Ambiances balzaciennes - La poétique des effets sonores dans La Comédie humaine d'Honoré de Balzac

Ambiances balzaciennes - La poétique des effets sonores dans La Comédie humaine d'Honoré de Balzac

[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management

[SHS:SOCIO] Humanities and Social Sciences/Sociology

Balzac

romans

sons

effets

écoute

silence

surveillance

pas

In Balzac's Human Comedy, not a man, not a place, not a landscape comes into being, into prose, without its own particular soundtrack. From the noises of everyday objects to the bustling Parisian streets, from the screams of the swine to the sigh of the dying, Balzac's fictional society is everything but silent. Using the lexicon developed by Jean-François Augoyard and his team in their 1995 Répertoire des effets sonores, we propose an analysis of two especially rich acoustic scenes, one taken from Le Père Goriot, the second from a lesser known short story: Z. Marcas. Unfolding the intricate network of sound effects that binds fictional characters with surroundings, allows us to see that ambiances, as the matrix where men and places recreate each other, are the very fabric of the balzacian novel.

Richer, Jean-François

Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances

Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012

2012

FRE

conference proceeding

http://halshs.archives-ouvertes.fr/halshs-00745536

http://halshs.archives-ouvertes.fr/docs/00/74/55/36/PDF/ambiances2012_richer.pdf

Montreal

Canada