La g&amp;eacute;ographie sociale, le temps, le paysage&amp;quot; organis&amp;eacute;e par l'&amp;eacute;quipe ESO - Caen (Espaces et Soci&amp;eacute;t&amp;eacute;s - UMR 6590), qui s'est d&amp;eacute;roul&amp;eacute;e du 25 au 27 mars 2010 &amp;agrave; la MRSH de Caen.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Belfast est une ville tr&amp;egrave;s importante en tant qu'objet de recherche pour la g&amp;eacute;ographie sociale, la sociologie urbaine, la science politique, l'anthropologie urbaine et l'urbanisme. Cette importance d&amp;eacute;rive par les vicissitudes historiques qui ont rythm&amp;eacute; son d&amp;eacute;veloppement urbain, par la multiplicit&amp;eacute; et la complexit&amp;eacute; des facteurs qui ont fa&amp;ccedil;onn&amp;eacute; son espace et par les interpr&amp;eacute;tations et les repr&amp;eacute;sentations contest&amp;eacute;es et contrast&amp;eacute;es qui accompagnent l'analyse des divisions sociales de son espace m&amp;eacute;tropolitain. Belfast est aussi une ville laboratoire pour notre discipline, parce que c'est dans cette ville o&amp;ugrave; se sont d&amp;eacute;velopp&amp;eacute;es les premi&amp;egrave;res &amp;eacute;tudes qui on donn&amp;eacute;e naissance &amp;agrave; la g&amp;eacute;ographie sociale britannique contemporaine (E. Jones, F. Boal etc).&lt;br /&gt;
&lt;br /&gt;
L&amp;rsquo;objet de notre communication est de pr&amp;eacute;senter l&amp;rsquo;&amp;eacute;volution de la spatialit&amp;eacute; du townscape de Belfast en termes d&amp;rsquo;espace mat&amp;eacute;riel, espace symbolique et th&amp;eacute;&amp;acirc;tre de pratiques sociales en associant une lecture en termes d&amp;rsquo;urbanisation, de restructuration &amp;eacute;conomique et sociale de l&amp;rsquo;espace intra-m&amp;eacute;tropolitain et de cycles de sectarian appropriation. Le mat&amp;eacute;riel de recherche est bas&amp;eacute;e sur l&amp;rsquo;&amp;eacute;tude sur le sectarianisme urbain (R. Paddisson et P. Petsimeris, 2005), sur la recherche Representing Migration and social divisions (S. Ball et C. Gilligan, 2009) et la recherche COST en cours East Borders (S. Ball P. Petsimeris, 2010).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Petros Petsimeris est professeur de g&amp;eacute;ographie&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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            &lt;p&gt;&lt;i&gt;Urbanisme&lt;/i&gt; est historiquement en France la revue mensuelle de l'urbanisme fran&amp;ccedil;ais, organe de l'Union des villes et communes de France. Elle est &amp;eacute;dit&amp;eacute;e &amp;agrave; partir de 1932, avec comme membres du comit&amp;eacute; de direction des personnages cl&amp;eacute;s de la discipline comme Henri Prost ou Jean Royer.&lt;/p&gt;
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&amp;nbsp;&lt;/div&gt;
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Philippe Arti&amp;egrave;res</text>
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7 octobre 2010

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Bayard

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&amp;nbsp;&lt;/div&gt;
Ce petit essai sur l'enseigne lumineuse au XXe si&amp;egrave;cle s'inscrit dans un vaste programme d'&amp;eacute;tudes cherchant &amp;agrave; mettre en lumi&amp;egrave;re une anthropologie de l'&amp;eacute;criture du monde contemporain.&lt;/div&gt;
&lt;br /&gt;
Une conviction forte est &amp;agrave; la base de cette enqu&amp;ecirc;te collective : il existe non seulement une raison graphique mais un pouvoir d'&amp;eacute;criture qui imprime &amp;agrave; nos vies des fa&amp;ccedil;ons de penser et d'agir. La qu&amp;ecirc;te de ces microdispositifs d'&amp;eacute;criture, parfois &amp;eacute;ph&amp;eacute;m&amp;egrave;res, souvent d&amp;eacute;laiss&amp;eacute;s par la recherche, permet, croyons-nous, d'appr&amp;eacute;hender une dimension inexplor&amp;eacute;e de nos mani&amp;egrave;res de faire.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Avec l'histoire des enseignes lumineuses se d&amp;eacute;ploie en creux des pans de notre histoire contemporaine. Celle d'une invention, de ses acteurs, d'un petit commerce mais aussi d'un imaginaire du XXe si&amp;egrave;cle. Faisant la preuve, si besoin &amp;eacute;tait, qu'il n'est pas d'objets accessoires ou anecdotiques en histoire.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Philippe Arti&amp;egrave;res&lt;/b&gt; est historien, charg&amp;eacute; de recherche au CNRS (IIAC, EHESS, Paris)&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Philippe Arti&amp;egrave;res</text>
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5 mai 2012

