Dublin Core
Titre
Corps critiques : parcours sonores urbains artistiques et espace public
Sujet
[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management
[SHS:SOCIO] Humanities and Social Sciences/Sociology
public space
body
city
audio art
soundwalk
encounter
aesthetic
Description
Ever since the early dada experimentations of the 1920's, art has participated in the emergence of a sense of "public space" in public places. By transferring works of art in actual public places, artists in general, and sound artists in particular, have undermined and reshaped our understanding of what an aesthetic experience is and have redefined it's relation to different ethical and political forms of being together. From Max Neuhaus to Atau Tanaka, soundwalks have made it possible for those who walk and listen to infiltrate the complexity of our urban environments. This research is an investigation into how these singular aesthetic events affect our experience of public spaces in such a way as to generate a shift from objective public space to a space that becomes public through interaction.
Créateur
Faubert, Julie
Source
Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances
Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012
Date
2012
Langue
FRE
Type
conference proceeding
Identifiant
http://halshs.archives-ouvertes.fr/halshs-00745861
http://halshs.archives-ouvertes.fr/docs/00/74/58/61/PDF/ambiances2012_faubert.pdf
Couverture
Montreal
Canada