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Centre Pompidou

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&amp;nbsp;&lt;/div&gt;
L'histoire de la photographie est travers&amp;eacute;e par l'histoire de l'&amp;eacute;criture et vice versa. Depuis les premiers relev&amp;eacute;s photographiques des hi&amp;eacute;roglyphes &amp;eacute;gyptiens jusqu'aux graffitis urbains, en passant par les n&amp;eacute;ons publicitaires qui &amp;eacute;clairent la nuit des grandes villes, l'&amp;eacute;crit hante la photographie. L'image photographique a aussi, &amp;agrave; l'inverse, profond&amp;eacute;ment modifi&amp;eacute; notre regard sur l'&amp;eacute;criture. A l'&amp;eacute;poque moderne, la ville est devenue un immense r&amp;eacute;servoir de signes, une page sur laquelle s'inscrit notre histoire quotidienne, po&amp;eacute;tique ou politique. Des surr&amp;eacute;alistes &amp;agrave; Andreas Gursky, de Brassa&amp;iuml; &amp;agrave; William Klein, c'est &amp;agrave; cette lecture urbaine que nous invite ce livre.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Philippe Arti&amp;egrave;res&lt;/b&gt; est historien et directeur de recherche au CNRS &amp;agrave; l'EHESS.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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11 janvier 2013

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Belin

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&amp;nbsp;&lt;/div&gt;
Cet ouvrage s'int&amp;eacute;resse aux lieux laiss&amp;eacute;s vacants, avec le projet d'y d&amp;eacute;busquer le sens cach&amp;eacute; que recouvre leur expulsion du jeu social. Il aborde leur r&amp;eacute;am&amp;eacute;nagement ou leur restauration, leur &amp;quot;renaturation&amp;quot;, qui leur conf&amp;egrave;re une valeur m&amp;eacute;morielle.&lt;br /&gt;
&lt;br /&gt;
Autrement dit, il s'essaie &amp;agrave; d&amp;eacute;crypter le jeu subtil de l'oubli et de la m&amp;eacute;moire qui s'y joue, entre l'enfouissement et la r&amp;eacute;surgence. Parmi ces lieux, l'auteur examine particuli&amp;egrave;rement les friches et &amp;eacute;tudie celles-ci sous leurs multiples facettes. En r&amp;eacute;f&amp;eacute;rence &amp;agrave; leur statut, qu'on les qualifie de rurales, urbaines, industrielles, militaires, touristiques... m&amp;ecirc;me si le plus souvent elles sont tout cela &amp;agrave; la fois. &lt;br /&gt;
&lt;br /&gt;
En rapport &amp;agrave; leur dur&amp;eacute;e, variable, car il en est d'imm&amp;eacute;moriales mais aussi d'&amp;eacute;ph&amp;eacute;m&amp;egrave;res, d'involontaires et de circonstanci&amp;eacute;es. Et au regard de leur finalit&amp;eacute;, d&amp;egrave;s lors qu'elles sont r&amp;eacute;appropri&amp;eacute;es par des activit&amp;eacute;s patrimoniales, touristiques... &lt;br /&gt;
&lt;br /&gt;
La th&amp;egrave;se ici soutenue serait que les espaces d&amp;eacute;laiss&amp;eacute;s deviennent des lieux de m&amp;eacute;moire par le biais de leur r&amp;eacute;appropriation patrimoniale, d&amp;egrave;s lors qu'une recherche identitaire s'accommode de leur mise en tourisme. La friche est donc pr&amp;eacute;sent&amp;eacute;e ici comme un fondement de l'illusion m&amp;eacute;morielle patrimoniale, une nostalgie du R&amp;eacute;tro. &lt;br /&gt;
&lt;br /&gt;
C'est en cela que la Vacance des lieux fait consensus social, en ce sens qu'elle d&amp;eacute;passionne les tensions. Qui pourrait s'offusquer qu'un tel miracle se fasse au prix de d&amp;eacute;tournements de sens ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Philippe Bachimon&lt;/b&gt; est professeur de g&amp;eacute;ographie du tourisme &amp;agrave; l&amp;rsquo;universit&amp;eacute; d&amp;rsquo;Avignon. Comme chercheur en poste, invit&amp;eacute; ou en mission, il a parcouru le monde, y &amp;eacute;tudiant la reconstruction des identit&amp;eacute;s locales au contact du tourisme. Il est l&amp;rsquo;auteur (et le co-auteur) de plusieurs ouvrages, &lt;i&gt;Tahiti entre mythes et r&amp;eacute;alit&amp;eacute;s&lt;/i&gt;, &lt;i&gt;Le tourisme local&amp;thinsp;: une culture de l&amp;rsquo;exotisme&amp;hellip;&lt;/i&gt; et de multiples articles qui font r&amp;eacute;f&amp;eacute;rence en la mati&amp;egrave;re.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Philippe Boulanger et C&amp;eacute;line Hullo-Pouyat, 
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9 septembre 2010

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PUPS

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&amp;nbsp;&lt;/div&gt;
Quand l&amp;rsquo;urbanisme est au service d&amp;rsquo;une certaine philosophie de la ville engag&amp;eacute;e dans la pr&amp;eacute;servation des h&amp;eacute;ritages culturels, la conservation traditionnelle mais aussi la production d&amp;rsquo;un patrimoine architectural r&amp;eacute;nov&amp;eacute; prennent le pas sur d&amp;rsquo;autres forces de progr&amp;egrave;s. Ainsi, les m&amp;eacute;canismes d&amp;rsquo;int&amp;eacute;gration ou de rejet du pass&amp;eacute;, la m&amp;eacute;moire collective et les enjeux de pouvoirs, la valorisation des pratiques sociales traditionnelles et les ic&amp;ocirc;nes architecturales, la r&amp;eacute;habilitation et la production d&amp;rsquo;espaces patrimoniaux jusqu&amp;rsquo;au rang de patrimoine mondial sont autant de questions d&amp;rsquo;actualit&amp;eacute; que cet ouvrage aborde, proposant, &amp;agrave; travers un large panorama illustr&amp;eacute;, la d&amp;eacute;couverte de diff&amp;eacute;rentes expressions d&amp;rsquo;am&amp;eacute;nagement urbain.&lt;br /&gt;
&lt;br /&gt;
Entre l&amp;rsquo;Europe, l&amp;rsquo;Afrique du Nord, le Moyen-Orient, l&amp;rsquo;Asie et le Pacifique on peut &amp;ecirc;tre &amp;eacute;tonn&amp;eacute; de rencontrer une certaine coh&amp;eacute;rence urbanistique qui concilie la prise en compte des facteurs g&amp;eacute;ographiques, le d&amp;eacute;veloppement architectural et la pr&amp;eacute;servation des h&amp;eacute;ritages culturels.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Philippe Boulanger, 
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28 octobre 2010

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Presses de l'universit&amp;eacute; Paris-Sorbonne

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&lt;br /&gt;
&lt;b&gt;Introduction&lt;/b&gt;, Philippe Boulanger, Celine Hullo-Pouya&lt;b&gt;t&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Premi&amp;egrave;re Partie : Penser les h&amp;eacute;ritages culturels dans l&amp;rsquo;espace urbain&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Quel patrimoine pour quels espaces ?&lt;/b&gt;&lt;br /&gt;
&amp;bull; Faire la ville &amp;laquo; avec &amp;raquo;, Dominique Rouillard&lt;br /&gt;
&amp;bull; La dimension patrimoniale dans les grands projets urbains en Tunisie : port&amp;eacute;es et limites, Ali Bennasr&lt;br /&gt;
&amp;bull; L&amp;rsquo;arch&amp;eacute;ologie dans la ville au xxie si&amp;egrave;cle : l&amp;rsquo;exemple de la France, Martine Joly&lt;br /&gt;
&amp;bull; Paris, capitale du patrimoine contemporain ?, Simon Texier&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;L&amp;rsquo;enjeu des m&amp;eacute;moires collectives&lt;/b&gt;&lt;br /&gt;
&amp;bull; Les enjeux du patrimoine religieux en Alg&amp;eacute;rie &amp;agrave; l&amp;rsquo;heure de la mondialisation, Dalila Senhadji Khiat&lt;br /&gt;
&amp;bull; Le probl&amp;egrave;me de la reconstruction &amp;agrave; l&amp;rsquo;identique. Le cas de Berlin, Florian Hertweck&lt;br /&gt;
&amp;bull; Reconstructions et politiques du patrimoine urbain au Liban, Eric Verdeil&lt;br /&gt;
&amp;bull; Nouveaux gouvernements urbains et patrimoine dans le sud du Liban : Sa&amp;iuml;da, Maud Moussi&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Diversit&amp;eacute; de pens&amp;eacute;es &lt;/b&gt;&lt;br /&gt;
&amp;bull; Iconicit&amp;eacute; et banalit&amp;eacute; : L&amp;rsquo;int&amp;eacute;gration des architectures iconiques contemporaines dans le tissu urbain, Maria Gravari- Barbas.&lt;br /&gt;
&amp;bull; L&amp;rsquo;architecture des mus&amp;eacute;es dans le paysage urbain aux &amp;Eacute;mirats arabes unis : de la conception patrimoniale &amp;agrave; la cr&amp;eacute;ation d&amp;rsquo;ic&amp;ocirc;nes architecturales, Celine Pouyat&lt;br /&gt;
&amp;bull; Le mouvement du New Urbanism en Europe. M&amp;eacute;moire collective et esth&amp;eacute;tique neo&amp;#8209;traditionnelle : le projet Quartier am Tacheles &amp;agrave; Berlin , Blaise Dupuis&lt;br /&gt;
&amp;bull; Des effets de la &amp;laquo; patrimondialisation &amp;raquo; : variations cairotes, Anna Madoeuf&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Seconde Partie : Reinterpreter et valoriser les heritages culturels dans l&amp;rsquo;urbanisme et l&amp;rsquo;architecture&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Reconstruire, Rehabiliter&lt;/b&gt;&lt;br /&gt;
&amp;bull; La Cit&amp;eacute; du Design &amp;agrave; Saint&amp;#8209;Etienne : valorisation et rejet d&amp;rsquo;h&amp;eacute;ritages culturels dans un projet architectural et urbain, Thomas Zanetti &lt;br /&gt;
&amp;bull; La r&amp;eacute;habilitation urbaine &amp;agrave; Tachkent (Ouzb&amp;eacute;kistan) ou l&amp;rsquo;&amp;eacute;viction de la valeur historique, Guillemette Pincent&lt;br /&gt;
&amp;bull; Patrimonialisation et fabrication urbaine dans le Y&amp;eacute;men contemporain : Le cas de Sanaa, Roman Stadnicki&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Valoriser&lt;/b&gt;&lt;br /&gt;
&amp;bull; Les coupoles d&amp;rsquo;Alger, &amp;eacute;l&amp;eacute;ments d&amp;rsquo;&amp;eacute;mergences dans le paysage urbain de la m&amp;eacute;dina maghr&amp;eacute;bine entre hier et aujourd&amp;rsquo;hui, N. K. Drioueche&lt;br /&gt;
&amp;bull; Les h&amp;eacute;ritages culturels dans les villes de l&amp;rsquo;Oc&amp;eacute;anie insulaire du xxie si&amp;egrave;cle, Christian Huetz de Lemps&lt;br /&gt;
&amp;bull; Nature et diversit&amp;eacute; des &amp;eacute;l&amp;eacute;ments patrimoniaux dans le projet  urbanistique et architectural au Nord du Maroc : les cas de Tanger&amp;#8209;Tetouan, Boussif Ouasti &lt;br /&gt;
&amp;bull; Le projet Lyon&amp;#8209;Confluence, entre patrimoine et modernit&amp;eacute;, Josette Barre&lt;br /&gt;
&amp;bull; Duba&amp;iuml; : architecture and heritage in service of globalization, Samia Rab&lt;br /&gt;
&amp;bull; L&amp;rsquo;identit&amp;eacute; b&amp;eacute;douine dans l&amp;rsquo;architecture et l&amp;rsquo;urbanisme &amp;agrave; Abu Dhabi au d&amp;eacute;but du xxie si&amp;egrave;cle, Philippe Boulanger&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Reconnaissance internationale des h&amp;eacute;ritages culturels&lt;/b&gt;&lt;br /&gt;
&amp;bull; Les villes inscrites au Patrimoine culturel mondial au d&amp;eacute;fi du d&amp;eacute;veloppement durable. Le cas de Suzhou (Jiangsu, Chine), Guillaume Giroir&lt;br /&gt;
&amp;bull; Qufu, mod&amp;egrave;le d&amp;rsquo;am&amp;eacute;nagement architectural de l&amp;rsquo;espace confuc&amp;eacute;en, Antoine Gournay&lt;br /&gt;
&amp;bull; Projet urbain et identit&amp;eacute; patrimoniale en Chine : le cas de Qufu, caract&amp;eacute;ristiques, sp&amp;eacute;cificit&amp;eacute;s, difficult&amp;eacute;s et solutions, Roland Lin Chih-Hung&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Conclusion,&lt;/b&gt; Christian Huetz de Lemps&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Appuy&amp;eacute;e sur une reconstitution parcellaire d'un espace d'environ sept hectares et sur l&amp;rsquo;abondante documentation rouennaise, cette &amp;eacute;tude d&amp;rsquo;histoire urbaine m&amp;eacute;di&amp;eacute;vale porte sur trois paroisses de la ville de Rouen voisines de la cath&amp;eacute;drale : les paroisses de Saint-L&amp;ocirc;, Notre-Dame-la-Ronde et Saint-Herbland, aux derniers si&amp;egrave;cles du Moyen Age. Apr&amp;egrave;s une &amp;eacute;vocation des diff&amp;eacute;rentes phases de l&amp;rsquo;urbanisation de la capitale normande et de ses r&amp;eacute;percussions sur le secteur &amp;eacute;tudi&amp;eacute;, l&amp;rsquo;auteur s&amp;rsquo;attache &amp;agrave; faire revivre l&amp;rsquo;habitat et le cadre de vie de ces Rouennais de la fin du Moyen &amp;Acirc;ge, puis se consacre &amp;agrave; l&amp;rsquo;&amp;eacute;tude du march&amp;eacute; immobilier et enfin &amp;agrave; l&amp;rsquo;&amp;eacute;vocation des habitants, &amp;agrave; leurs activit&amp;eacute;s et &amp;agrave; ce que les sources laissent entrevoir de leur existence.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Philippe Cailleux&lt;/b&gt;, titulaire d&amp;rsquo;un dipl&amp;ocirc;me d&amp;rsquo;architecture et d&amp;rsquo;un doctorat d&amp;rsquo;histoire, enseigne au coll&amp;egrave;ge Saint-Louis de Louviers depuis 1980. Charg&amp;eacute; de cours en histoire m&amp;eacute;di&amp;eacute;vale &amp;agrave; l&amp;rsquo;universit&amp;eacute; de Rouen de 1998 &amp;agrave; 2000, il est chercheur associ&amp;eacute; au Groupe de recherche d&amp;rsquo;histoire (GRHis, universit&amp;eacute; de Rouen).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Le beau livre des architectures de Pierre, Claude, Pierre et V&amp;eacute;n&amp;eacute;zia Ferret, confront&amp;eacute;es &amp;agrave; une histoire des villes, de celles et ceux qui y vivent, les habitent et en ont fait leur patrimoine, au fil des g&amp;eacute;n&amp;eacute;rations, de 1895 &amp;agrave; 2011.&lt;br /&gt;
De magnifiques photos d'archives et d'architectures contemporaines (plus de 350 documents et index) comme autant de t&amp;eacute;moignages et d'intimit&amp;eacute;s partag&amp;eacute;es avec vue sur la mer et balcons sur la ville...&lt;/div&gt;
&lt;br /&gt;
- Art nouveau, Art d&amp;eacute;co et Art moderne sur Bordeaux et Paris, du d&amp;eacute;but du XXe si&amp;egrave;cle jusqu'&amp;agrave; aujourd'hui ;&lt;br /&gt;
- de Royan des Ann&amp;eacute;es 50, la reconstruction de toute une ville, la Caserne des Pompiers de La Benauge jusqu'&amp;agrave; la nouvelle Ecole d'architecture de Bordeaux, &amp;agrave; Talence, des ann&amp;eacute;es 50 jusqu'aux ann&amp;eacute;es 80 ;&lt;br /&gt;
- et &amp;agrave; travers toute la France, en vue d'un XXIe si&amp;egrave;cle mondialis&amp;eacute; : de Toulouse &amp;agrave; O&amp;iuml;ta au Japon, de Lille et Lens &amp;agrave; Bayonne et Bastia, de Clairefontaine &amp;agrave; Marcoussis, de Contis &amp;agrave; La Br&amp;egrave;de, de Dunkerque et Courbevoie &amp;agrave; Lormont, Agen, Le Taillan M&amp;eacute;doc et Limoges demain...&lt;/div&gt;
&lt;br /&gt;
Apr&amp;egrave;s 70 ans d'Ecole d'architecture de Bordeaux incontest&amp;eacute;e, ce livre offre des architectures des Ferret les plus riches enseignements urbains, patrimoniaux, sociaux et humains, (400 auteurs et t&amp;eacute;moins cit&amp;eacute;s) &amp;agrave; tous les publics, savants et profanes, amateurs et professionnels r&amp;eacute;unis.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Philippe Caumes&lt;/b&gt; est photographe.&lt;/div&gt;
&lt;b&gt;Natalia Miteneva&lt;/b&gt; est architecte.&lt;/div&gt;
&lt;b&gt;Christian Sallenave&lt;/b&gt; est sociologue.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Nice-Ville</text>
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                <text>Nice, quartier populaire, photographie, littérature, années soixante-dix, Chartron Philippe, Valente Raymond</text>
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Philippe Chartron, 
Raymond Valente</text>
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22 d&amp;eacute;cembre 2009

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L'Amourier

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56</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ce livre s&amp;rsquo;offre comme un retour sur images, sur l&amp;rsquo;architecture des quartiers populaires. Il est travers&amp;eacute; par les silhouettes du petit peuple : celui qui, dans les ann&amp;eacute;es soixante-dix, hantait encore les espaces color&amp;eacute;s autour du Vieux-Nice.&lt;br /&gt;
&lt;br /&gt;
Les photographies de &lt;b&gt;Raymond Valente&lt;/b&gt; se livrent ici non comme ornements, mais comme d&amp;eacute;clencheurs. Son regard aime &amp;agrave; fouiller. Son objectif d&amp;eacute;chire l&amp;rsquo;apparence et fait &amp;eacute;merger un &amp;eacute;clat qu&amp;rsquo;on ne percevait plus. &lt;b&gt;Philippe Chartron&lt;/b&gt; &amp;eacute;voque avec le photographe une communaut&amp;eacute; de vision qui fa&amp;ccedil;onne le regard.&lt;/div&gt;
&lt;br /&gt;
Trois autres textes font &amp;eacute;cho &amp;agrave; cette rencontre initiale et fondatrice, sign&amp;eacute;s de &lt;b&gt;Daniel Biga&lt;/b&gt;, &lt;b&gt;Claire Legendre&lt;/b&gt; et &lt;b&gt;Michel S&amp;eacute;onnet&lt;/b&gt;, &amp;eacute;crivains ni&amp;ccedil;ois d&amp;rsquo;origine.  Entre exil et retour, ils l&amp;rsquo;amplifient et la portent &amp;agrave; ce niveau de passion o&amp;ugrave; seuls la retenue et le travail accompli sur les mots autorisent la parole.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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        <name>Valente Raymond</name>
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